ENTRY 001: LOST HIGHWAY - LHW ENTRY 002: BEEF - BEF ENTRY 003: THIS IS THE END - TIE ENTRY 004: HEAT - HEA ENTRY 005: THE IDOL - TID ENTRY 006: THE IDOL - IDL ENTRY 007: BIUTIFUL - BIU ENTRY 008: MARRIAGE STORY - MAS ENTRY 009: CREED III - CRD ENTRY 010: BETTER CALL SAUL - BCS ENTRY 011: LEGION - LEG ENTRY 012: LEGION - LEG ENTRY 013: BREAKING BAD - BRB ENTRY 014: THE BIG SICK - TBS ENTRY 015: YELLOW DAYS - YLD ENTRY 016: LOVE - LOV ENTRY 017: ENTER THE VOID - ETV ENTRY 018: THE SHOES - THS ENTRY 019: WAVES - WAV ENTRY 020: FALLEN ANGELS - FLA ENTRY 021: THE BEAR - TBE ENTRY 022: ANORA - ANO ENTRY 023: THE BATMAN - TBM ENTRY 024: ANORA - ANR ENTRY 025: DRUMLINE - DRM ENTRY 026: SALTBURN - SAL ENTRY 027: KNIGHT OF CUPS - KOC ENTRY 028: ANORA - ANO ENTRY 029: BAD BOYS II - BBI ENTRY 030: LAST NIGHT IN SOHO - LNS ENTRY 031: JENNIE, DUA LIPA - JDL ENTRY 032: WHITE BIRD IN A BLIZZARD - WBB ENTRY 033: PARIAH - PAR ENTRY 034: BOOGIE NIGHTS - BGN ENTRY 035: BREATHE - BRE ENTRY 036: MISSION: IMPOSSIBLE - MIP ENTRY 037: 25TH HOUR - 25H ENTRY 038: JOHN WICK: CHAPTER 4 - JWC ENTRY 039: THE DEATH & LIFE OF JOHN F. DONOVAN - TDL ENTRY 040: SWARM - SWM ENTRY 041: P-VALLEY - PVA ENTRY 042: SOMEONE GREAT - SMG ENTRY 043: LAURENCE ANYWAYS - LAU ENTRY 044: ALULA - ALU ENTRY 045: BLADE RUNNER 2049 - BLR ENTRY 046: DRIVE - DRI ENTRY 047: OLIVIA RODRIGO feat. OLIVIA RODRIGO - OLR ENTRY 048: TRIANGLE OF SADNESS - TOS ENTRY 049: ATLANTA - ATL ENTRY 050: THE KIDS ARE ALL RIGHT - TKA ENTRY 051: NOCTURNAL ANIMALS - NAM ENTRY 052: HOUSE OF CARDS - HOC ENTRY 053: THE INSIDER - INS ENTRY 054: THE IMPOSTER - IMP ENTRY 055: EUPHORIA - EUP ENTRY 056: EUPHORIA - EUP ENTRY 057: PEPPERMINT CANDY - PMC ENTRY 058: EMILY THE CRIMINAL - ETC ENTRY 059: A SINGLE MAN - ASM ENTRY 060: Q - QUE ENTRY 061: DIL CHAHTA HAI - DCH ENTRY 062: WHERE THE CRAWDADS SING - WCS ENTRY 063: F1: THE MOVIE - F1M ENTRY 064: SONG TO SONG - STS ENTRY 065: PLEASURE - PLE ENTRY 066: KNIGHT OF CUPS - KOC ENTRY 067: DEAR WHITE PEOPLE - DWP ENTRY 068: THE PLACE BEYOND THE PINES - PBP ENTRY 069: KENDRICK LAMAR - KEN ENTRY 070: ASICS - ASC ENTRY 071: REPO MAN - RPM ENTRY 072: SICARIO - SIC ENTRY 073: GIRL IN RED - GIR ENTRY 074: KCRW - KCR ENTRY 075: THE BATMAN - BAT ENTRY 076: DRIVE - DRV ENTRY 077: ONCE UPON A TIME IN HOLLYWOOD - OUH ENTRY 078: ENCOUNTER - ENC ENTRY 079: THE WEEKND - TWK ENTRY 080: ONCE UPON A TIME IN HOLLYWOOD - OUH ENTRY 081: MAGNOLIA - MAG ENTRY 082: DRIVE - DRV ENTRY 083: KOYAANISQATSI - KOY ENTRY 084: FIGHT CLUB - FCL ENTRY 085: THE WEEKND - TWK ENTRY 086: FEMME - FEM ENTRY 087: RAW - RAW ENTRY 088: KIMI - KIM ENTRY 089: LA LA LAND - LLL ENTRY 090: COLD IN JULY - CIJ ENTRY 091: COLD IN JULY - CIJ ENTRY 092: KNIGHT OF CUPS - KOC ENTRY 093: LA LA LAND - LLL ENTRY 094: INSECURE - INS ENTRY 095: WILD AT HEART - WAH ENTRY 096: SEX, LIES, AND VIDEOTAPE - SLV ENTRY 097: DIOR - DIO ENTRY 098: ATLANTA - ATL ENTRY 099: BLADE RUNNER 2049 - BR9 ENTRY 100: EUPHORIA - EUP ENTRY 101: SEVERANCE - SEV ENTRY 102: THE RING - RNG ENTRY 103: AG JEANS - AGJ ENTRY 104: GLADIATOR - GLA ENTRY 105: SEBERG - SEB ENTRY 106: KNIGHT OF CUPS - KOC ENTRY 107: THE IDOL - TID ENTRY 108: THE BLING RING - TBR

CHANGE #001 EXACT LINE TO BE CHANGED: ENTRY 005: THE IDOL - TID CHANGE IT TO: ENTRY 005: THE IDOL (Shot 1) - TID ---------------------- CHANGE #002 EXACT LINE TO BE CHANGED: ENTRY 006: THE IDOL - IDL CHANGE IT TO: ENTRY 006: THE IDOL (Shot 2) - TID ---------------------- CHANGE #003 EXACT LINE TO BE CHANGED: ENTRY 011: LEGION - LEG CHANGE IT TO: ENTRY 011: LEGION (Shot 1) - LEG ---------------------- CHANGE #004 EXACT LINE TO BE CHANGED: ENTRY 012: LEGION - LEG CHANGE IT TO: ENTRY 012: LEGION (Shot 2) - LEG ---------------------- CHANGE #005 EXACT LINE TO BE CHANGED: ENTRY 022: ANORA - ANO CHANGE IT TO: ENTRY 022: ANORA (Shot 1) - ANO ---------------------- CHANGE #006 EXACT LINE TO BE CHANGED: ENTRY 023: THE BATMAN - TBM CHANGE IT TO: ENTRY 023: THE BATMAN (Shot 1) - TBM ---------------------- CHANGE #007 EXACT LINE TO BE CHANGED: ENTRY 024: ANORA - ANR CHANGE IT TO: ENTRY 024: ANORA (Shot 2) - ANO ---------------------- CHANGE #008 EXACT LINE TO BE CHANGED: ENTRY 027: KNIGHT OF CUPS - KOC CHANGE IT TO: ENTRY 027: KNIGHT OF CUPS (Shot 1) - KOC ---------------------- CHANGE #009 EXACT LINE TO BE CHANGED: ENTRY 028: ANORA - ANO CHANGE IT TO: ENTRY 028: ANORA (Shot 3) - ANO ---------------------- CHANGE #010 EXACT LINE TO BE CHANGED: ENTRY 045: BLADE RUNNER 2049 - BLR CHANGE IT TO: ENTRY 045: BLADE RUNNER 2049 (Shot 1) - BLR ---------------------- CHANGE #011 EXACT LINE TO BE CHANGED: ENTRY 046: DRIVE - DRI CHANGE IT TO: ENTRY 046: DRIVE (Shot 1) - DRI ---------------------- CHANGE #012 EXACT LINE TO BE CHANGED: ENTRY 049: ATLANTA - ATL CHANGE IT TO: ENTRY 049: ATLANTA (Shot 1) - ATL ---------------------- CHANGE #013 EXACT LINE TO BE CHANGED: ENTRY 055: EUPHORIA - EUP CHANGE IT TO: ENTRY 055: EUPHORIA (Shot 1) - EUP ---------------------- CHANGE #014 EXACT LINE TO BE CHANGED: ENTRY 056: EUPHORIA - EUP CHANGE IT TO: ENTRY 056: EUPHORIA (Shot 2) - EUP ---------------------- CHANGE #015 EXACT LINE TO BE CHANGED: ENTRY 066: KNIGHT OF CUPS - KOC CHANGE IT TO: ENTRY 066: KNIGHT OF CUPS (Shot 2) - KOC ---------------------- CHANGE #016 EXACT LINE TO BE CHANGED: ENTRY 075: THE BATMAN - BAT CHANGE IT TO: ENTRY 075: THE BATMAN (Shot 2) - TBM ---------------------- CHANGE #017 EXACT LINE TO BE CHANGED: ENTRY 076: DRIVE - DRV CHANGE IT TO: ENTRY 076: DRIVE (Shot 2) - DRI ---------------------- CHANGE #018 EXACT LINE TO BE CHANGED: ENTRY 077: ONCE UPON A TIME IN HOLLYWOOD - OUH CHANGE IT TO: ENTRY 077: ONCE UPON A TIME IN HOLLYWOOD (Shot 1) - OUH ---------------------- CHANGE #019 EXACT LINE TO BE CHANGED: ENTRY 079: THE WEEKND - TWK CHANGE IT TO: ENTRY 079: THE WEEKND (Shot 1) - TWK ---------------------- CHANGE #020 EXACT LINE TO BE CHANGED: ENTRY 080: ONCE UPON A TIME IN HOLLYWOOD - OUH CHANGE IT TO: ENTRY 080: ONCE UPON A TIME IN HOLLYWOOD (Shot 2) - OUH ---------------------- CHANGE #021 EXACT LINE TO BE CHANGED: ENTRY 082: DRIVE - DRV CHANGE IT TO: ENTRY 082: DRIVE (Shot 3) - DRI ---------------------- CHANGE #022 EXACT LINE TO BE CHANGED: ENTRY 085: THE WEEKND - TWK CHANGE IT TO: ENTRY 085: THE WEEKND (Shot 2) - TWK ---------------------- CHANGE #023 EXACT LINE TO BE CHANGED: ENTRY 089: LA LA LAND - LLL CHANGE IT TO: ENTRY 089: LA LA LAND (Shot 1) - LLL ---------------------- CHANGE #024 EXACT LINE TO BE CHANGED: ENTRY 090: COLD IN JULY - CIJ CHANGE IT TO: ENTRY 090: COLD IN JULY (Shot 1) - CIJ ---------------------- CHANGE #025 EXACT LINE TO BE CHANGED: ENTRY 091: COLD IN JULY - CIJ CHANGE IT TO: ENTRY 091: COLD IN JULY (Shot 2) - CIJ ---------------------- CHANGE #026 EXACT LINE TO BE CHANGED: ENTRY 092: KNIGHT OF CUPS - KOC CHANGE IT TO: ENTRY 092: KNIGHT OF CUPS (Shot 3) - KOC ---------------------- CHANGE #027 EXACT LINE TO BE CHANGED: ENTRY 093: LA LA LAND - LLL CHANGE IT TO: ENTRY 093: LA LA LAND (Shot 2) - LLL ---------------------- CHANGE #028 EXACT LINE TO BE CHANGED: ENTRY 094: INSECURE - INS CHANGE IT TO: ENTRY 094: INSECURE - INC ---------------------- CHANGE #029 EXACT LINE TO BE CHANGED: ENTRY 098: ATLANTA - ATL CHANGE IT TO: ENTRY 098: ATLANTA (Shot 2) - ATL ---------------------- CHANGE #030 EXACT LINE TO BE CHANGED: ENTRY 099: BLADE RUNNER 2049 - BR9 CHANGE IT TO: ENTRY 099: BLADE RUNNER 2049 (Shot 2) - BLR ---------------------- CHANGE #031 EXACT LINE TO BE CHANGED: ENTRY 100: EUPHORIA - EUP CHANGE IT TO: ENTRY 100: EUPHORIA (Shot 3) - EUP ---------------------- CHANGE #032 EXACT LINE TO BE CHANGED: ENTRY 106: KNIGHT OF CUPS - KOC CHANGE IT TO: ENTRY 106: KNIGHT OF CUPS (Shot 4) - KOC ---------------------- CHANGE #033 EXACT LINE TO BE CHANGED: ENTRY 107: THE IDOL - TID CHANGE IT TO: ENTRY 107: THE IDOL (Shot 3) - TID ----------------------

=== ENTRY 001: LOST HIGHWAY - LHW === 001_LHW_S1_1A: David Lynch 001_LHW_S1_1B: Peter Deming 001_LHW_S1_1C: Dan Muscarella 001_LHW_S1_1D: Cool, Saturated, Blue 001_LHW_S1_1E: 2.39 - Anamorphic 001_LHW_S1_1F: Film - 35mm 001_LHW_S1_1G: Wide 001_LHW_S1_1H: Group shot, High angle 001_LHW_S1_1J: Wide 001_LHW_S1_1K: Balanced 001_LHW_S1_1M: Hard light, High contrast, Underlight 001_LHW_S1_1N: Artificial light, Practical light 001_LHW_S1_1P: Night 001_LHW_S1_1Q: Exterior 001_LHW_S1_1R: Panavision Panaflex Platinum, Panavision Panaflex Gold 001_LHW_S1_1S: Panavision Primo Anamorphics 001_LHW_S1_1T: 5293/7293 EXR 200T, 5298/7298 EXR 500T 001_LHW_S1_2A: Rapid 001_LHW_S1_2B: Halation Bloom 001_LHW_S1_2C: Crushed Black 001_LHW_S1_2D: Fine Film Grain 001_LHW_S1_2E: Soft Diffusion 001_LHW_S1_2F: Anamorphic Distortion 001_LHW_S1_2G: Low Key / Chiaroscuro 001_LHW_S1_2H: Dense / Subtractive 001_LHW_S1_2J: Monochromatic Cool 001_LHW_S1_2K: Halation / Bloom 001_LHW_S1_2M: Chaotic Scatter 001_LHW_S1_2N: Flat Planar 001_LHW_S1_2P: Balanced 001_LHW_S1_2Q: Monochromatic 001_LHW_S1_2R: Flat 001_LHW_S1_2S: Low Key 001_LHW_S1_3A: rgb(8,7,6) 001_LHW_S1_3B: rgb(11,8,11) 001_LHW_S1_3C: rgb(4,12,10) 001_LHW_S1_3D: rgb(6,18,33) 001_LHW_S1_3E: rgb(20,55,138) 001_LHW_S1_3F: rgb(47,76,63) 001_LHW_S1_3G: rgb(25,78,201) 001_LHW_S1_3H: rgb(23,110,244) 001_LHW_S1_3J: rgb(137,124,142) 001_LHW_S1_3K: rgb(33,162,247) 001_LHW_S1_3M: rgb(168,186,227) 001_LHW_S1_3N: rgb(60,239,250) 001_LHW_S1_3P: rgb(58,250,250) 001_LHW_S1_3Q: rgb(218,227,240) 001_LHW_S1_3R: rgb(246,252,250) === ENTRY 002: BEEF - BEF === 002_BEF_S1_1A: Jake Schreier 002_BEF_S1_1B: Larkin Seiple 002_BEF_S1_1C: Alex Jimenez 002_BEF_S1_1D: Warm, Saturated, Yellow 002_BEF_S1_1E: 2.00 - Spherical 002_BEF_S1_1F: Digital, Digital - Large Format 002_BEF_S1_1G: Wide 002_BEF_S1_1H: Establishing shot 002_BEF_S1_1J: Wide 002_BEF_S1_1K: Center 002_BEF_S1_1M: Soft light, High contrast 002_BEF_S1_1N: Artificial light, Practical light 002_BEF_S1_1P: Night 002_BEF_S1_1Q: Exterior 002_BEF_S1_1R: ARRI ALEXA Mini LF 002_BEF_S1_1S: Zeiss Supreme Prime 002_BEF_S1_1T: ARRIRAW (4.5K) 002_BEF_S1_2A: Rapid 002_BEF_S1_2B: Soft Roll-off 002_BEF_S1_2C: Crushed Black 002_BEF_S1_2D: Clean Digital 002_BEF_S1_2E: Clinically Sharp 002_BEF_S1_2F: Modern Clean 002_BEF_S1_2G: Low Key / Chiaroscuro 002_BEF_S1_2H: Dense / Subtractive 002_BEF_S1_2J: Monochromatic Warmth 002_BEF_S1_2K: Creamy / Soft Shoulder 002_BEF_S1_2M: Silhouette Framing 002_BEF_S1_2N: Deep Z-axis 002_BEF_S1_2P: Balanced 002_BEF_S1_2Q: Monochromatic 002_BEF_S1_2R: Deep 002_BEF_S1_2S: Low Key 002_BEF_S1_3A: rgb(2,3,3) 002_BEF_S1_3B: rgb(3,3,4) 002_BEF_S1_3C: rgb(5,4,5) 002_BEF_S1_3D: rgb(36,21,10) 002_BEF_S1_3E: rgb(100,60,22) 002_BEF_S1_3F: rgb(131,80,28) 002_BEF_S1_3G: rgb(179,131,59) 002_BEF_S1_3H: rgb(208,164,86) 002_BEF_S1_3J: rgb(239,202,110) 002_BEF_S1_3K: rgb(240,227,172) === ENTRY 003: THIS IS THE END - TIE === 003_TIE_S1_1A: Seth Rogen, Evan Goldberg 003_TIE_S1_1B: Brandon Trost 003_TIE_S1_1C: John Persichetti 003_TIE_S1_1D: Yellow 003_TIE_S1_1E: 2.39 - Anamorphic 003_TIE_S1_1F: Digital 003_TIE_S1_1G: Wide 003_TIE_S1_1H: Establishing shot 003_TIE_S1_1J: Wide 003_TIE_S1_1K: Balanced 003_TIE_S1_1M: Hard light 003_TIE_S1_1N: Artificial light, Practical light 003_TIE_S1_1P: Night 003_TIE_S1_1Q: Exterior 003_TIE_S1_1R: RED Epic 003_TIE_S1_1S: Panavision G series 003_TIE_S1_1T: Redcode raw 5K 003_TIE_S1_2A: Soft Gradient 003_TIE_S1_2B: Soft Roll-off 003_TIE_S1_2C: Crushed Black 003_TIE_S1_2D: Clean Digital 003_TIE_S1_2E: Clinically Sharp 003_TIE_S1_2F: Modern Clean 003_TIE_S1_2G: S-Curve / Punchy 003_TIE_S1_2H: Dense / Subtractive 003_TIE_S1_2J: Teal & Orange 003_TIE_S1_2K: Creamy / Soft Shoulder 003_TIE_S1_2M: Center-Punched 003_TIE_S1_2N: Flat Planar 003_TIE_S1_2P: Minimalist 003_TIE_S1_2Q: Complementary 003_TIE_S1_2R: Flat 003_TIE_S1_2S: Low Key 003_TIE_S1_3A: rgb(13,8,12) 003_TIE_S1_3B: rgb(15,17,20) 003_TIE_S1_3C: rgb(19,17,12) 003_TIE_S1_3D: rgb(27,35,27) 003_TIE_S1_3E: rgb(60,63,68) 003_TIE_S1_3F: rgb(60,65,66) 003_TIE_S1_3G: rgb(60,66,65) 003_TIE_S1_3H: rgb(78,68,40) 003_TIE_S1_3J: rgb(67,72,73) 003_TIE_S1_3K: rgb(73,79,78) 003_TIE_S1_3M: rgb(104,97,77) 003_TIE_S1_3N: rgb(143,132,102) 003_TIE_S1_3P: rgb(169,152,120) 003_TIE_S1_3Q: rgb(211,200,157) 003_TIE_S1_3R: rgb(222,212,166) === ENTRY 004: HEAT - HEA === 004_HEA_S1_1A: Michael Mann 004_HEA_S1_1B: Dante Spinotti 004_HEA_S1_1C: David Orr 004_HEA_S1_1D: Cool, Desaturated 004_HEA_S1_1E: 2.39 - Anamorphic 004_HEA_S1_1F: Film - 35mm 004_HEA_S1_1G: Medium Wide 004_HEA_S1_1H: Clean single, Low angle 004_HEA_S1_1J: Wide 004_HEA_S1_1K: Right heavy 004_HEA_S1_1M: Soft light, Low contrast 004_HEA_S1_1N: Moonlight 004_HEA_S1_1P: Night 004_HEA_S1_1Q: Interior 004_HEA_S1_1R: Panavision Millennium / Millenium XL / XL2 004_HEA_S1_1S: Panavision 40-80 (Bailey zoom - AWZ2), Panavision 70-200mm (ATZ), Panavision C series, Panavision E series 004_HEA_S1_1T: Not Specified 004_HEA_S1_2A: Flat/Uniform 004_HEA_S1_2B: Muted/Matte 004_HEA_S1_2C: Crushed Black 004_HEA_S1_2D: Fine Film Grain 004_HEA_S1_2E: Clinically Sharp 004_HEA_S1_2F: Anamorphic Distortion 004_HEA_S1_2G: Low Key / Chiaroscuro 004_HEA_S1_2H: Dense / Subtractive 004_HEA_S1_2J: Monochromatic Cool 004_HEA_S1_2K: Creamy / Soft Shoulder 004_HEA_S1_2M: Silhouette Framing 004_HEA_S1_2N: Flat Planar 004_HEA_S1_2P: Minimalist 004_HEA_S1_2Q: Monochromatic 004_HEA_S1_2R: Flat 004_HEA_S1_2S: Silhouette 004_HEA_S1_3A: rgb(0,0,0) 004_HEA_S1_3B: rgb(1,0,1) 004_HEA_S1_3C: rgb(8,14,12) 004_HEA_S1_3D: rgb(3,29,55) 004_HEA_S1_3E: rgb(65,91,108) === ENTRY 005: THE IDOL (Shot 1) - TID === 005_TID_S1_1A: Sam Levinson 005_TID_S1_1B: Marcell Rév 005_TID_S1_1C: Scot Starbuck 005_TID_S1_1D: Warm, Saturated, Green 005_TID_S1_1E: 2.00 005_TID_S1_1F: Not Specified 005_TID_S1_1G: Extreme Wide 005_TID_S1_1H: Clean single, Establishing shot, High angle 005_TID_S1_1J: Wide 005_TID_S1_1K: Center 005_TID_S1_1M: Hard light 005_TID_S1_1N: Daylight, Sunny 005_TID_S1_1P: Day 005_TID_S1_1Q: Exterior 005_TID_S1_1R: Arricam LT, Arriflex 435 Xtreme 005_TID_S1_1S: Leitz SUMMICRON-C, Leitz SUMMILUX-C 005_TID_S1_1T: 4K 005_TID_S1_2A: Hard Cut 005_TID_S1_2B: Soft Roll-off 005_TID_S1_2C: Deep Rich 005_TID_S1_2D: Fine Film Grain 005_TID_S1_2E: Clinically Sharp 005_TID_S1_2F: Modern Clean 005_TID_S1_2G: S-Curve / Punchy 005_TID_S1_2H: Dense / Subtractive 005_TID_S1_2J: Naturalistic / Neutral 005_TID_S1_2K: Creamy / Soft Shoulder 005_TID_S1_2M: Center-Punched 005_TID_S1_2N: Flat Planar 005_TID_S1_2P: Minimalist 005_TID_S1_2Q: Monochromatic 005_TID_S1_2R: Flat 005_TID_S1_2S: Mid-Tone 005_TID_S1_3A: rgb(12,19,21) 005_TID_S1_3B: rgb(32,45,32) 005_TID_S1_3C: rgb(54,44,47) 005_TID_S1_3D: rgb(48,55,35) 005_TID_S1_3E: rgb(38,62,92) 005_TID_S1_3F: rgb(97,52,37) 005_TID_S1_3G: rgb(55,74,43) 005_TID_S1_3H: rgb(64,75,41) 005_TID_S1_3J: rgb(66,85,54) 005_TID_S1_3K: rgb(66,81,90) 005_TID_S1_3M: rgb(96,103,56) 005_TID_S1_3N: rgb(167,116,92) 005_TID_S1_3P: rgb(147,149,77) 005_TID_S1_3Q: rgb(170,169,98) === ENTRY 006: THE IDOL (Shot 2) - TID === 006_TID_S2_1A: Sam Levinson 006_TID_S2_1B: Marcell Rév 006_TID_S2_1C: Scot Starbuck 006_TID_S2_1D: Desaturated 006_TID_S2_1E: 2.00 006_TID_S2_1F: Not Specified 006_TID_S2_1G: Wide 006_TID_S2_1H: 2 shot, High angle 006_TID_S2_1J: Wide 006_TID_S2_1K: Center 006_TID_S2_1M: Soft light 006_TID_S2_1N: Artificial light 006_TID_S2_1P: Night 006_TID_S2_1Q: Interior 006_TID_S2_1R: Arricam LT, Arriflex 435 Xtreme 006_TID_S2_1S: Leitz SUMMICRON-C, Leitz SUMMILUX-C 006_TID_S2_1T: 4K 006_TID_S2_2A: Soft Gradient 006_TID_S2_2B: Soft Roll-off 006_TID_S2_2C: Deep Rich 006_TID_S2_2D: Fine Film Grain 006_TID_S2_2E: Modern Clean 006_TID_S2_2F: Modern Clean 006_TID_S2_2G: Low Key / Chiaroscuro 006_TID_S2_2H: Dense / Subtractive 006_TID_S2_2J: Monochromatic Warmth 006_TID_S2_2K: Creamy / Soft Shoulder 006_TID_S2_2M: Leading Lines 006_TID_S2_2N: Deep Z-axis 006_TID_S2_2P: Minimalist 006_TID_S2_2Q: Monochromatic 006_TID_S2_2R: Deep 006_TID_S2_2S: Low Key 006_TID_S2_3A: rgb(13,15,14) 006_TID_S2_3B: rgb(16,14,15) 006_TID_S2_3C: rgb(15,19,24) 006_TID_S2_3D: rgb(40,33,25) 006_TID_S2_3E: rgb(39,65,91) 006_TID_S2_3F: rgb(91,54,39) 006_TID_S2_3G: rgb(73,64,51) 006_TID_S2_3H: rgb(41,68,95) 006_TID_S2_3J: rgb(105,93,75) 006_TID_S2_3K: rgb(143,131,105) 006_TID_S2_3M: rgb(182,165,134) === ENTRY 007: BIUTIFUL - BIU === 007_BIU_S1_1A: Alejandro González Iñárritu 007_BIU_S1_1B: Rodrigo Prieto 007_BIU_S1_1C: Miguel P. Gilaberte 007_BIU_S1_1D: Cool, Saturated, Cyan, Blue 007_BIU_S1_1E: 1.85 - Spherical 007_BIU_S1_1F: Film - 35mm 007_BIU_S1_1G: Extreme Close Up 007_BIU_S1_1H: Insert 007_BIU_S1_1J: Not Specified 007_BIU_S1_1K: Balanced 007_BIU_S1_1M: Not Specified 007_BIU_S1_1N: Artificial light 007_BIU_S1_1P: Not Specified 007_BIU_S1_1Q: Interior 007_BIU_S1_1R: Panavision Millennium / Millenium XL / XL2, Panavision Panaflex 007_BIU_S1_1S: Panavision Ultra Speed MKII 007_BIU_S1_1T: 5219/7219 Vision 3 500T, 5201/7201 Vision 2 50D, 5260 Vision 2 500T 007_BIU_S1_2A: Hard Cut 007_BIU_S1_2B: Hard Clipping 007_BIU_S1_2C: Crushed Black 007_BIU_S1_2D: Fine Film Grain 007_BIU_S1_2E: Clinically Sharp 007_BIU_S1_2F: Modern Clean 007_BIU_S1_2G: Low Key / Chiaroscuro 007_BIU_S1_2H: Vibrant / Digital Pop 007_BIU_S1_2J: Monochromatic Cool 007_BIU_S1_2K: Hard Clip 007_BIU_S1_2M: Center-Punched 007_BIU_S1_2N: Flat Planar 007_BIU_S1_2P: Balanced 007_BIU_S1_2Q: Monochromatic 007_BIU_S1_2R: Flat 007_BIU_S1_2S: Low Key 007_BIU_S1_3A: rgb(4,2,3) 007_BIU_S1_3B: rgb(5,4,4) 007_BIU_S1_3C: rgb(6,14,13) 007_BIU_S1_3D: rgb(10,37,41) 007_BIU_S1_3E: rgb(26,84,80) 007_BIU_S1_3F: rgb(15,88,99) 007_BIU_S1_3G: rgb(41,122,117) 007_BIU_S1_3H: rgb(20,123,137) 007_BIU_S1_3J: rgb(39,174,173) 007_BIU_S1_3K: rgb(35,184,192) 007_BIU_S1_3M: rgb(50,201,208) === ENTRY 008: MARRIAGE STORY - MAS === 008_MAS_S1_1A: Noah Baumbach 008_MAS_S1_1B: Robbie Ryan 008_MAS_S1_1C: Trae Austin Elliot, Marcy Robinson 008_MAS_S1_1D: Mixed, Saturated, Cyan, Blue 008_MAS_S1_1E: 1.66 - Spherical 008_MAS_S1_1F: Film - 35mm 008_MAS_S1_1G: Wide 008_MAS_S1_1H: Group shot 008_MAS_S1_1J: Wide 008_MAS_S1_1K: Balanced 008_MAS_S1_1M: Hard light 008_MAS_S1_1N: Artificial light, Tungsten 008_MAS_S1_1P: Night 008_MAS_S1_1Q: Exterior 008_MAS_S1_1R: Arriflex 435, Arricam LT, Arricam ST 008_MAS_S1_1S: Panavision Primo Primes 008_MAS_S1_1T: 5219/7219 Vision 3 500T, 5213/7213 Vision 3 200T 008_MAS_S1_2A: Rapid 008_MAS_S1_2B: Soft Roll-off 008_MAS_S1_2C: Deep Rich 008_MAS_S1_2D: Fine Film Grain 008_MAS_S1_2E: Clinically Sharp 008_MAS_S1_2F: Modern Clean 008_MAS_S1_2G: Low Key / Chiaroscuro 008_MAS_S1_2H: Dense / Subtractive 008_MAS_S1_2J: Naturalistic / Neutral 008_MAS_S1_2K: Creamy / Soft Shoulder 008_MAS_S1_2M: Leading Lines 008_MAS_S1_2N: Deep Z-axis 008_MAS_S1_2P: Balanced 008_MAS_S1_2Q: Complementary 008_MAS_S1_2R: Deep 008_MAS_S1_2S: Low Key 008_MAS_S1_3A: rgb(9,14,11) 008_MAS_S1_3B: rgb(6,28,41) 008_MAS_S1_3C: rgb(64,8,16) 008_MAS_S1_3D: rgb(41,36,22) 008_MAS_S1_3E: rgb(100,50,33) 008_MAS_S1_3F: rgb(43,76,64) 008_MAS_S1_3G: rgb(74,69,43) 008_MAS_S1_3H: rgb(75,99,83) 008_MAS_S1_3J: rgb(104,91,60) 008_MAS_S1_3K: rgb(15,102,142) 008_MAS_S1_3M: rgb(142,135,97) 008_MAS_S1_3N: rgb(92,147,140) 008_MAS_S1_3P: rgb(167,155,119) 008_MAS_S1_3Q: rgb(132,165,154) 008_MAS_S1_3R: rgb(219,216,199) === ENTRY 009: CREED III - CRD === 009_CRD_S1_1A: Michael B. Jordan 009_CRD_S1_1B: Kramer Morgenthau 009_CRD_S1_1C: Peter Boyle 009_CRD_S1_1D: Mixed, Saturated, Blue 009_CRD_S1_1E: 2.39 - Anamorphic 009_CRD_S1_1F: Digital, Digital - Large Format 009_CRD_S1_1G: Medium 009_CRD_S1_1H: Over the shoulder 009_CRD_S1_1J: Wide 009_CRD_S1_1K: Balanced 009_CRD_S1_1M: Underlight 009_CRD_S1_1N: Daylight, Artificial light, Practical light 009_CRD_S1_1P: Day 009_CRD_S1_1Q: Interior 009_CRD_S1_1R: Sony VENICE 009_CRD_S1_1S: Panavision C series, Panavision T series 009_CRD_S1_1T: 4K 009_CRD_S1_2A: Soft Gradient 009_CRD_S1_2B: Soft Roll-off 009_CRD_S1_2C: Deep Rich 009_CRD_S1_2D: Clean Digital 009_CRD_S1_2E: Clinically Sharp 009_CRD_S1_2F: Anamorphic Distortion 009_CRD_S1_2G: S-Curve / Punchy 009_CRD_S1_2H: Dense / Subtractive 009_CRD_S1_2J: Teal & Orange 009_CRD_S1_2K: Creamy / Soft Shoulder 009_CRD_S1_2M: Frame-within-Frame 009_CRD_S1_2N: Deep Z-axis 009_CRD_S1_2P: Balanced 009_CRD_S1_2Q: Complementary 009_CRD_S1_2R: Deep 009_CRD_S1_2S: Low Key 009_CRD_S1_3A: rgb(15,12,13) 009_CRD_S1_3B: rgb(33,21,16) 009_CRD_S1_3C: rgb(30,31,31) 009_CRD_S1_3D: rgb(34,46,55) 009_CRD_S1_3E: rgb(47,65,81) 009_CRD_S1_3F: rgb(90,55,39) 009_CRD_S1_3G: rgb(36,71,88) 009_CRD_S1_3H: rgb(82,79,81) 009_CRD_S1_3J: rgb(66,91,106) 009_CRD_S1_3K: rgb(112,92,79) 009_CRD_S1_3M: rgb(90,101,100) 009_CRD_S1_3N: rgb(164,122,89) 009_CRD_S1_3P: rgb(193,158,124) 009_CRD_S1_3Q: rgb(211,191,166) 009_CRD_S1_3R: rgb(236,226,196) === ENTRY 010: BETTER CALL SAUL - BCS === 010_BCS_S1_1A: Michelle MacLaren 010_BCS_S1_1B: Marshall Adams, Arthur Albert 010_BCS_S1_1C: Ted Brady 010_BCS_S1_1D: Cool, Saturated, Green, Cyan, Blue, Purple 010_BCS_S1_1E: 1.78 - Spherical, Super 35 010_BCS_S1_1F: Digital 010_BCS_S1_1G: Extreme Close Up 010_BCS_S1_1H: Insert 010_BCS_S1_1J: Long Lens 010_BCS_S1_1K: Balanced 010_BCS_S1_1M: Soft light 010_BCS_S1_1N: Artificial light 010_BCS_S1_1P: Night 010_BCS_S1_1Q: Interior 010_BCS_S1_1R: RED Weapon, Panasonic VariCam 35 010_BCS_S1_1S: Panavision Panaspeed, Panavision Primo Zooms 010_BCS_S1_1T: Redcode RAW 8k 010_BCS_S1_2A: Rapid 010_BCS_S1_2B: Halation Bloom 010_BCS_S1_2C: Deep Rich 010_BCS_S1_2D: Clean Digital 010_BCS_S1_2E: Clinically Sharp 010_BCS_S1_2F: Modern Clean 010_BCS_S1_2G: Low Key / Chiaroscuro 010_BCS_S1_2H: Vibrant / Digital Pop 010_BCS_S1_2J: Monochromatic Cool 010_BCS_S1_2K: Halation / Bloom 010_BCS_S1_2M: Rule of Thirds 010_BCS_S1_2N: Shallow Separation 010_BCS_S1_2P: Balanced 010_BCS_S1_2Q: Analogous 010_BCS_S1_2R: Shallow 010_BCS_S1_2S: Low Key 010_BCS_S1_3A: rgb(1,1,1) 010_BCS_S1_3B: rgb(8,23,36) 010_BCS_S1_3C: rgb(16,35,27) 010_BCS_S1_3D: rgb(48,56,93) 010_BCS_S1_3E: rgb(41,77,53) 010_BCS_S1_3F: rgb(25,78,94) 010_BCS_S1_3G: rgb(60,97,118) 010_BCS_S1_3H: rgb(66,109,68) 010_BCS_S1_3J: rgb(125,109,173) 010_BCS_S1_3K: rgb(85,144,158) 010_BCS_S1_3M: rgb(105,148,91) 010_BCS_S1_3N: rgb(162,139,161) 010_BCS_S1_3P: rgb(129,171,109) 010_BCS_S1_3Q: rgb(129,166,188) 010_BCS_S1_3R: rgb(156,205,218) === ENTRY 011: LEGION (Shot 1) - LEG === 011_LEG_S1_1A: Michael Uppendahl 011_LEG_S1_1B: Craig Wrobleski 011_LEG_S1_1C: Tony D'Amore, Cody Baker 011_LEG_S1_1D: Cool, Cyan, Blue, White 011_LEG_S1_1E: 2.39 - Anamorphic 011_LEG_S1_1F: Digital 011_LEG_S1_1G: Medium Close Up 011_LEG_S1_1H: Insert 011_LEG_S1_1J: Long Lens 011_LEG_S1_1K: Right heavy 011_LEG_S1_1M: Soft light, Backlight 011_LEG_S1_1N: Daylight, Overcast 011_LEG_S1_1P: Day 011_LEG_S1_1Q: Interior 011_LEG_S1_1R: ARRI ALEXA Mini 011_LEG_S1_1S: Zeiss Master Primes, Bausch and Lomb - Super Baltar, Canon K35, Kowa Cine Prominar, Hawk C-series Anamorphics, Hawk V-Lite Vintage '74 011_LEG_S1_1T: 2.8K / 2.8K ArriRaw 011_LEG_S1_2A: Soft Gradient 011_LEG_S1_2B: Soft Roll-off 011_LEG_S1_2C: Deep Rich 011_LEG_S1_2D: Clean Digital 011_LEG_S1_2E: Soft Diffusion 011_LEG_S1_2F: Anamorphic Distortion 011_LEG_S1_2G: Low Key / Chiaroscuro 011_LEG_S1_2H: Dense / Subtractive 011_LEG_S1_2J: Monochromatic Cool 011_LEG_S1_2K: Creamy / Soft Shoulder 011_LEG_S1_2M: Frame-within-Frame 011_LEG_S1_2N: Deep Z-axis 011_LEG_S1_2P: Cluttered 011_LEG_S1_2Q: Monochromatic 011_LEG_S1_2R: Shallow 011_LEG_S1_2S: Low Key 011_LEG_S1_3A: rgb(16,17,13) 011_LEG_S1_3B: rgb(18,26,30) 011_LEG_S1_3C: rgb(35,47,43) 011_LEG_S1_3D: rgb(50,71,65) 011_LEG_S1_3E: rgb(43,72,78) 011_LEG_S1_3F: rgb(74,95,88) 011_LEG_S1_3G: rgb(71,101,109) 011_LEG_S1_3H: rgb(116,134,129) 011_LEG_S1_3J: rgb(103,137,146) 011_LEG_S1_3K: rgb(144,160,154) 011_LEG_S1_3M: rgb(133,164,172) 011_LEG_S1_3N: rgb(170,200,207) 011_LEG_S1_3P: rgb(213,224,222) 011_LEG_S1_3Q: rgb(225,235,239) 011_LEG_S1_3R: rgb(254,254,254) === ENTRY 012: LEGION (Shot 2) - LEG === 012_LEG_S2_1A: Michael Uppendahl 012_LEG_S2_1B: Craig Wrobleski 012_LEG_S2_1C: Tony D'Amore, Cody Baker 012_LEG_S2_1D: Cool, Cyan 012_LEG_S2_1E: 2.39 - Anamorphic 012_LEG_S2_1F: Digital 012_LEG_S2_1G: Extreme Close Up 012_LEG_S2_1H: Clean single, Overhead 012_LEG_S2_1J: Medium 012_LEG_S2_1K: Center 012_LEG_S2_1M: Soft light 012_LEG_S2_1N: Daylight 012_LEG_S2_1P: Day 012_LEG_S2_1Q: Interior 012_LEG_S2_1R: ARRI ALEXA Mini 012_LEG_S2_1S: Zeiss Master Primes, Bausch and Lomb - Super Baltar, Canon K35, Kowa Cine Prominar, Hawk C-series Anamorphics, Hawk V-Lite Vintage '74 012_LEG_S2_1T: 2.8K / 2.8K ArriRaw 012_LEG_S2_2A: Soft Gradient 012_LEG_S2_2B: Muted/Matte 012_LEG_S2_2C: Lifted Milky 012_LEG_S2_2D: Fine Film Grain 012_LEG_S2_2E: Soft Diffusion 012_LEG_S2_2F: Vintage Coating 012_LEG_S2_2G: Lifted / Milky Shadows 012_LEG_S2_2H: Dense / Subtractive 012_LEG_S2_2J: Monochromatic Cool 012_LEG_S2_2K: Creamy / Soft Shoulder 012_LEG_S2_2M: Center-Punched 012_LEG_S2_2N: Claustrophobic 012_LEG_S2_2P: Minimalist 012_LEG_S2_2Q: Monochromatic 012_LEG_S2_2R: Shallow 012_LEG_S2_2S: Mid-Tone 012_LEG_S2_3A: rgb(29,25,26) 012_LEG_S2_3B: rgb(40,35,34) 012_LEG_S2_3C: rgb(29,41,44) 012_LEG_S2_3D: rgb(35,51,50) 012_LEG_S2_3E: rgb(47,72,71) 012_LEG_S2_3F: rgb(45,72,75) 012_LEG_S2_3G: rgb(89,85,78) 012_LEG_S2_3H: rgb(82,110,114) 012_LEG_S2_3J: rgb(86,111,109) 012_LEG_S2_3K: rgb(111,136,136) 012_LEG_S2_3M: rgb(109,137,140) 012_LEG_S2_3N: rgb(122,147,146) 012_LEG_S2_3P: rgb(132,161,165) 012_LEG_S2_3Q: rgb(170,199,207) 012_LEG_S2_3R: rgb(187,213,220) === ENTRY 013: BREAKING BAD - BRB === 013_BRB_S1_1A: Colin Bucksey 013_BRB_S1_1B: Peter Reniers, Michael Slovis 013_BRB_S1_1C: Tom Sartori 013_BRB_S1_1D: White 013_BRB_S1_1E: 1.78 013_BRB_S1_1F: Film - 35mm 013_BRB_S1_1G: Medium 013_BRB_S1_1H: 3 shot, Low angle, Over the shoulder 013_BRB_S1_1J: Wide 013_BRB_S1_1K: Center 013_BRB_S1_1M: Hard light, High contrast 013_BRB_S1_1N: Artificial light, Practical light, Fluorescent 013_BRB_S1_1P: Day 013_BRB_S1_1Q: Interior 013_BRB_S1_1R: Arricam LT, Arricam ST, Arriflex 435 013_BRB_S1_1S: Angenieux Optimo, Cooke S4/ i, Canon Lenses 013_BRB_S1_1T: 5201/7201 Vision 2 50D, 5217/7217 Vision 2 200T, 5260 Vision 2 500T 013_BRB_S1_2A: Rapid 013_BRB_S1_2B: Muted/Matte 013_BRB_S1_2C: Deep Rich 013_BRB_S1_2D: Fine Film Grain 013_BRB_S1_2E: Clinically Sharp 013_BRB_S1_2F: Modern Clean 013_BRB_S1_2G: S-Curve / Punchy 013_BRB_S1_2H: Dense / Subtractive 013_BRB_S1_2J: Naturalistic / Neutral 013_BRB_S1_2K: Creamy / Soft Shoulder 013_BRB_S1_2M: Center-Punched 013_BRB_S1_2N: Deep Z-axis 013_BRB_S1_2P: Balanced 013_BRB_S1_2Q: Complementary 013_BRB_S1_2R: Deep 013_BRB_S1_2S: Mid-Tone 013_BRB_S1_3A: rgb(24,27,44) 013_BRB_S1_3B: rgb(47,33,38) 013_BRB_S1_3C: rgb(50,40,36) 013_BRB_S1_3D: rgb(55,61,80) 013_BRB_S1_3E: rgb(78,57,53) 013_BRB_S1_3F: rgb(88,83,75) 013_BRB_S1_3G: rgb(97,81,87) 013_BRB_S1_3H: rgb(88,93,103) 013_BRB_S1_3J: rgb(96,103,98) 013_BRB_S1_3K: rgb(122,122,144) 013_BRB_S1_3M: rgb(136,158,145) 013_BRB_S1_3N: rgb(144,157,166) 013_BRB_S1_3P: rgb(210,232,240) 013_BRB_S1_3Q: rgb(232,245,240) 013_BRB_S1_3R: rgb(254,253,253) === ENTRY 014: THE BIG SICK - TBS === 014_TBS_S1_1A: Michael Showalter 014_TBS_S1_1B: Brian Burgoyne 014_TBS_S1_1C: Alex Bickel 014_TBS_S1_1D: Blue 014_TBS_S1_1E: 1.85 - Spherical 014_TBS_S1_1F: Digital 014_TBS_S1_1G: Close Up, Extreme Close Up 014_TBS_S1_1H: Insert, Low angle 014_TBS_S1_1J: Wide 014_TBS_S1_1K: Left heavy 014_TBS_S1_1M: Hard light, Top light 014_TBS_S1_1N: Artificial light, Fluorescent 014_TBS_S1_1P: Night 014_TBS_S1_1Q: Interior 014_TBS_S1_1R: ARRI ALEXA Mini 014_TBS_S1_1S: Cooke S5i 014_TBS_S1_1T: Not Specified 014_TBS_S1_2A: Soft Gradient 014_TBS_S1_2B: Muted/Matte 014_TBS_S1_2C: Lifted Milky 014_TBS_S1_2D: Clean Digital 014_TBS_S1_2E: Soft Diffusion 014_TBS_S1_2F: Modern Clean 014_TBS_S1_2G: Lifted / Milky Shadows 014_TBS_S1_2H: Pastel / Muted 014_TBS_S1_2J: Naturalistic / Neutral 014_TBS_S1_2K: Creamy / Soft Shoulder 014_TBS_S1_2M: Rule of Thirds 014_TBS_S1_2N: Shallow Separation 014_TBS_S1_2P: Minimalist 014_TBS_S1_2Q: Complementary 014_TBS_S1_2R: Shallow 014_TBS_S1_2S: Mid-Tone 014_TBS_S1_3A: rgb(20,26,31) 014_TBS_S1_3B: rgb(25,28,27) 014_TBS_S1_3C: rgb(43,42,36) 014_TBS_S1_3D: rgb(42,65,89) 014_TBS_S1_3E: rgb(73,61,56) 014_TBS_S1_3F: rgb(61,66,62) 014_TBS_S1_3G: rgb(67,66,55) 014_TBS_S1_3H: rgb(77,93,112) 014_TBS_S1_3J: rgb(92,94,92) 014_TBS_S1_3K: rgb(96,94,83) 014_TBS_S1_3M: rgb(115,111,114) 014_TBS_S1_3N: rgb(132,130,118) 014_TBS_S1_3P: rgb(132,137,141) 014_TBS_S1_3Q: rgb(146,145,136) 014_TBS_S1_3R: rgb(146,149,146) === ENTRY 015: YELLOW DAYS - YLD === 015_YLD_S1_1A: Jamie Whitby 015_YLD_S1_1B: James Blann 015_YLD_S1_1C: Alex Gregory 015_YLD_S1_1D: Cool, Saturated, Blue, Purple, Magenta 015_YLD_S1_1E: 1.78 - Spherical 015_YLD_S1_1F: Digital 015_YLD_S1_1G: Wide 015_YLD_S1_1H: Clean single 015_YLD_S1_1J: Wide 015_YLD_S1_1K: Center, Symmetrical 015_YLD_S1_1M: Hard light, Silhouette, Backlight 015_YLD_S1_1N: Practical light 015_YLD_S1_1P: Day 015_YLD_S1_1Q: Interior 015_YLD_S1_1R: Not Specified 015_YLD_S1_1S: Not Specified 015_YLD_S1_1T: Not Specified 015_YLD_S1_2A: Soft Gradient 015_YLD_S1_2B: Soft Roll-off 015_YLD_S1_2C: Crushed Black 015_YLD_S1_2D: Clean Digital 015_YLD_S1_2E: Clinically Sharp 015_YLD_S1_2F: Modern Clean 015_YLD_S1_2G: Crushed Blacks 015_YLD_S1_2H: Vibrant / Digital Pop 015_YLD_S1_2J: Monochromatic Cool 015_YLD_S1_2K: Creamy / Soft Shoulder 015_YLD_S1_2M: Rule of Thirds 015_YLD_S1_2N: Deep Z-axis 015_YLD_S1_2P: Minimalist 015_YLD_S1_2Q: Monochromatic 015_YLD_S1_2R: Deep 015_YLD_S1_2S: Silhouette 015_YLD_S1_3A: rgb(1,24,61) 015_YLD_S1_3B: rgb(48,24,45) 015_YLD_S1_3C: rgb(79,46,86) 015_YLD_S1_3D: rgb(9,64,128) 015_YLD_S1_3E: rgb(135,76,131) 015_YLD_S1_3F: rgb(1,103,179) 015_YLD_S1_3G: rgb(92,103,214) 015_YLD_S1_3H: rgb(166,98,165) 015_YLD_S1_3J: rgb(137,139,229) 015_YLD_S1_3K: rgb(200,134,193) 015_YLD_S1_3M: rgb(172,170,246) 015_YLD_S1_3N: rgb(217,165,235) 015_YLD_S1_3P: rgb(207,199,250) 015_YLD_S1_3Q: rgb(232,198,248) === ENTRY 016: LOVE - LOV === 016_LOV_S1_1A: Gaspar Noé 016_LOV_S1_1B: Benoît Debie 016_LOV_S1_1C: Marc Boucrot 016_LOV_S1_1D: Warm, Saturated, Red 016_LOV_S1_1E: 2.39 - Spherical 016_LOV_S1_1F: Digital 016_LOV_S1_1G: Medium Close Up 016_LOV_S1_1H: 3 shot 016_LOV_S1_1J: Medium 016_LOV_S1_1K: Center 016_LOV_S1_1M: Soft light, High contrast, Silhouette, Backlight 016_LOV_S1_1N: Artificial light 016_LOV_S1_1P: Not Specified 016_LOV_S1_1Q: Interior 016_LOV_S1_1R: RED Epic Dragon 016_LOV_S1_1S: Leitz SUMMILUX-C 016_LOV_S1_1T: Redcode Raw 016_LOV_S1_2A: Soft Gradient 016_LOV_S1_2B: Soft Roll-off 016_LOV_S1_2C: Crushed Black 016_LOV_S1_2D: Fine Film Grain 016_LOV_S1_2E: Clinically Sharp 016_LOV_S1_2F: Modern Clean 016_LOV_S1_2G: Crushed Blacks 016_LOV_S1_2H: Vibrant / Digital Pop 016_LOV_S1_2J: Monochromatic Warmth 016_LOV_S1_2K: Creamy / Soft Shoulder 016_LOV_S1_2M: Frame-within-Frame 016_LOV_S1_2N: Flat Planar 016_LOV_S1_2P: Minimalist 016_LOV_S1_2Q: Monochromatic 016_LOV_S1_2R: Flat 016_LOV_S1_2S: Silhouette 016_LOV_S1_3A: rgb(5,5,7) 016_LOV_S1_3B: rgb(4,6,5) 016_LOV_S1_3C: rgb(11,4,5) 016_LOV_S1_3D: rgb(17,5,4) 016_LOV_S1_3E: rgb(158,3,5) 016_LOV_S1_3F: rgb(189,8,4) 016_LOV_S1_3G: rgb(241,26,5) 016_LOV_S1_3H: rgb(253,41,4) === ENTRY 017: ENTER THE VOID - ETV === 017_ETV_S1_1A: Gaspar Noé 017_ETV_S1_1B: Benoît Debie 017_ETV_S1_1C: Yves Le Peillet 017_ETV_S1_1D: Cool, Saturated, Green 017_ETV_S1_1E: 2.35 - Anamorphic 017_ETV_S1_1F: Film - 16mm 017_ETV_S1_1G: Medium Close Up 017_ETV_S1_1H: Over the shoulder 017_ETV_S1_1J: Wide 017_ETV_S1_1K: Center 017_ETV_S1_1M: Hard light, Backlight 017_ETV_S1_1N: Artificial light 017_ETV_S1_1P: Night 017_ETV_S1_1Q: Interior 017_ETV_S1_1R: Aaton XTR Prod 16mm, Arricam LT 017_ETV_S1_1S: Zeiss Master Primes, Zeiss Ultra 16mm 017_ETV_S1_1T: 5207/7207 Vision 3 250D, 5219/7219 Vision 3 500T 017_ETV_S1_2A: Rapid 017_ETV_S1_2B: Soft Roll-off 017_ETV_S1_2C: Crushed Black 017_ETV_S1_2D: Heavy Organic Grain 017_ETV_S1_2E: Soft Diffusion 017_ETV_S1_2F: Vintage Coating 017_ETV_S1_2G: Low Key / Chiaroscuro 017_ETV_S1_2H: Dense / Subtractive 017_ETV_S1_2J: Discordant / Acid 017_ETV_S1_2K: Creamy / Soft Shoulder 017_ETV_S1_2M: Silhouette Framing 017_ETV_S1_2N: Deep Z-axis 017_ETV_S1_2P: Chaotic 017_ETV_S1_2Q: Monochromatic 017_ETV_S1_2R: Deep 017_ETV_S1_2S: Silhouette 017_ETV_S1_3A: rgb(1,0,1) 017_ETV_S1_3B: rgb(1,1,1) 017_ETV_S1_3C: rgb(1,2,3) 017_ETV_S1_3D: rgb(4,29,10) 017_ETV_S1_3E: rgb(10,95,35) 017_ETV_S1_3F: rgb(19,133,40) 017_ETV_S1_3G: rgb(50,166,57) 017_ETV_S1_3H: rgb(75,183,73) === ENTRY 018: THE SHOES - THS === 018_THS_S1_1A: Daniel Wolfe 018_THS_S1_1B: Robbie Ryan 018_THS_S1_1C: Simon Bourne 018_THS_S1_1D: Cool, Desaturated, Blue 018_THS_S1_1E: 2.35 - Spherical 018_THS_S1_1F: Film - 16mm 018_THS_S1_1G: Medium Close Up 018_THS_S1_1H: Low angle, Over the shoulder 018_THS_S1_1J: Medium 018_THS_S1_1K: Center 018_THS_S1_1M: Hard light, High contrast, Silhouette, Backlight 018_THS_S1_1N: Practical light 018_THS_S1_1P: Night 018_THS_S1_1Q: Interior 018_THS_S1_1R: Not Specified 018_THS_S1_1S: Not Specified 018_THS_S1_1T: Not Specified 018_THS_S1_2A: Rapid 018_THS_S1_2B: Halation Bloom 018_THS_S1_2C: Crushed Black 018_THS_S1_2D: Heavy Organic Grain 018_THS_S1_2E: Soft Diffusion 018_THS_S1_2F: Vintage Coating 018_THS_S1_2G: Low Key / Chiaroscuro 018_THS_S1_2H: Dense / Subtractive 018_THS_S1_2J: Monochromatic Cool 018_THS_S1_2K: Halation / Bloom 018_THS_S1_2M: Center-Punched 018_THS_S1_2N: Shallow Separation 018_THS_S1_2P: Chaotic 018_THS_S1_2Q: Monochromatic 018_THS_S1_2R: Shallow 018_THS_S1_2S: Silhouette 018_THS_S1_3A: rgb(8,11,10) 018_THS_S1_3B: rgb(34,22,37) 018_THS_S1_3C: rgb(12,32,55) 018_THS_S1_3D: rgb(34,62,101) 018_THS_S1_3E: rgb(59,95,132) 018_THS_S1_3F: rgb(102,128,158) 018_THS_S1_3G: rgb(88,137,164) 018_THS_S1_3H: rgb(173,143,165) 018_THS_S1_3J: rgb(135,163,181) 018_THS_S1_3K: rgb(177,186,184) 018_THS_S1_3M: rgb(178,197,202) 018_THS_S1_3N: rgb(187,202,205) 018_THS_S1_3P: rgb(209,200,206) 018_THS_S1_3Q: rgb(204,216,212) 018_THS_S1_3R: rgb(231,231,223) === ENTRY 019: WAVES - WAV === 019_WAV_S1_1A: Trey Edward Shults 019_WAV_S1_1B: Drew Daniels 019_WAV_S1_1C: Damien Vandercruyssen 019_WAV_S1_1D: Mixed, Saturated, Blue, Purple, Magenta, Pink 019_WAV_S1_1E: 2.67 - Anamorphic 019_WAV_S1_1F: Digital 019_WAV_S1_1G: Medium 019_WAV_S1_1H: Group shot 019_WAV_S1_1J: Long Lens 019_WAV_S1_1K: Center 019_WAV_S1_1M: Hard light, Edge light 019_WAV_S1_1N: Artificial light 019_WAV_S1_1P: Night 019_WAV_S1_1Q: Interior 019_WAV_S1_1R: ARRI ALEXA Mini 019_WAV_S1_1S: Panavision C series 019_WAV_S1_1T: 2K, 2.8K / 2.8K ArriRaw 019_WAV_S1_2A: Rapid 019_WAV_S1_2B: Soft Roll-off 019_WAV_S1_2C: Crushed Black 019_WAV_S1_2D: Clean Digital 019_WAV_S1_2E: Soft Diffusion 019_WAV_S1_2F: Anamorphic Distortion 019_WAV_S1_2G: Low Key / Chiaroscuro 019_WAV_S1_2H: Vibrant / Digital Pop 019_WAV_S1_2J: Discordant / Acid 019_WAV_S1_2K: Creamy / Soft Shoulder 019_WAV_S1_2M: Center-Punched 019_WAV_S1_2N: Shallow Separation 019_WAV_S1_2P: Balanced 019_WAV_S1_2Q: Analogous 019_WAV_S1_2R: Shallow 019_WAV_S1_2S: Low Key 019_WAV_S1_3A: rgb(29,9,54) 019_WAV_S1_3B: rgb(40,10,55) 019_WAV_S1_3C: rgb(55,42,111) 019_WAV_S1_3D: rgb(126,25,92) 019_WAV_S1_3E: rgb(28,99,144) 019_WAV_S1_3F: rgb(163,39,133) 019_WAV_S1_3G: rgb(201,82,123) 019_WAV_S1_3H: rgb(209,99,98) 019_WAV_S1_3J: rgb(88,152,191) 019_WAV_S1_3K: rgb(6,180,200) === ENTRY 020: FALLEN ANGELS - FLA === 020_FLA_S1_1A: Wong Kar-wai 020_FLA_S1_1B: Christopher Doyle 020_FLA_S1_1C: Not Specified 020_FLA_S1_1D: Cool, Saturated, Cyan 020_FLA_S1_1E: 1.78 - Spherical 020_FLA_S1_1F: Film - 35mm - Bleach Bypass 020_FLA_S1_1G: Close Up 020_FLA_S1_1H: Clean single, Dutch angle, High angle 020_FLA_S1_1J: Ultra Wide / Fisheye 020_FLA_S1_1K: Center 020_FLA_S1_1M: Soft light, Hard light, Top light 020_FLA_S1_1N: HMI 020_FLA_S1_1P: Night 020_FLA_S1_1Q: Interior 020_FLA_S1_1R: Panavision Cameras 020_FLA_S1_1S: Century Precision / Kinoptik, Panavision Lenses 020_FLA_S1_1T: Not Specified 020_FLA_S1_2A: Rapid 020_FLA_S1_2B: Halation Bloom 020_FLA_S1_2C: Crushed Black 020_FLA_S1_2D: Heavy Organic Grain 020_FLA_S1_2E: Soft Diffusion 020_FLA_S1_2F: Spherical Aberration 020_FLA_S1_2G: Crushed Blacks 020_FLA_S1_2H: Bleach Bypass 020_FLA_S1_2J: Monochromatic Cool 020_FLA_S1_2K: Halation / Bloom 020_FLA_S1_2M: Center-Punched 020_FLA_S1_2N: Deep Z-axis 020_FLA_S1_2P: Chaotic 020_FLA_S1_2Q: Monochromatic 020_FLA_S1_2R: Deep 020_FLA_S1_2S: Low Key 020_FLA_S1_3A: rgb(3,15,16) 020_FLA_S1_3B: rgb(12,28,23) 020_FLA_S1_3C: rgb(46,41,25) 020_FLA_S1_3D: rgb(99,51,35) 020_FLA_S1_3E: rgb(45,75,63) 020_FLA_S1_3F: rgb(74,69,44) 020_FLA_S1_3G: rgb(59,87,75) 020_FLA_S1_3H: rgb(103,86,63) 020_FLA_S1_3J: rgb(169,105,89) 020_FLA_S1_3K: rgb(150,125,102) 020_FLA_S1_3M: rgb(98,144,122) 020_FLA_S1_3N: rgb(156,133,112) 020_FLA_S1_3P: rgb(131,166,153) 020_FLA_S1_3Q: rgb(168,176,184) 020_FLA_S1_3R: rgb(190,178,193) === ENTRY 021: THE BEAR - TBE === 021_TBE_S1_1A: Christopher Storer 021_TBE_S1_1B: Adam Newport-Berra 021_TBE_S1_1C: Damien Vandercruyssen 021_TBE_S1_1D: Cool, Saturated, Green, Cyan 021_TBE_S1_1E: 2.00 - Spherical 021_TBE_S1_1F: Digital 021_TBE_S1_1G: Medium 021_TBE_S1_1H: Over the shoulder 021_TBE_S1_1J: Medium 021_TBE_S1_1K: Center 021_TBE_S1_1M: Hard light, High contrast, Top light 021_TBE_S1_1N: Artificial light, Fluorescent 021_TBE_S1_1P: Day 021_TBE_S1_1Q: Interior 021_TBE_S1_1R: ARRI ALEXA Mini LF 021_TBE_S1_1S: Panavision H series, Panavision Primo Zoom 11-1 - 24-275mm 021_TBE_S1_1T: Not Specified 021_TBE_S1_2A: Rapid 021_TBE_S1_2B: Soft Roll-off 021_TBE_S1_2C: Deep Rich 021_TBE_S1_2D: Fine Film Grain 021_TBE_S1_2E: Soft Diffusion 021_TBE_S1_2F: Vintage Coating 021_TBE_S1_2G: Low Key / Chiaroscuro 021_TBE_S1_2H: Dense / Subtractive 021_TBE_S1_2J: Monochromatic Cool 021_TBE_S1_2K: Creamy / Soft Shoulder 021_TBE_S1_2M: Frame-within-Frame 021_TBE_S1_2N: Claustrophobic 021_TBE_S1_2P: Balanced 021_TBE_S1_2Q: Monochromatic 021_TBE_S1_2R: Shallow 021_TBE_S1_2S: Low Key 021_TBE_S1_3A: rgb(5,2,4) 021_TBE_S1_3B: rgb(6,6,5) 021_TBE_S1_3C: rgb(3,7,10) 021_TBE_S1_3D: rgb(7,33,26) 021_TBE_S1_3E: rgb(67,73,45) 021_TBE_S1_3F: rgb(78,69,71) 021_TBE_S1_3G: rgb(14,94,70) 021_TBE_S1_3H: rgb(18,91,95) 021_TBE_S1_3J: rgb(87,90,65) 021_TBE_S1_3K: rgb(35,128,96) 021_TBE_S1_3M: rgb(133,141,91) 021_TBE_S1_3N: rgb(71,162,130) 021_TBE_S1_3P: rgb(102,180,148) 021_TBE_S1_3Q: rgb(161,168,117) 021_TBE_S1_3R: rgb(148,212,174) === ENTRY 022: ANORA (Shot 1) - ANO === 022_ANO_S1_1A: Sean Baker 022_ANO_S1_1B: Drew Daniels 022_ANO_S1_1C: Alastor Arnold 022_ANO_S1_1D: Warm, Saturated, Red 022_ANO_S1_1E: 2.39 - Anamorphic 022_ANO_S1_1F: Film - 35mm 022_ANO_S1_1G: Medium Close Up 022_ANO_S1_1H: Clean single 022_ANO_S1_1J: Long Lens 022_ANO_S1_1K: Center 022_ANO_S1_1M: High contrast, Side light, Backlight, Edge light 022_ANO_S1_1N: Artificial light 022_ANO_S1_1P: Night 022_ANO_S1_1Q: Interior 022_ANO_S1_1R: Arricam LT 022_ANO_S1_1S: Lomo Round Front Lenses 022_ANO_S1_1T: 5213/7213 Vision 3 200T, 5219/7219 Vision 3 500T 022_ANO_S1_2A: Rapid 022_ANO_S1_2B: Halation Bloom 022_ANO_S1_2C: Tinted/Stained 022_ANO_S1_2D: Heavy Organic Grain 022_ANO_S1_2E: Soft Diffusion 022_ANO_S1_2F: Anamorphic Distortion 022_ANO_S1_2G: Low Key / Chiaroscuro 022_ANO_S1_2H: Dense / Subtractive 022_ANO_S1_2J: Monochromatic Warmth 022_ANO_S1_2K: Halation / Bloom 022_ANO_S1_2M: Center-Punched 022_ANO_S1_2N: Shallow Separation 022_ANO_S1_2P: Balanced 022_ANO_S1_2Q: Monochromatic 022_ANO_S1_2R: Shallow 022_ANO_S1_2S: Low Key 022_ANO_S1_3A: rgb(12,16,12) 022_ANO_S1_3B: rgb(58,18,14) 022_ANO_S1_3C: rgb(78,18,23) 022_ANO_S1_3D: rgb(131,23,13) 022_ANO_S1_3E: rgb(132,22,32) 022_ANO_S1_3F: rgb(96,75,25) 022_ANO_S1_3G: rgb(165,45,49) 022_ANO_S1_3H: rgb(170,53,27) 022_ANO_S1_3J: rgb(192,91,73) 022_ANO_S1_3K: rgb(180,163,62) 022_ANO_S1_3M: rgb(187,175,70) === ENTRY 023: THE BATMAN (Shot 1) - TBM === 023_TBM_S1_1A: Matt Reeves 023_TBM_S1_1B: Greig Fraser 023_TBM_S1_1C: David Cole 023_TBM_S1_1D: Mixed, Cyan, Blue 023_TBM_S1_1E: 2.39 - Anamorphic 023_TBM_S1_1F: Digital, Digital - Large Format 023_TBM_S1_1G: Close Up 023_TBM_S1_1H: Clean single 023_TBM_S1_1J: Long Lens 023_TBM_S1_1K: Not Specified 023_TBM_S1_1M: High contrast, Backlight 023_TBM_S1_1N: Artificial light 023_TBM_S1_1P: Night 023_TBM_S1_1Q: Interior 023_TBM_S1_1R: ARRI ALEXA LF 023_TBM_S1_1S: Arri ALFA 023_TBM_S1_1T: ARRIRAW (4.5K) 023_TBM_S1_2A: Soft Gradient 023_TBM_S1_2B: Halation Bloom 023_TBM_S1_2C: Deep Rich 023_TBM_S1_2D: Fine Film Grain 023_TBM_S1_2E: Soft Diffusion 023_TBM_S1_2F: Anamorphic Distortion 023_TBM_S1_2G: Low Key / Chiaroscuro 023_TBM_S1_2H: Dense / Subtractive 023_TBM_S1_2J: Teal & Orange 023_TBM_S1_2K: Halation / Bloom 023_TBM_S1_2M: Center-Punched 023_TBM_S1_2N: Shallow Separation 023_TBM_S1_2P: Balanced 023_TBM_S1_2Q: Complementary 023_TBM_S1_2R: Shallow 023_TBM_S1_2S: Low Key 023_TBM_S1_3A: rgb(25,40,53) 023_TBM_S1_3B: rgb(53,45,49) 023_TBM_S1_3C: rgb(43,64,89) 023_TBM_S1_3D: rgb(66,93,118) 023_TBM_S1_3E: rgb(100,89,95) 023_TBM_S1_3F: rgb(127,103,96) 023_TBM_S1_3G: rgb(150,119,110) 023_TBM_S1_3H: rgb(91,132,167) 023_TBM_S1_3J: rgb(80,140,171) 023_TBM_S1_3K: rgb(170,133,118) 023_TBM_S1_3M: rgb(128,169,195) 023_TBM_S1_3N: rgb(183,189,205) 023_TBM_S1_3P: rgb(160,201,218) 023_TBM_S1_3Q: rgb(191,220,230) 023_TBM_S1_3R: rgb(241,226,218) === ENTRY 024: ANORA (Shot 2) - ANO === 024_ANO_S2_1A: Sean Baker 024_ANO_S2_1B: Drew Daniels 024_ANO_S2_1C: Alastor Arnold 024_ANO_S2_1D: Cool, Saturated, Cyan, Blue 024_ANO_S2_1E: 2.39 - Anamorphic 024_ANO_S2_1F: Film - 35mm 024_ANO_S2_1G: Extreme Close Up 024_ANO_S2_1H: Clean single 024_ANO_S2_1J: Long Lens 024_ANO_S2_1K: Left heavy 024_ANO_S2_1M: Soft light, High contrast, Underlight, Backlight 024_ANO_S2_1N: Artificial light 024_ANO_S2_1P: Night 024_ANO_S2_1Q: Interior 024_ANO_S2_1R: Arricam LT 024_ANO_S2_1S: Lomo Round Front Lenses, Lomo | Foton-A Square Front Zoom | 40-120mm 024_ANO_S2_1T: 5213/7213 Vision 3 200T, 5219/7219 Vision 3 500T 024_ANO_S2_2A: Soft Gradient 024_ANO_S2_2B: Soft Roll-off 024_ANO_S2_2C: Deep Rich 024_ANO_S2_2D: Fine Film Grain 024_ANO_S2_2E: Soft Diffusion 024_ANO_S2_2F: Anamorphic Distortion 024_ANO_S2_2G: Low Key / Chiaroscuro 024_ANO_S2_2H: Dense / Subtractive 024_ANO_S2_2J: Monochromatic Cool 024_ANO_S2_2K: Halation / Bloom 024_ANO_S2_2M: Negative Space 024_ANO_S2_2N: Shallow Separation 024_ANO_S2_2P: Minimalist 024_ANO_S2_2Q: Monochromatic 024_ANO_S2_2R: Shallow 024_ANO_S2_2S: Low Key 024_ANO_S2_3A: rgb(1,56,76) 024_ANO_S2_3B: rgb(2,90,114) 024_ANO_S2_3C: rgb(7,118,135) 024_ANO_S2_3D: rgb(69,135,135) 024_ANO_S2_3E: rgb(74,152,155) 024_ANO_S2_3F: rgb(86,153,152) 024_ANO_S2_3G: rgb(100,164,165) 024_ANO_S2_3H: rgb(136,171,167) 024_ANO_S2_3J: rgb(192,185,175) 024_ANO_S2_3K: rgb(185,196,186) 024_ANO_S2_3M: rgb(198,192,181) 024_ANO_S2_3N: rgb(192,201,192) 024_ANO_S2_3P: rgb(229,216,204) === ENTRY 025: DRUMLINE - DRM === 025_DRM_S1_1A: Charles Stone III 025_DRM_S1_1B: Shane Hurlbut 025_DRM_S1_1C: Marc Wielage 025_DRM_S1_1D: Cool, Saturated, Cyan, Blue 025_DRM_S1_1E: 2.35 - Super 35 025_DRM_S1_1F: Film - 35mm 025_DRM_S1_1G: Extreme Wide 025_DRM_S1_1H: Group shot, Low angle 025_DRM_S1_1J: Wide 025_DRM_S1_1K: Balanced 025_DRM_S1_1M: Hard light, Silhouette, Top light, Backlight 025_DRM_S1_1N: Artificial light, Practical light 025_DRM_S1_1P: Night 025_DRM_S1_1Q: Interior 025_DRM_S1_1R: Panavision Cameras 025_DRM_S1_1S: Panavision Lenses 025_DRM_S1_1T: 5274/7274 Vision 200T, 5277/7277 Vision 320T, 5279/7279 Vision 500T 025_DRM_S1_2A: Rapid 025_DRM_S1_2B: Specular Blowout 025_DRM_S1_2C: Crushed Black 025_DRM_S1_2D: Fine Film Grain 025_DRM_S1_2E: Soft Diffusion 025_DRM_S1_2F: Modern Clean 025_DRM_S1_2G: Low Key / Chiaroscuro 025_DRM_S1_2H: Dense / Subtractive 025_DRM_S1_2J: Monochromatic Cool 025_DRM_S1_2K: Halation / Bloom 025_DRM_S1_2M: Chaotic Scatter 025_DRM_S1_2N: Deep Z-axis 025_DRM_S1_2P: Chaotic 025_DRM_S1_2Q: Monochromatic 025_DRM_S1_2R: Deep 025_DRM_S1_2S: Low Key 025_DRM_S1_3A: rgb(6,27,43) 025_DRM_S1_3B: rgb(32,66,101) 025_DRM_S1_3C: rgb(36,73,86) 025_DRM_S1_3D: rgb(58,98,133) 025_DRM_S1_3E: rgb(73,116,113) 025_DRM_S1_3F: rgb(84,125,179) 025_DRM_S1_3G: rgb(79,150,163) 025_DRM_S1_3H: rgb(84,155,153) 025_DRM_S1_3J: rgb(159,137,150) 025_DRM_S1_3K: rgb(109,172,192) 025_DRM_S1_3M: rgb(106,187,182) 025_DRM_S1_3N: rgb(144,211,224) 025_DRM_S1_3P: rgb(128,226,217) 025_DRM_S1_3Q: rgb(165,226,232) 025_DRM_S1_3R: rgb(189,244,236) === ENTRY 026: SALTBURN - SAL === 026_SAL_S1_1A: Emerald Fennell 026_SAL_S1_1B: Linus Sandgren 026_SAL_S1_1C: Matt Wallach 026_SAL_S1_1D: Cool, Saturated, Green, Blue, Purple 026_SAL_S1_1E: 1.33 - Spherical 026_SAL_S1_1F: Film - 35mm 026_SAL_S1_1G: Medium Close Up 026_SAL_S1_1H: Clean single, Low angle 026_SAL_S1_1J: Not Specified 026_SAL_S1_1K: Left heavy 026_SAL_S1_1M: High contrast, Underlight 026_SAL_S1_1N: Artificial light 026_SAL_S1_1P: Night 026_SAL_S1_1Q: Interior 026_SAL_S1_1R: Arriflex 435 Xtreme, Panavision Millennium / Millenium XL / XL2 026_SAL_S1_1S: Panavision Primo Classic 026_SAL_S1_1T: 5203/7203 Vision 3 50D, 5213/7213 Vision 3 200T, 5219/7219 Vision 3 500T 026_SAL_S1_2A: Soft Gradient 026_SAL_S1_2B: Halation Bloom 026_SAL_S1_2C: Tinted/Stained 026_SAL_S1_2D: Fine Film Grain 026_SAL_S1_2E: Soft Diffusion 026_SAL_S1_2F: Vintage Coating 026_SAL_S1_2G: Low Key / Chiaroscuro 026_SAL_S1_2H: Dense / Subtractive 026_SAL_S1_2J: Monochromatic Cool 026_SAL_S1_2K: Halation / Bloom 026_SAL_S1_2M: Center-Punched 026_SAL_S1_2N: Shallow Separation 026_SAL_S1_2P: Balanced 026_SAL_S1_2Q: Analogous 026_SAL_S1_2R: Shallow 026_SAL_S1_2S: Low Key 026_SAL_S1_3A: rgb(1,20,71) 026_SAL_S1_3B: rgb(48,22,52) 026_SAL_S1_3C: rgb(39,35,30) 026_SAL_S1_3D: rgb(2,54,36) 026_SAL_S1_3E: rgb(4,41,127) 026_SAL_S1_3F: rgb(74,43,94) 026_SAL_S1_3G: rgb(103,44,31) 026_SAL_S1_3H: rgb(6,90,102) 026_SAL_S1_3J: rgb(5,98,70) 026_SAL_S1_3K: rgb(8,105,130) 026_SAL_S1_3M: rgb(8,134,98) 026_SAL_S1_3N: rgb(37,181,72) 026_SAL_S1_3P: rgb(73,200,74) === ENTRY 027: KNIGHT OF CUPS (Shot 1) - KOC === 027_KOC_S1_1A: Terrence Malick 027_KOC_S1_1B: Emmanuel Lubezki 027_KOC_S1_1C: Bryan McMahan 027_KOC_S1_1D: Cool, Desaturated, Cyan 027_KOC_S1_1E: 2.35 - Anamorphic, Super 35 027_KOC_S1_1F: Film - 35mm 027_KOC_S1_1G: Medium Close Up 027_KOC_S1_1H: Clean single, Dutch angle, Low angle 027_KOC_S1_1J: Ultra Wide / Fisheye, Wide 027_KOC_S1_1K: Left heavy 027_KOC_S1_1M: Soft light, Top light 027_KOC_S1_1N: Practical light, Fluorescent 027_KOC_S1_1P: Night 027_KOC_S1_1Q: Interior 027_KOC_S1_1R: ARRI ALEXA M, Arricam LT 027_KOC_S1_1S: Zeiss Master Primes, Panavision System 65 Lenses 027_KOC_S1_1T: 2.8K / 2.8K ArriRaw, 4K, Redcode Raw 027_KOC_S1_2A: Rapid 027_KOC_S1_2B: Soft Roll-off 027_KOC_S1_2C: Crushed Black 027_KOC_S1_2D: Clean Digital 027_KOC_S1_2E: Clinically Sharp 027_KOC_S1_2F: Modern Clean 027_KOC_S1_2G: Low Key / Chiaroscuro 027_KOC_S1_2H: Vibrant / Digital Pop 027_KOC_S1_2J: Monochromatic Cool 027_KOC_S1_2K: Creamy / Soft Shoulder 027_KOC_S1_2M: Leading Lines 027_KOC_S1_2N: Deep Z-axis 027_KOC_S1_2P: Balanced 027_KOC_S1_2Q: Monochromatic 027_KOC_S1_2R: Deep 027_KOC_S1_2S: Low Key 027_KOC_S1_3A: rgb(22,20,19) 027_KOC_S1_3B: rgb(14,24,26) 027_KOC_S1_3C: rgb(26,22,23) 027_KOC_S1_3D: rgb(4,31,22) 027_KOC_S1_3E: rgb(12,95,73) 027_KOC_S1_3F: rgb(19,132,105) 027_KOC_S1_3G: rgb(26,186,152) 027_KOC_S1_3H: rgb(33,230,196) 027_KOC_S1_3J: rgb(33,245,214) === ENTRY 028: ANORA (Shot 3) - ANO === 028_ANO_S3_1A: Sean Baker 028_ANO_S3_1B: Drew Daniels 028_ANO_S3_1C: Alastor Arnold 028_ANO_S3_1D: Warm, Saturated, Red, Orange, Magenta 028_ANO_S3_1E: 2.39 - Anamorphic 028_ANO_S3_1F: Film - 35mm 028_ANO_S3_1G: Medium 028_ANO_S3_1H: Clean single 028_ANO_S3_1J: Long Lens 028_ANO_S3_1K: Right heavy 028_ANO_S3_1M: Side light 028_ANO_S3_1N: Artificial light, Mixed light 028_ANO_S3_1P: Night 028_ANO_S3_1Q: Interior 028_ANO_S3_1R: Arricam LT 028_ANO_S3_1S: Lomo Round Front Lenses 028_ANO_S3_1T: 5213/7213 Vision 3 200T, 5219/7219 Vision 3 500T 028_ANO_S3_2A: Soft Gradient 028_ANO_S3_2B: Halation Bloom 028_ANO_S3_2C: Deep Rich 028_ANO_S3_2D: Fine Film Grain 028_ANO_S3_2E: Soft Diffusion 028_ANO_S3_2F: Anamorphic Distortion 028_ANO_S3_2G: Low Key / Chiaroscuro 028_ANO_S3_2H: Dense / Subtractive 028_ANO_S3_2J: Monochromatic Warmth 028_ANO_S3_2K: Halation / Bloom 028_ANO_S3_2M: Rule of Thirds 028_ANO_S3_2N: Shallow Separation 028_ANO_S3_2P: Balanced 028_ANO_S3_2Q: Analogous 028_ANO_S3_2R: Shallow 028_ANO_S3_2S: Low Key 028_ANO_S3_3A: rgb(9,11,8) 028_ANO_S3_3B: rgb(10,17,21) 028_ANO_S3_3C: rgb(35,18,9) 028_ANO_S3_3D: rgb(76,24,36) 028_ANO_S3_3E: rgb(120,27,45) 028_ANO_S3_3F: rgb(125,31,14) 028_ANO_S3_3G: rgb(115,57,6) 028_ANO_S3_3H: rgb(151,45,76) 028_ANO_S3_3J: rgb(151,80,19) 028_ANO_S3_3K: rgb(199,129,37) 028_ANO_S3_3M: rgb(216,157,67) === ENTRY 029: BAD BOYS II - BBI === 029_BBI_S1_1A: Michael Bay 029_BBI_S1_1B: Amir Mokri 029_BBI_S1_1C: Stefan Sonnenfeld 029_BBI_S1_1D: Cool, Saturated, Blue 029_BBI_S1_1E: 2.39 - Anamorphic 029_BBI_S1_1F: Not Specified 029_BBI_S1_1G: Extreme Close Up 029_BBI_S1_1H: 2 shot, Low angle 029_BBI_S1_1J: Long Lens 029_BBI_S1_1K: Center 029_BBI_S1_1M: Hard light, High contrast, Underlight 029_BBI_S1_1N: Fluorescent 029_BBI_S1_1P: Night 029_BBI_S1_1Q: Interior 029_BBI_S1_1R: Arriflex 435, Panavision Panaflex Platinum, Bell & Howell Super 8 029_BBI_S1_1S: Panavision Primo Primes 029_BBI_S1_1T: 5274/7274 Vision 200T, 5277/7277 Vision 320T, 5279/7279 Vision 500T 029_BBI_S1_2A: Rapid 029_BBI_S1_2B: Hard Clipping 029_BBI_S1_2C: Crushed Black 029_BBI_S1_2D: Fine Film Grain 029_BBI_S1_2E: Clinically Sharp 029_BBI_S1_2F: Anamorphic Distortion 029_BBI_S1_2G: S-Curve / Punchy 029_BBI_S1_2H: Vibrant / Digital Pop 029_BBI_S1_2J: Monochromatic Cool 029_BBI_S1_2K: Hard Clip 029_BBI_S1_2M: Center-Punched 029_BBI_S1_2N: Shallow Separation 029_BBI_S1_2P: Balanced 029_BBI_S1_2Q: Monochromatic 029_BBI_S1_2R: Shallow 029_BBI_S1_2S: Low Key 029_BBI_S1_3A: rgb(5,29,102) 029_BBI_S1_3B: rgb(14,48,146) 029_BBI_S1_3C: rgb(39,54,217) 029_BBI_S1_3D: rgb(27,84,196) 029_BBI_S1_3E: rgb(43,115,222) 029_BBI_S1_3F: rgb(24,157,228) 029_BBI_S1_3G: rgb(74,181,238) 029_BBI_S1_3H: rgb(148,196,242) 029_BBI_S1_3J: rgb(81,232,251) 029_BBI_S1_3K: rgb(195,234,251) 029_BBI_S1_3M: rgb(236,233,236) 029_BBI_S1_3N: rgb(238,254,253) 029_BBI_S1_3P: rgb(251,251,251) === ENTRY 030: LAST NIGHT IN SOHO - LNS === 030_LNS_S1_1A: Edgar Wright 030_LNS_S1_1B: Chung Chung-hoon 030_LNS_S1_1C: Andy Dickinson 030_LNS_S1_1D: Mixed, Saturated, Blue, Magenta, Pink 030_LNS_S1_1E: 2.39 - Anamorphic 030_LNS_S1_1F: Digital 030_LNS_S1_1G: Extreme Close Up 030_LNS_S1_1H: High angle, Insert 030_LNS_S1_1J: Long Lens 030_LNS_S1_1K: Center, Right heavy 030_LNS_S1_1M: Hard light, High contrast 030_LNS_S1_1N: Artificial light 030_LNS_S1_1P: Night 030_LNS_S1_1Q: Interior 030_LNS_S1_1R: ARRI ALEXA Mini 030_LNS_S1_1S: Panavision Primo Primes 030_LNS_S1_1T: 3.2K / 3.2K ArriRaw 030_LNS_S1_2A: Rapid 030_LNS_S1_2B: Specular Blowout 030_LNS_S1_2C: Crushed Black 030_LNS_S1_2D: Clean Digital 030_LNS_S1_2E: Clinically Sharp 030_LNS_S1_2F: Modern Clean 030_LNS_S1_2G: Low Key / Chiaroscuro 030_LNS_S1_2H: Vibrant / Digital Pop 030_LNS_S1_2J: Discordant / Acid 030_LNS_S1_2K: Specular Sharpness 030_LNS_S1_2M: Rule of Thirds 030_LNS_S1_2N: Shallow Separation 030_LNS_S1_2P: Minimalist 030_LNS_S1_2Q: Analogous 030_LNS_S1_2R: Shallow 030_LNS_S1_2S: Low Key 030_LNS_S1_3A: rgb(0,0,0) 030_LNS_S1_3B: rgb(0,1,0) 030_LNS_S1_3C: rgb(49,4,28) 030_LNS_S1_3D: rgb(11,17,74) 030_LNS_S1_3E: rgb(41,40,111) 030_LNS_S1_3F: rgb(61,86,139) 030_LNS_S1_3G: rgb(180,4,83) 030_LNS_S1_3H: rgb(125,103,98) 030_LNS_S1_3J: rgb(180,41,149) 030_LNS_S1_3K: rgb(98,94,201) 030_LNS_S1_3M: rgb(213,60,187) 030_LNS_S1_3N: rgb(254,1,97) 030_LNS_S1_3P: rgb(160,150,140) 030_LNS_S1_3Q: rgb(211,115,218) 030_LNS_S1_3R: rgb(128,165,187) === ENTRY 031: JENNIE, DUA LIPA - JDL === 031_JDL_S1_1A: Alex Lee, Kyle Wightman, BRTHR 031_JDL_S1_1B: Ben Carey 031_JDL_S1_1C: Myles Bevan 031_JDL_S1_1D: Mixed, Saturated, Blue, Magenta, Pink 031_JDL_S1_1E: 1.33 031_JDL_S1_1F: Not Specified 031_JDL_S1_1G: Close Up 031_JDL_S1_1H: Clean single 031_JDL_S1_1J: Long Lens 031_JDL_S1_1K: Right heavy 031_JDL_S1_1M: Soft light, High contrast, Backlight 031_JDL_S1_1N: Artificial light, Mixed light 031_JDL_S1_1P: Night 031_JDL_S1_1Q: Interior 031_JDL_S1_1R: Not Specified 031_JDL_S1_1S: Not Specified 031_JDL_S1_1T: Not Specified 031_JDL_S1_2A: Soft Gradient 031_JDL_S1_2B: Halation Bloom 031_JDL_S1_2C: Crushed Black 031_JDL_S1_2D: Fine Film Grain 031_JDL_S1_2E: Pro-Mist Haze 031_JDL_S1_2F: Anamorphic Distortion 031_JDL_S1_2G: Low Key / Chiaroscuro 031_JDL_S1_2H: Vibrant / Digital Pop 031_JDL_S1_2J: Discordant / Acid 031_JDL_S1_2K: Halation / Bloom 031_JDL_S1_2M: Rule of Thirds 031_JDL_S1_2N: Shallow Separation 031_JDL_S1_2P: Balanced 031_JDL_S1_2Q: Discordant 031_JDL_S1_2R: Shallow 031_JDL_S1_2S: Low Key 031_JDL_S1_3A: rgb(6,18,18) 031_JDL_S1_3B: rgb(15,22,41) 031_JDL_S1_3C: rgb(62,24,42) 031_JDL_S1_3D: rgb(33,44,117) 031_JDL_S1_3E: rgb(125,30,70) 031_JDL_S1_3F: rgb(80,83,147) 031_JDL_S1_3G: rgb(151,59,115) 031_JDL_S1_3H: rgb(181,94,137) 031_JDL_S1_3J: rgb(190,142,175) 031_JDL_S1_3K: rgb(160,160,189) 031_JDL_S1_3M: rgb(211,150,104) 031_JDL_S1_3N: rgb(213,197,215) 031_JDL_S1_3P: rgb(209,208,220) 031_JDL_S1_3Q: rgb(217,218,191) 031_JDL_S1_3R: rgb(216,235,219) === ENTRY 032: WHITE BIRD IN A BLIZZARD - WBB === 032_WBB_S1_1A: Gregg Araki 032_WBB_S1_1B: Sandra Valde-Hansen 032_WBB_S1_1C: Michael Eaves 032_WBB_S1_1D: Warm, Saturated 032_WBB_S1_1E: 2.35 - Spherical 032_WBB_S1_1F: Digital 032_WBB_S1_1G: Wide 032_WBB_S1_1H: Group shot, Low angle 032_WBB_S1_1J: Wide 032_WBB_S1_1K: Balanced 032_WBB_S1_1M: Hard light, High contrast, Backlight 032_WBB_S1_1N: Artificial light, Mixed light 032_WBB_S1_1P: Night 032_WBB_S1_1Q: Exterior 032_WBB_S1_1R: ARRI ALEXA XT / XTplus 032_WBB_S1_1S: Angenieux Optimo 032_WBB_S1_1T: 2.8K / 2.8K ArriRaw 032_WBB_S1_2A: Rapid 032_WBB_S1_2B: Soft Roll-off 032_WBB_S1_2C: Crushed Black 032_WBB_S1_2D: Clean Digital 032_WBB_S1_2E: Clinically Sharp 032_WBB_S1_2F: Modern Clean 032_WBB_S1_2G: Low Key / Chiaroscuro 032_WBB_S1_2H: Dense / Subtractive 032_WBB_S1_2J: Monochromatic Warmth 032_WBB_S1_2K: Specular Sharpness 032_WBB_S1_2M: Leading Lines 032_WBB_S1_2N: Flat Planar 032_WBB_S1_2P: Balanced 032_WBB_S1_2Q: Analogous 032_WBB_S1_2R: Flat 032_WBB_S1_2S: Low Key 032_WBB_S1_3A: rgb(10,12,14) 032_WBB_S1_3B: rgb(15,17,16) 032_WBB_S1_3C: rgb(27,11,14) 032_WBB_S1_3D: rgb(49,27,16) 032_WBB_S1_3E: rgb(111,50,20) 032_WBB_S1_3F: rgb(86,69,33) 032_WBB_S1_3G: rgb(111,84,56) 032_WBB_S1_3H: rgb(87,93,89) 032_WBB_S1_3J: rgb(81,101,106) 032_WBB_S1_3K: rgb(189,5,37) 032_WBB_S1_3M: rgb(123,130,124) 032_WBB_S1_3N: rgb(161,145,34) 032_WBB_S1_3P: rgb(135,158,160) 032_WBB_S1_3Q: rgb(159,156,137) 032_WBB_S1_3R: rgb(155,162,156) === ENTRY 033: PARIAH - PAR === 033_PAR_S1_1A: Dee Rees 033_PAR_S1_1B: Bradford Young 033_PAR_S1_1C: Joe Gawler 033_PAR_S1_1D: Warm, Saturated, Red 033_PAR_S1_1E: 1.85 - Spherical 033_PAR_S1_1F: Film - 35mm 033_PAR_S1_1G: Extreme Close Up 033_PAR_S1_1H: Insert 033_PAR_S1_1J: Medium 033_PAR_S1_1K: Center 033_PAR_S1_1M: Not Specified 033_PAR_S1_1N: Artificial light, LED 033_PAR_S1_1P: Night 033_PAR_S1_1Q: Exterior 033_PAR_S1_1R: Arri 235, Arricam LT 033_PAR_S1_1S: Zeiss Ultra Prime 033_PAR_S1_1T: 5207/7207 Vision 3 250D, 5260 Vision 2 500T 033_PAR_S1_2A: Soft Gradient 033_PAR_S1_2B: Muted/Matte 033_PAR_S1_2C: Deep Rich 033_PAR_S1_2D: Fine Film Grain 033_PAR_S1_2E: Soft Diffusion 033_PAR_S1_2F: Modern Clean 033_PAR_S1_2G: Low Key / Chiaroscuro 033_PAR_S1_2H: Dense / Subtractive 033_PAR_S1_2J: Monochromatic Warmth 033_PAR_S1_2K: Creamy / Soft Shoulder 033_PAR_S1_2M: Center-Punched 033_PAR_S1_2N: Shallow Separation 033_PAR_S1_2P: Minimalist 033_PAR_S1_2Q: Monochromatic 033_PAR_S1_2R: Shallow 033_PAR_S1_2S: Low Key 033_PAR_S1_3A: rgb(2,7,9) 033_PAR_S1_3B: rgb(4,8,7) 033_PAR_S1_3C: rgb(46,9,5) 033_PAR_S1_3D: rgb(110,0,2) 033_PAR_S1_3E: rgb(136,1,2) 033_PAR_S1_3F: rgb(137,1,1) === ENTRY 034: BOOGIE NIGHTS - BGN === 034_BGN_S1_1A: Paul Thomas Anderson 034_BGN_S1_1B: Robert Elswit 034_BGN_S1_1C: Phil Hetos 034_BGN_S1_1D: Cool, Desaturated, Cyan, Blue 034_BGN_S1_1E: 2.39 - Anamorphic 034_BGN_S1_1F: Film - 35mm 034_BGN_S1_1G: Not Specified 034_BGN_S1_1H: Dutch angle 034_BGN_S1_1J: Wide 034_BGN_S1_1K: Balanced 034_BGN_S1_1M: Hard light 034_BGN_S1_1N: Practical light 034_BGN_S1_1P: Night 034_BGN_S1_1Q: Exterior 034_BGN_S1_1R: Panavision Panaflex 034_BGN_S1_1S: Panavision C series 034_BGN_S1_1T: 5248/7248 EXR 100T 034_BGN_S1_2A: Rapid 034_BGN_S1_2B: Hard Clipping 034_BGN_S1_2C: Crushed Black 034_BGN_S1_2D: Fine Film Grain 034_BGN_S1_2E: Clinically Sharp 034_BGN_S1_2F: Anamorphic Distortion 034_BGN_S1_2G: Crushed Blacks 034_BGN_S1_2H: Dense / Subtractive 034_BGN_S1_2J: Monochromatic Cool 034_BGN_S1_2K: Hard Clip 034_BGN_S1_2M: Leading Lines 034_BGN_S1_2N: Flat Planar 034_BGN_S1_2P: Minimalist 034_BGN_S1_2Q: Monochromatic 034_BGN_S1_2R: Flat 034_BGN_S1_2S: Low Key 034_BGN_S1_3A: rgb(0,0,0) 034_BGN_S1_3B: rgb(1,0,1) 034_BGN_S1_3C: rgb(3,6,5) 034_BGN_S1_3D: rgb(12,32,52) 034_BGN_S1_3E: rgb(16,68,115) 034_BGN_S1_3F: rgb(16,78,105) 034_BGN_S1_3G: rgb(81,82,25) 034_BGN_S1_3H: rgb(26,107,141) 034_BGN_S1_3J: rgb(105,106,38) 034_BGN_S1_3K: rgb(41,163,195) 034_BGN_S1_3M: rgb(86,195,211) 034_BGN_S1_3N: rgb(113,232,240) 034_BGN_S1_3P: rgb(130,240,240) 034_BGN_S1_3Q: rgb(142,245,248) 034_BGN_S1_3R: rgb(148,250,250) === ENTRY 035: BREATHE - BRE === 035_BRE_S1_1A: Stefon Bristol 035_BRE_S1_1B: Felipe Vara de Rey 035_BRE_S1_1C: Alex Berman 035_BRE_S1_1D: Cool, Saturated, Blue 035_BRE_S1_1E: 2.39 - Spherical 035_BRE_S1_1F: Digital 035_BRE_S1_1G: Extreme Close Up 035_BRE_S1_1H: High angle, Insert 035_BRE_S1_1J: Long Lens 035_BRE_S1_1K: Center 035_BRE_S1_1M: High contrast 035_BRE_S1_1N: Artificial light, Mixed light 035_BRE_S1_1P: Day 035_BRE_S1_1Q: Interior 035_BRE_S1_1R: Canon C500, Panasonic Lumix S1H 035_BRE_S1_1S: Angenieux, Leica R Series 035_BRE_S1_1T: 4K 035_BRE_S1_2A: Soft Gradient 035_BRE_S1_2B: Soft Roll-off 035_BRE_S1_2C: Tinted/Stained 035_BRE_S1_2D: Clean Digital 035_BRE_S1_2E: Clinically Sharp 035_BRE_S1_2F: Modern Clean 035_BRE_S1_2G: Low Key / Chiaroscuro 035_BRE_S1_2H: Vibrant / Digital Pop 035_BRE_S1_2J: Teal & Orange 035_BRE_S1_2K: Creamy / Soft Shoulder 035_BRE_S1_2M: Rule of Thirds 035_BRE_S1_2N: Shallow Separation 035_BRE_S1_2P: Balanced 035_BRE_S1_2Q: Complementary 035_BRE_S1_2R: Shallow 035_BRE_S1_2S: Low Key 035_BRE_S1_3A: rgb(3,14,42) 035_BRE_S1_3B: rgb(58,12,27) 035_BRE_S1_3C: rgb(19,46,44) 035_BRE_S1_3D: rgb(62,39,26) 035_BRE_S1_3E: rgb(103,30,41) 035_BRE_S1_3F: rgb(2,51,155) 035_BRE_S1_3G: rgb(23,74,101) 035_BRE_S1_3H: rgb(93,67,20) 035_BRE_S1_3J: rgb(132,30,12) 035_BRE_S1_3K: rgb(21,86,79) 035_BRE_S1_3M: rgb(89,73,83) 035_BRE_S1_3N: rgb(124,80,33) 035_BRE_S1_3P: rgb(35,107,96) 035_BRE_S1_3Q: rgb(42,102,139) 035_BRE_S1_3R: rgb(41,149,205) === ENTRY 036: MISSION: IMPOSSIBLE - MIP === 036_MIP_S1_1A: Christopher McQuarrie 036_MIP_S1_1B: Rob Hardy 036_MIP_S1_1C: Jateen Patel 036_MIP_S1_1D: Mixed, Saturated, Orange, Yellow, Blue 036_MIP_S1_1E: 2.39 - Anamorphic 036_MIP_S1_1F: Film - 35mm, Digital, Digital - Large Format 036_MIP_S1_1G: Extreme Wide 036_MIP_S1_1H: Establishing shot, Group shot, Low angle 036_MIP_S1_1J: Wide 036_MIP_S1_1K: Balanced 036_MIP_S1_1M: Hard light, High contrast, Top light, Backlight 036_MIP_S1_1N: Artificial light, Practical light, Mixed light 036_MIP_S1_1P: Night 036_MIP_S1_1Q: Interior 036_MIP_S1_1R: Panavision Millennium / Millenium XL / XL2 036_MIP_S1_1S: Panavision Primo 70s, Angenieux Optimo Zooms, Panavision C series, Panavision E series 036_MIP_S1_1T: 5203/7203 Vision 3 50D, 5213/7213 Vision 3 200T, 5219/7219 Vision 3 500T, Redcode RAW 6K, Redcode RAW 8k 036_MIP_S1_2A: Soft Gradient 036_MIP_S1_2B: Halation Bloom 036_MIP_S1_2C: Deep Rich 036_MIP_S1_2D: Fine Film Grain 036_MIP_S1_2E: Soft Diffusion 036_MIP_S1_2F: Anamorphic Distortion 036_MIP_S1_2G: Low Key / Chiaroscuro 036_MIP_S1_2H: Vibrant / Digital Pop 036_MIP_S1_2J: Teal & Orange 036_MIP_S1_2K: Halation / Bloom 036_MIP_S1_2M: Rule of Thirds 036_MIP_S1_2N: Deep Z-axis 036_MIP_S1_2P: Balanced 036_MIP_S1_2Q: Complementary 036_MIP_S1_2R: Deep 036_MIP_S1_2S: Low Key 036_MIP_S1_3A: rgb(42,29,18) 036_MIP_S1_3B: rgb(31,36,35) 036_MIP_S1_3C: rgb(44,38,41) 036_MIP_S1_3D: rgb(33,52,62) 036_MIP_S1_3E: rgb(86,56,44) 036_MIP_S1_3F: rgb(84,64,37) 036_MIP_S1_3G: rgb(16,79,100) 036_MIP_S1_3H: rgb(95,85,90) 036_MIP_S1_3J: rgb(70,97,120) 036_MIP_S1_3K: rgb(123,85,58) 036_MIP_S1_3M: rgb(121,142,165) 036_MIP_S1_3N: rgb(213,129,29) 036_MIP_S1_3P: rgb(183,150,107) 036_MIP_S1_3Q: rgb(230,202,122) 036_MIP_S1_3R: rgb(234,231,205) === ENTRY 037: 25TH HOUR - 25H === 037_25H_S1_1A: Spike Lee 037_25H_S1_1B: Rodrigo Prieto 037_25H_S1_1C: Steve Bowen 037_25H_S1_1D: Cool, Saturated, Cyan, Blue 037_25H_S1_1E: 2.35 - Anamorphic, Super 35 037_25H_S1_1F: Film - 35mm 037_25H_S1_1G: Wide 037_25H_S1_1H: Group shot, High angle, Over the shoulder 037_25H_S1_1J: Medium, Long Lens 037_25H_S1_1K: Left heavy 037_25H_S1_1M: Hard light, High contrast 037_25H_S1_1N: Not Specified 037_25H_S1_1P: Day, Night 037_25H_S1_1Q: Interior 037_25H_S1_1R: Arricam LT 037_25H_S1_1S: Zeiss Ultra Prime 037_25H_S1_1T: 5219/7219 Vision 3 500T, 5289/7289 Vision 800T, Eastman EXR 50D 5245 037_25H_S1_2A: Rapid 037_25H_S1_2B: Halation Bloom 037_25H_S1_2C: Deep Rich 037_25H_S1_2D: Fine Film Grain 037_25H_S1_2E: Soft Diffusion 037_25H_S1_2F: Modern Clean 037_25H_S1_2G: Low Key / Chiaroscuro 037_25H_S1_2H: Dense / Subtractive 037_25H_S1_2J: Monochromatic Cool 037_25H_S1_2K: Halation / Bloom 037_25H_S1_2M: Silhouette Framing 037_25H_S1_2N: Deep Z-axis 037_25H_S1_2P: Chaotic 037_25H_S1_2Q: Monochromatic 037_25H_S1_2R: Deep 037_25H_S1_2S: Low Key 037_25H_S1_3A: rgb(0,0,0) 037_25H_S1_3B: rgb(1,0,1) 037_25H_S1_3C: rgb(3,0,76) 037_25H_S1_3D: rgb(7,17,166) 037_25H_S1_3E: rgb(6,100,208) 037_25H_S1_3F: rgb(68,126,199) 037_25H_S1_3G: rgb(5,175,225) 037_25H_S1_3H: rgb(103,178,213) 037_25H_S1_3J: rgb(20,222,224) 037_25H_S1_3K: rgb(150,208,218) 037_25H_S1_3M: rgb(53,225,225) 037_25H_S1_3N: rgb(179,211,215) 037_25H_S1_3P: rgb(114,226,223) 037_25H_S1_3Q: rgb(200,221,216) 037_25H_S1_3R: rgb(224,226,216) === ENTRY 038: JOHN WICK: CHAPTER 4 - JWC === 038_JWC_S1_1A: Chad Stahelski 038_JWC_S1_1B: Dan Laustsen 038_JWC_S1_1C: Jill Bogdanowicz 038_JWC_S1_1D: Mixed, Saturated, Orange, Cyan 038_JWC_S1_1E: 2.39 - Anamorphic 038_JWC_S1_1F: Digital 038_JWC_S1_1G: Wide 038_JWC_S1_1H: Establishing shot 038_JWC_S1_1J: Medium 038_JWC_S1_1K: Balanced 038_JWC_S1_1M: Soft light, Side light 038_JWC_S1_1N: Artificial light 038_JWC_S1_1P: Night 038_JWC_S1_1Q: Interior 038_JWC_S1_1R: ARRI ALEXA LF 038_JWC_S1_1S: Arri ALFA, Arri Signature Prime Lenses 038_JWC_S1_1T: ARRIRAW (4.5K) 038_JWC_S1_2A: Soft Gradient 038_JWC_S1_2B: Halation Bloom 038_JWC_S1_2C: Deep Rich 038_JWC_S1_2D: Clean Digital 038_JWC_S1_2E: Motion Blur 038_JWC_S1_2F: Anamorphic Distortion 038_JWC_S1_2G: S-Curve / Punchy 038_JWC_S1_2H: Vibrant / Digital Pop 038_JWC_S1_2J: Teal & Orange 038_JWC_S1_2K: Creamy / Soft Shoulder 038_JWC_S1_2M: Silhouette Framing 038_JWC_S1_2N: Telephoto Compression 038_JWC_S1_2P: Chaotic 038_JWC_S1_2Q: Complementary 038_JWC_S1_2R: Compressed 038_JWC_S1_2S: Low Key 038_JWC_S1_3A: rgb(1,14,16) 038_JWC_S1_3B: rgb(2,34,29) 038_JWC_S1_3C: rgb(48,25,11) 038_JWC_S1_3D: rgb(75,68,40) 038_JWC_S1_3E: rgb(128,40,8) 038_JWC_S1_3F: rgb(14,85,89) 038_JWC_S1_3G: rgb(8,95,85) 038_JWC_S1_3H: rgb(54,106,85) 038_JWC_S1_3J: rgb(50,104,109) 038_JWC_S1_3K: rgb(159,82,47) 038_JWC_S1_3M: rgb(105,142,115) 038_JWC_S1_3N: rgb(158,129,88) 038_JWC_S1_3P: rgb(204,103,64) 038_JWC_S1_3Q: rgb(196,128,82) 038_JWC_S1_3R: rgb(141,167,150) === ENTRY 039: THE DEATH & LIFE OF JOHN F. DONOVAN - TDL === 039_TDL_S1_1A: Xavier Dolan 039_TDL_S1_1B: André Turpin 039_TDL_S1_1C: Jérôme Cloutier 039_TDL_S1_1D: Cool, Saturated, Blue, Purple, Pink 039_TDL_S1_1E: 2.39 - Spherical 039_TDL_S1_1F: Film - 65mm / 70mm 039_TDL_S1_1G: Extreme Wide, Wide 039_TDL_S1_1H: Establishing shot, Group shot, High angle 039_TDL_S1_1J: Wide 039_TDL_S1_1K: Balanced 039_TDL_S1_1M: Hard light, Top light 039_TDL_S1_1N: Artificial light, Practical light, Mixed light, Fluorescent 039_TDL_S1_1P: Night 039_TDL_S1_1Q: Interior 039_TDL_S1_1R: Arricam LT, Arricam ST 039_TDL_S1_1S: Vantage One T1 Spherical Prime lenses 039_TDL_S1_1T: Not Specified 039_TDL_S1_2A: Soft Gradient 039_TDL_S1_2B: Halation Bloom 039_TDL_S1_2C: Tinted/Stained 039_TDL_S1_2D: Fine Film Grain 039_TDL_S1_2E: Soft Diffusion 039_TDL_S1_2F: Modern Clean 039_TDL_S1_2G: Low Key / Chiaroscuro 039_TDL_S1_2H: Dense / Subtractive 039_TDL_S1_2J: Monochromatic Cool 039_TDL_S1_2K: Halation / Bloom 039_TDL_S1_2M: Chaotic Scatter 039_TDL_S1_2N: Deep Z-axis 039_TDL_S1_2P: Chaotic 039_TDL_S1_2Q: Analogous 039_TDL_S1_2R: Deep 039_TDL_S1_2S: Low Key 039_TDL_S1_3A: rgb(1,13,94) 039_TDL_S1_3B: rgb(67,22,82) 039_TDL_S1_3C: rgb(10,42,138) 039_TDL_S1_3D: rgb(94,31,119) 039_TDL_S1_3E: rgb(67,76,155) 039_TDL_S1_3F: rgb(129,81,147) 039_TDL_S1_3G: rgb(111,103,178) 039_TDL_S1_3H: rgb(152,104,162) 039_TDL_S1_3J: rgb(140,145,192) 039_TDL_S1_3K: rgb(185,136,175) 039_TDL_S1_3M: rgb(180,181,219) 039_TDL_S1_3N: rgb(222,169,188) 039_TDL_S1_3P: rgb(203,205,224) 039_TDL_S1_3Q: rgb(219,202,210) 039_TDL_S1_3R: rgb(231,221,217) === ENTRY 040: SWARM - SWM === 040_SWM_S1_1A: Donald Glover 040_SWM_S1_1B: Drew Daniels 040_SWM_S1_1C: Alastor Arnold 040_SWM_S1_1D: Warm, Saturated, Red, Orange 040_SWM_S1_1E: 1.43 - Spherical 040_SWM_S1_1F: Film - 16mm 040_SWM_S1_1G: Wide 040_SWM_S1_1H: Group shot 040_SWM_S1_1J: Wide 040_SWM_S1_1K: Balanced 040_SWM_S1_1M: Hard light, High contrast, Top light 040_SWM_S1_1N: Artificial light, Practical light 040_SWM_S1_1P: Night 040_SWM_S1_1Q: Interior 040_SWM_S1_1R: Arricam LT 040_SWM_S1_1S: Not Specified 040_SWM_S1_1T: Not Specified 040_SWM_S1_2A: Rapid 040_SWM_S1_2B: Soft Roll-off 040_SWM_S1_2C: Crushed Black 040_SWM_S1_2D: Heavy Organic Grain 040_SWM_S1_2E: Soft Diffusion 040_SWM_S1_2F: Vintage Coating 040_SWM_S1_2G: Low Key / Chiaroscuro 040_SWM_S1_2H: Dense / Subtractive 040_SWM_S1_2J: Monochromatic Warmth 040_SWM_S1_2K: Halation / Bloom 040_SWM_S1_2M: Silhouette Framing 040_SWM_S1_2N: Deep Z-axis 040_SWM_S1_2P: Balanced 040_SWM_S1_2Q: Monochromatic 040_SWM_S1_2R: Deep 040_SWM_S1_2S: Low Key 040_SWM_S1_3A: rgb(7,14,7) 040_SWM_S1_3B: rgb(30,12,3) 040_SWM_S1_3C: rgb(76,1,2) 040_SWM_S1_3D: rgb(106,61,12) 040_SWM_S1_3E: rgb(187,1,2) 040_SWM_S1_3F: rgb(189,7,3) 040_SWM_S1_3G: rgb(182,60,10) 040_SWM_S1_3H: rgb(219,130,22) 040_SWM_S1_3J: rgb(232,162,62) 040_SWM_S1_3K: rgb(240,207,105) === ENTRY 041: P-VALLEY - PVA === 041_PVA_S1_1A: Tamra Davis 041_PVA_S1_1B: Richard J. Vialet 041_PVA_S1_1C: Roman Hankewycz 041_PVA_S1_1D: Cool, Saturated, Cyan, Blue, Purple 041_PVA_S1_1E: 1.78 041_PVA_S1_1F: Digital 041_PVA_S1_1G: Medium 041_PVA_S1_1H: Clean single 041_PVA_S1_1J: Medium 041_PVA_S1_1K: Left heavy 041_PVA_S1_1M: Hard light, Underlight 041_PVA_S1_1N: Artificial light 041_PVA_S1_1P: Night 041_PVA_S1_1Q: Interior 041_PVA_S1_1R: ARRI ALEXA Mini 041_PVA_S1_1S: Angenieux Optimo Zooms 041_PVA_S1_1T: 3.2K / 3.2K ArriRaw 041_PVA_S1_2A: Rapid 041_PVA_S1_2B: Hard Clipping 041_PVA_S1_2C: Tinted/Stained 041_PVA_S1_2D: Clean Digital 041_PVA_S1_2E: Clinically Sharp 041_PVA_S1_2F: Modern Clean 041_PVA_S1_2G: Low Key / Chiaroscuro 041_PVA_S1_2H: Vibrant / Digital Pop 041_PVA_S1_2J: Monochromatic Cool 041_PVA_S1_2K: Hard Clip 041_PVA_S1_2M: Rule of Thirds 041_PVA_S1_2N: Deep Z-axis 041_PVA_S1_2P: Balanced 041_PVA_S1_2Q: Analogous 041_PVA_S1_2R: Shallow 041_PVA_S1_2S: Low Key 041_PVA_S1_3A: rgb(4,25,80) 041_PVA_S1_3B: rgb(60,11,69) 041_PVA_S1_3C: rgb(71,27,106) 041_PVA_S1_3D: rgb(10,59,133) 041_PVA_S1_3E: rgb(12,78,110) 041_PVA_S1_3F: rgb(21,97,160) 041_PVA_S1_3G: rgb(68,133,193) 041_PVA_S1_3H: rgb(43,164,181) 041_PVA_S1_3J: rgb(95,168,210) 041_PVA_S1_3K: rgb(31,185,183) 041_PVA_S1_3M: rgb(189,177,186) 041_PVA_S1_3N: rgb(73,209,202) 041_PVA_S1_3P: rgb(138,209,236) 041_PVA_S1_3Q: rgb(111,226,217) 041_PVA_S1_3R: rgb(162,218,240) === ENTRY 042: SOMEONE GREAT - SMG === 042_SMG_S1_1A: Jennifer Kaytin Robinson 042_SMG_S1_1B: Autumn Eakin 042_SMG_S1_1C: Rob Sciarratta 042_SMG_S1_1D: Cool, Saturated, Cyan, Blue 042_SMG_S1_1E: 2.39 042_SMG_S1_1F: Digital 042_SMG_S1_1G: Extreme Wide 042_SMG_S1_1H: Establishing shot, Group shot, High angle 042_SMG_S1_1J: Wide 042_SMG_S1_1K: Balanced 042_SMG_S1_1M: Hard light, Low contrast 042_SMG_S1_1N: Artificial light, Practical light 042_SMG_S1_1P: Night 042_SMG_S1_1Q: Interior 042_SMG_S1_1R: Panasonic VariCam 35 042_SMG_S1_1S: Zeiss Master Primes, Zeiss Super Speed 042_SMG_S1_1T: 4K 042_SMG_S1_2A: Soft Gradient 042_SMG_S1_2B: Halation Bloom 042_SMG_S1_2C: Tinted/Stained 042_SMG_S1_2D: Clean Digital 042_SMG_S1_2E: Soft Diffusion 042_SMG_S1_2F: Modern Clean 042_SMG_S1_2G: Low Key / Chiaroscuro 042_SMG_S1_2H: Vibrant / Digital Pop 042_SMG_S1_2J: Monochromatic Cool 042_SMG_S1_2K: Halation / Bloom 042_SMG_S1_2M: Leading Lines 042_SMG_S1_2N: Deep Z-axis 042_SMG_S1_2P: Chaotic 042_SMG_S1_2Q: Analogous 042_SMG_S1_2R: Deep 042_SMG_S1_2S: Low Key 042_SMG_S1_3A: rgb(41,8,66) 042_SMG_S1_3B: rgb(7,27,66) 042_SMG_S1_3C: rgb(11,72,70) 042_SMG_S1_3D: rgb(10,54,140) 042_SMG_S1_3E: rgb(19,81,97) 042_SMG_S1_3F: rgb(15,93,86) 042_SMG_S1_3G: rgb(15,94,170) 042_SMG_S1_3H: rgb(51,117,107) 042_SMG_S1_3J: rgb(73,102,201) 042_SMG_S1_3K: rgb(23,168,212) 042_SMG_S1_3M: rgb(114,171,162) 042_SMG_S1_3N: rgb(48,188,228) 042_SMG_S1_3P: rgb(51,236,245) 042_SMG_S1_3Q: rgb(182,216,242) 042_SMG_S1_3R: rgb(29,252,245) === ENTRY 043: LAURENCE ANYWAYS - LAU === 043_LAU_S1_1A: Xavier Dolan 043_LAU_S1_1B: Yves Bélanger 043_LAU_S1_1C: Charlotte Mazzinghi 043_LAU_S1_1D: Cool, Saturated, Cyan, Blue 043_LAU_S1_1E: 1.37 - Spherical 043_LAU_S1_1F: Film - 35mm 043_LAU_S1_1G: Medium 043_LAU_S1_1H: Clean single, Dutch angle, Low angle 043_LAU_S1_1J: Ultra Wide / Fisheye 043_LAU_S1_1K: Center 043_LAU_S1_1M: Hard light, High contrast, Silhouette, Backlight 043_LAU_S1_1N: Artificial light 043_LAU_S1_1P: Night 043_LAU_S1_1Q: Interior 043_LAU_S1_1R: Arriflex 435, Panavision Millennium / Millenium XL / XL2 043_LAU_S1_1S: Panavision Lightweight - 27-68mm, Panavision Primo Macro 14.5-50mm, Panavision Primo Primes 043_LAU_S1_1T: 8522/8622 F-64D, 043_LAU_S1_2A: Hard Cut 043_LAU_S1_2B: Hard Clipping 043_LAU_S1_2C: Crushed Black 043_LAU_S1_2D: Fine Film Grain 043_LAU_S1_2E: Soft Diffusion 043_LAU_S1_2F: Vintage Coating 043_LAU_S1_2G: Low Key / Chiaroscuro 043_LAU_S1_2H: Dense / Subtractive 043_LAU_S1_2J: Monochromatic Cool 043_LAU_S1_2K: Halation / Bloom 043_LAU_S1_2M: Center-Punched 043_LAU_S1_2N: Deep Z-axis 043_LAU_S1_2P: Minimalist 043_LAU_S1_2Q: Monochromatic 043_LAU_S1_2R: Deep 043_LAU_S1_2S: Silhouette 043_LAU_S1_3A: rgb(29,20,20) 043_LAU_S1_3B: rgb(31,20,33) 043_LAU_S1_3C: rgb(27,31,76) 043_LAU_S1_3D: rgb(13,58,120) 043_LAU_S1_3E: rgb(11,76,114) 043_LAU_S1_3F: rgb(13,117,148) 043_LAU_S1_3G: rgb(126,124,145) 043_LAU_S1_3H: rgb(27,147,146) 043_LAU_S1_3J: rgb(23,165,171) 043_LAU_S1_3K: rgb(37,178,176) 043_LAU_S1_3M: rgb(101,174,181) 043_LAU_S1_3N: rgb(105,193,186) 043_LAU_S1_3P: rgb(159,209,198) 043_LAU_S1_3Q: rgb(191,221,205) 043_LAU_S1_3R: rgb(229,231,211) === ENTRY 044: ALULA - ALU === 044_ALU_S1_1A: Virgil Ferragut 044_ALU_S1_1B: Hugo Prats 044_ALU_S1_1C: Fran Cóndor 044_ALU_S1_1D: Mixed, Saturated, Red, Cyan, Blue 044_ALU_S1_1E: 1.43 044_ALU_S1_1F: Not Specified 044_ALU_S1_1G: Medium Close Up 044_ALU_S1_1H: Low angle, Over the shoulder 044_ALU_S1_1J: Ultra Wide / Fisheye 044_ALU_S1_1K: Center 044_ALU_S1_1M: Hard light, High contrast, Silhouette, Backlight 044_ALU_S1_1N: Artificial light, Practical light 044_ALU_S1_1P: Night 044_ALU_S1_1Q: Exterior 044_ALU_S1_1R: Not Specified 044_ALU_S1_1S: Not Specified 044_ALU_S1_1T: Not Specified 044_ALU_S1_2A: Rapid 044_ALU_S1_2B: Halation Bloom 044_ALU_S1_2C: Crushed Black 044_ALU_S1_2D: Fine Film Grain 044_ALU_S1_2E: Motion Blur 044_ALU_S1_2F: Modern Clean 044_ALU_S1_2G: Low Key / Chiaroscuro 044_ALU_S1_2H: Dense / Subtractive 044_ALU_S1_2J: Discordant / Acid 044_ALU_S1_2K: Halation / Bloom 044_ALU_S1_2M: Center-Punched 044_ALU_S1_2N: Deep Z-axis 044_ALU_S1_2P: Chaotic 044_ALU_S1_2Q: Complementary 044_ALU_S1_2R: Deep 044_ALU_S1_2S: Low Key 044_ALU_S1_3A: rgb(10,9,9) 044_ALU_S1_3B: rgb(8,10,9) 044_ALU_S1_3C: rgb(24,15,19) 044_ALU_S1_3D: rgb(14,19,32) 044_ALU_S1_3E: rgb(31,63,104) 044_ALU_S1_3F: rgb(138,65,83) 044_ALU_S1_3G: rgb(42,100,141) 044_ALU_S1_3H: rgb(190,20,31) 044_ALU_S1_3J: rgb(188,89,106) 044_ALU_S1_3K: rgb(65,147,183) 044_ALU_S1_3M: rgb(92,173,200) 044_ALU_S1_3N: rgb(193,149,159) 044_ALU_S1_3P: rgb(198,194,197) 044_ALU_S1_3Q: rgb(197,196,196) 044_ALU_S1_3R: rgb(198,199,202) === ENTRY 045: BLADE RUNNER 2049 (Shot 1) - BLR === 045_BLR_S1_1A: Denis Villeneuve 045_BLR_S1_1B: Roger Deakins 045_BLR_S1_1C: Mitch Paulson 045_BLR_S1_1D: Cool, Desaturated, Cyan, Blue 045_BLR_S1_1E: 2.39 - Spherical 045_BLR_S1_1F: Digital 045_BLR_S1_1G: Close Up 045_BLR_S1_1H: Clean single 045_BLR_S1_1J: Wide 045_BLR_S1_1K: Center 045_BLR_S1_1M: Soft light, High contrast, Side light 045_BLR_S1_1N: Artificial light, Fluorescent 045_BLR_S1_1P: Night 045_BLR_S1_1Q: Interior 045_BLR_S1_1R: ARRI ALEXA Mini, ARRI ALEXA Plus, ARRI ALEXA XT / XTplus 045_BLR_S1_1S: Zeiss Master Primes 045_BLR_S1_1T: 3.2K / 3.2K ArriRaw 045_BLR_S1_2A: Rapid 045_BLR_S1_2B: Soft Roll-off 045_BLR_S1_2C: Deep Rich 045_BLR_S1_2D: Clean Digital 045_BLR_S1_2E: Clinically Sharp 045_BLR_S1_2F: Modern Clean 045_BLR_S1_2G: Low Key / Chiaroscuro 045_BLR_S1_2H: Dense / Subtractive 045_BLR_S1_2J: Monochromatic Cool 045_BLR_S1_2K: Creamy / Soft Shoulder 045_BLR_S1_2M: Rule of Thirds 045_BLR_S1_2N: Shallow Separation 045_BLR_S1_2P: Minimalist 045_BLR_S1_2Q: Monochromatic 045_BLR_S1_2R: Shallow 045_BLR_S1_2S: Low Key 045_BLR_S1_3A: rgb(6,5,6) 045_BLR_S1_3B: rgb(9,9,8) 045_BLR_S1_3C: rgb(13,19,17) 045_BLR_S1_3D: rgb(17,39,43) 045_BLR_S1_3E: rgb(52,70,65) 045_BLR_S1_3F: rgb(35,77,81) 045_BLR_S1_3G: rgb(50,91,95) 045_BLR_S1_3H: rgb(65,95,92) 045_BLR_S1_3J: rgb(93,149,146) 045_BLR_S1_3K: rgb(81,151,155) 045_BLR_S1_3M: rgb(113,161,156) 045_BLR_S1_3N: rgb(102,169,173) === ENTRY 046: DRIVE (Shot 1) - DRI === 046_DRI_S1_1A: Nicolas Winding Refn 046_DRI_S1_1B: Newton Thomas Sigel 046_DRI_S1_1C: Tom Poole 046_DRI_S1_1D: Mixed, Saturated, Green, Cyan, Blue 046_DRI_S1_1E: 2.39 - Spherical 046_DRI_S1_1F: Digital 046_DRI_S1_1G: Close Up 046_DRI_S1_1H: Clean single 046_DRI_S1_1J: Long Lens 046_DRI_S1_1K: Left heavy 046_DRI_S1_1M: Side light 046_DRI_S1_1N: Not Specified 046_DRI_S1_1P: Night 046_DRI_S1_1Q: Interior 046_DRI_S1_1R: ARRI ALEXA Classic / plus 046_DRI_S1_1S: Zeiss Master Primes 046_DRI_S1_1T: 2K 046_DRI_S1_2A: Rapid 046_DRI_S1_2B: Soft Roll-off 046_DRI_S1_2C: Deep Rich 046_DRI_S1_2D: Clean Digital 046_DRI_S1_2E: Clinically Sharp 046_DRI_S1_2F: Modern Clean 046_DRI_S1_2G: Low Key / Chiaroscuro 046_DRI_S1_2H: Dense / Subtractive 046_DRI_S1_2J: Teal & Orange 046_DRI_S1_2K: Creamy / Soft Shoulder 046_DRI_S1_2M: Rule of Thirds 046_DRI_S1_2N: Shallow Separation 046_DRI_S1_2P: Minimalist 046_DRI_S1_2Q: Complementary 046_DRI_S1_2R: Shallow 046_DRI_S1_2S: Low Key 046_DRI_S1_3A: rgb(16,7,6) 046_DRI_S1_3B: rgb(22,7,9) 046_DRI_S1_3C: rgb(2,24,27) 046_DRI_S1_3D: rgb(7,42,38) 046_DRI_S1_3E: rgb(87,51,44) 046_DRI_S1_3F: rgb(11,82,84) 046_DRI_S1_3G: rgb(22,85,74) 046_DRI_S1_3H: rgb(96,78,67) 046_DRI_S1_3J: rgb(56,109,90) 046_DRI_S1_3K: rgb(82,148,122) 046_DRI_S1_3M: rgb(132,178,146) 046_DRI_S1_3N: rgb(168,208,177) 046_DRI_S1_3P: rgb(207,232,211) 046_DRI_S1_3Q: rgb(243,247,238) 046_DRI_S1_3R: rgb(252,254,255) === ENTRY 047: OLIVIA RODRIGO feat. OLIVIA RODRIGO - OLR === 047_OLR_S1_1A: Allie Avital 047_OLR_S1_1B: Logan Triplett 047_OLR_S1_1C: Kaitlyn Battistelli 047_OLR_S1_1D: Blue 047_OLR_S1_1E: 1.78 - Spherical 047_OLR_S1_1F: Digital 047_OLR_S1_1G: Close Up 047_OLR_S1_1H: Dutch angle, Insert 047_OLR_S1_1J: Long Lens, Telephoto 047_OLR_S1_1K: Right heavy 047_OLR_S1_1M: Side light, Edge light 047_OLR_S1_1N: Daylight, Sunny 047_OLR_S1_1P: Day 047_OLR_S1_1Q: Interior 047_OLR_S1_1R: Arricam LT 047_OLR_S1_1S: Zeiss Master Primes, Arri Master Prime 047_OLR_S1_1T: 5213/7213 Vision 3 200T 047_OLR_S1_2A: Soft Gradient 047_OLR_S1_2B: Soft Roll-off 047_OLR_S1_2C: Lifted Milky 047_OLR_S1_2D: Fine Film Grain 047_OLR_S1_2E: Soft Diffusion 047_OLR_S1_2F: Modern Clean 047_OLR_S1_2G: Lifted / Milky Shadows 047_OLR_S1_2H: Pastel / Muted 047_OLR_S1_2J: Teal & Orange 047_OLR_S1_2K: Creamy / Soft Shoulder 047_OLR_S1_2M: Frame-within-Frame 047_OLR_S1_2N: Telephoto Compression 047_OLR_S1_2P: Balanced 047_OLR_S1_2Q: Complementary 047_OLR_S1_2R: Shallow 047_OLR_S1_2S: High Key 047_OLR_S1_3A: rgb(47,44,45) 047_OLR_S1_3B: rgb(47,49,54) 047_OLR_S1_3C: rgb(56,49,44) 047_OLR_S1_3D: rgb(77,66,46) 047_OLR_S1_3E: rgb(82,87,85) 047_OLR_S1_3F: rgb(109,87,70) 047_OLR_S1_3G: rgb(84,104,124) 047_OLR_S1_3H: rgb(102,130,156) 047_OLR_S1_3J: rgb(182,156,128) 047_OLR_S1_3K: rgb(156,177,191) 047_OLR_S1_3M: rgb(167,176,173) 047_OLR_S1_3N: rgb(182,195,199) 047_OLR_S1_3P: rgb(187,198,200) 047_OLR_S1_3Q: rgb(190,200,199) 047_OLR_S1_3R: rgb(204,200,189) === ENTRY 048: TRIANGLE OF SADNESS - TOS === 048_TOS_S1_1A: Ruben Östlund 048_TOS_S1_1B: Fredrik Wenzel 048_TOS_S1_1C: Oskar Larsson 048_TOS_S1_1D: Warm, Saturated 048_TOS_S1_1E: 2.39 - Spherical 048_TOS_S1_1F: Digital, Digital - Large Format 048_TOS_S1_1G: Close Up 048_TOS_S1_1H: Clean single, High angle 048_TOS_S1_1J: Medium 048_TOS_S1_1K: Center 048_TOS_S1_1M: Soft light, Backlight 048_TOS_S1_1N: Artificial light 048_TOS_S1_1P: Night 048_TOS_S1_1Q: Interior 048_TOS_S1_1R: ARRI ALEXA Mini LF 048_TOS_S1_1S: Zeiss Supreme Prime 048_TOS_S1_1T: Not Specified 048_TOS_S1_2A: Soft Gradient 048_TOS_S1_2B: Soft Roll-off 048_TOS_S1_2C: Deep Rich 048_TOS_S1_2D: Clean Digital 048_TOS_S1_2E: Clinically Sharp 048_TOS_S1_2F: Modern Clean 048_TOS_S1_2G: Low Key / Chiaroscuro 048_TOS_S1_2H: Dense / Subtractive 048_TOS_S1_2J: Monochromatic Warmth 048_TOS_S1_2K: Creamy / Soft Shoulder 048_TOS_S1_2M: Rule of Thirds 048_TOS_S1_2N: Shallow Separation 048_TOS_S1_2P: Balanced 048_TOS_S1_2Q: Monochromatic 048_TOS_S1_2R: Shallow 048_TOS_S1_2S: Low Key 048_TOS_S1_3A: rgb(6,7,8) 048_TOS_S1_3B: rgb(6,8,6) 048_TOS_S1_3C: rgb(38,23,10) 048_TOS_S1_3D: rgb(69,3,4) 048_TOS_S1_3E: rgb(86,65,34) 048_TOS_S1_3F: rgb(137,1,2) 048_TOS_S1_3G: rgb(139,28,7) 048_TOS_S1_3H: rgb(120,91,54) 048_TOS_S1_3J: rgb(182,110,77) 048_TOS_S1_3K: rgb(159,125,91) 048_TOS_S1_3M: rgb(184,150,122) 048_TOS_S1_3N: rgb(224,184,160) 048_TOS_S1_3P: rgb(235,197,175) === ENTRY 049: ATLANTA (Shot 1) - ATL === 049_ATL_S1_1A: Hiro Murai 049_ATL_S1_1B: Christian Sprenger 049_ATL_S1_1C: Ricky Gausis 049_ATL_S1_1D: Not Specified 049_ATL_S1_1E: 1.78 - Spherical 049_ATL_S1_1F: Digital 049_ATL_S1_1G: Medium Close Up 049_ATL_S1_1H: Over the shoulder 049_ATL_S1_1J: Medium 049_ATL_S1_1K: Right heavy 049_ATL_S1_1M: Soft light 049_ATL_S1_1N: Daylight, Overcast 049_ATL_S1_1P: Day 049_ATL_S1_1Q: Interior 049_ATL_S1_1R: ARRI AMIRA 049_ATL_S1_1S: Kowa Vintage Prime 049_ATL_S1_1T: Not Specified 049_ATL_S1_2A: Soft Gradient 049_ATL_S1_2B: Soft Roll-off 049_ATL_S1_2C: Deep Rich 049_ATL_S1_2D: Fine Film Grain 049_ATL_S1_2E: Soft Diffusion 049_ATL_S1_2F: Vintage Coating 049_ATL_S1_2G: S-Curve / Punchy 049_ATL_S1_2H: Dense / Subtractive 049_ATL_S1_2J: Naturalistic / Neutral 049_ATL_S1_2K: Creamy / Soft Shoulder 049_ATL_S1_2M: Rule of Thirds 049_ATL_S1_2N: Shallow Separation 049_ATL_S1_2P: Balanced 049_ATL_S1_2Q: Complementary 049_ATL_S1_2R: Shallow 049_ATL_S1_2S: Mid-Tone 049_ATL_S1_3A: rgb(11,31,42) 049_ATL_S1_3B: rgb(33,39,35) 049_ATL_S1_3C: rgb(43,39,29) 049_ATL_S1_3D: rgb(54,69,65) 049_ATL_S1_3E: rgb(74,64,48) 049_ATL_S1_3F: rgb(74,95,98) 049_ATL_S1_3G: rgb(102,90,76) 049_ATL_S1_3H: rgb(89,108,94) 049_ATL_S1_3J: rgb(117,138,110) 049_ATL_S1_3K: rgb(132,133,111) 049_ATL_S1_3M: rgb(144,161,142) 049_ATL_S1_3N: rgb(156,160,138) 049_ATL_S1_3P: rgb(185,197,184) 049_ATL_S1_3Q: rgb(197,196,174) 049_ATL_S1_3R: rgb(190,201,189) === ENTRY 050: THE KIDS ARE ALL RIGHT - TKA === 050_TKA_S1_1A: Lisa Cholodenko 050_TKA_S1_1B: Igor Jadue-Lillo 050_TKA_S1_1C: Jason Fabbro 050_TKA_S1_1D: Cyan, Blue 050_TKA_S1_1E: 1.85 - Spherical 050_TKA_S1_1F: Film - 35mm 050_TKA_S1_1G: Medium Close Up 050_TKA_S1_1H: 2 shot 050_TKA_S1_1J: Medium 050_TKA_S1_1K: Left heavy 050_TKA_S1_1M: Edge light 050_TKA_S1_1N: Daylight, Overcast 050_TKA_S1_1P: Day 050_TKA_S1_1Q: Interior 050_TKA_S1_1R: Arricam LT 050_TKA_S1_1S: Zeiss Ultra Prime 050_TKA_S1_1T: Not Specified 050_TKA_S1_2A: Soft Gradient 050_TKA_S1_2B: Soft Roll-off 050_TKA_S1_2C: Deep Rich 050_TKA_S1_2D: Fine Film Grain 050_TKA_S1_2E: Clinically Sharp 050_TKA_S1_2F: Modern Clean 050_TKA_S1_2G: S-Curve / Punchy 050_TKA_S1_2H: Dense / Subtractive 050_TKA_S1_2J: Naturalistic / Neutral 050_TKA_S1_2K: Creamy / Soft Shoulder 050_TKA_S1_2M: Rule of Thirds 050_TKA_S1_2N: Shallow Separation 050_TKA_S1_2P: Balanced 050_TKA_S1_2Q: Analogous 050_TKA_S1_2R: Shallow 050_TKA_S1_2S: Mid-Tone 050_TKA_S1_3A: rgb(23,24,28) 050_TKA_S1_3B: rgb(34,29,25) 050_TKA_S1_3C: rgb(21,39,36) 050_TKA_S1_3D: rgb(47,43,47) 050_TKA_S1_3E: rgb(61,60,74) 050_TKA_S1_3F: rgb(82,56,50) 050_TKA_S1_3G: rgb(34,79,71) 050_TKA_S1_3H: rgb(64,92,86) 050_TKA_S1_3J: rgb(93,84,90) 050_TKA_S1_3K: rgb(90,88,101) 050_TKA_S1_3M: rgb(115,93,85) 050_TKA_S1_3N: rgb(127,123,137) 050_TKA_S1_3P: rgb(149,147,157) 050_TKA_S1_3Q: rgb(165,157,162) 050_TKA_S1_3R: rgb(171,167,161) === ENTRY 051: NOCTURNAL ANIMALS - NAM === 051_NAM_S1_1A: Tom Ford 051_NAM_S1_1B: Seamus McGarvey 051_NAM_S1_1C: Siggy Ferstl 051_NAM_S1_1D: Desaturated 051_NAM_S1_1E: 2.39 - Super 35 051_NAM_S1_1F: Film - 35mm 051_NAM_S1_1G: Medium 051_NAM_S1_1H: 2 shot 051_NAM_S1_1J: Medium 051_NAM_S1_1K: Balanced 051_NAM_S1_1M: Soft light, Top light 051_NAM_S1_1N: Artificial light 051_NAM_S1_1P: Day 051_NAM_S1_1Q: Interior 051_NAM_S1_1R: Panavision Millennium / Millenium XL / XL2, Panavision Panaflex 051_NAM_S1_1S: Panavision Primo Primes 051_NAM_S1_1T: 5219/7219 Vision 3 500T, 5213/7213 Vision 3 200T 051_NAM_S1_2A: Soft Gradient 051_NAM_S1_2B: Muted/Matte 051_NAM_S1_2C: Deep Rich 051_NAM_S1_2D: Fine Film Grain 051_NAM_S1_2E: Soft Diffusion 051_NAM_S1_2F: Modern Clean 051_NAM_S1_2G: Low Key / Chiaroscuro 051_NAM_S1_2H: Dense / Subtractive 051_NAM_S1_2J: Naturalistic / Neutral 051_NAM_S1_2K: Creamy / Soft Shoulder 051_NAM_S1_2M: Frame-within-Frame 051_NAM_S1_2N: Claustrophobic 051_NAM_S1_2P: Balanced 051_NAM_S1_2Q: Complementary 051_NAM_S1_2R: Shallow 051_NAM_S1_2S: Low Key 051_NAM_S1_3A: rgb(14,11,13) 051_NAM_S1_3B: rgb(12,13,16) 051_NAM_S1_3C: rgb(23,26,24) 051_NAM_S1_3D: rgb(32,24,22) 051_NAM_S1_3E: rgb(75,57,60) 051_NAM_S1_3F: rgb(61,62,71) 051_NAM_S1_3G: rgb(78,57,54) 051_NAM_S1_3H: rgb(79,64,66) 051_NAM_S1_3J: rgb(85,66,64) 051_NAM_S1_3K: rgb(85,88,91) 051_NAM_S1_3M: rgb(103,108,106) 051_NAM_S1_3N: rgb(160,166,159) 051_NAM_S1_3P: rgb(164,166,157) === ENTRY 052: HOUSE OF CARDS - HOC === 052_HOC_S1_1A: Charles McDougall 052_HOC_S1_1B: Eigil Bryld 052_HOC_S1_1C: Paul Yacono 052_HOC_S1_1D: Cyan, Blue 052_HOC_S1_1E: 2.00 052_HOC_S1_1F: Digital 052_HOC_S1_1G: Medium Close Up 052_HOC_S1_1H: Over the shoulder 052_HOC_S1_1J: Medium 052_HOC_S1_1K: Right heavy 052_HOC_S1_1M: Soft light 052_HOC_S1_1N: Daylight 052_HOC_S1_1P: Day 052_HOC_S1_1Q: Interior 052_HOC_S1_1R: RED Epic 052_HOC_S1_1S: Zeiss Master Primes 052_HOC_S1_1T: Redcode Raw 052_HOC_S1_2A: Soft Gradient 052_HOC_S1_2B: Muted/Matte 052_HOC_S1_2C: Deep Rich 052_HOC_S1_2D: Clean Digital 052_HOC_S1_2E: Clinically Sharp 052_HOC_S1_2F: Modern Clean 052_HOC_S1_2G: Low Key / Chiaroscuro 052_HOC_S1_2H: Dense / Subtractive 052_HOC_S1_2J: Monochromatic Cool 052_HOC_S1_2K: Creamy / Soft Shoulder 052_HOC_S1_2M: Rule of Thirds 052_HOC_S1_2N: Shallow Separation 052_HOC_S1_2P: Balanced 052_HOC_S1_2Q: Monochromatic 052_HOC_S1_2R: Shallow 052_HOC_S1_2S: Low Key 052_HOC_S1_3A: rgb(6,15,18) 052_HOC_S1_3B: rgb(22,32,29) 052_HOC_S1_3C: rgb(42,40,31) 052_HOC_S1_3D: rgb(72,61,56) 052_HOC_S1_3E: rgb(67,66,54) 052_HOC_S1_3F: rgb(53,70,62) 052_HOC_S1_3G: rgb(47,72,73) 052_HOC_S1_3H: rgb(77,74,66) 052_HOC_S1_3J: rgb(75,95,99) 052_HOC_S1_3K: rgb(84,99,91) 052_HOC_S1_3M: rgb(132,130,118) 052_HOC_S1_3N: rgb(110,138,130) 052_HOC_S1_3P: rgb(138,163,154) 052_HOC_S1_3Q: rgb(139,176,201) 052_HOC_S1_3R: rgb(173,171,158) === ENTRY 053: THE INSIDER - INS === 053_INS_S1_1A: Michael Mann 053_INS_S1_1B: Dante Spinotti 053_INS_S1_1C: David Orr 053_INS_S1_1D: Cool, Saturated, Cyan 053_INS_S1_1E: 2.39 - Super 35 053_INS_S1_1F: Film - 35mm 053_INS_S1_1G: Extreme Wide 053_INS_S1_1H: Aerial, Establishing shot, High angle 053_INS_S1_1J: Ultra Wide / Fisheye 053_INS_S1_1K: Center 053_INS_S1_1M: Hard light, High contrast 053_INS_S1_1N: Artificial light, Fluorescent 053_INS_S1_1P: Night 053_INS_S1_1Q: Interior 053_INS_S1_1R: Panavision Gold / G2, Panavision Lightweight, Panavision Panaflex 053_INS_S1_1S: Panavision Primo Primes 053_INS_S1_1T: 5246/7246 Vision 250D, 5279/7279 Vision 500T 053_INS_S1_2A: Rapid 053_INS_S1_2B: Specular Blowout 053_INS_S1_2C: Deep Rich 053_INS_S1_2D: Fine Film Grain 053_INS_S1_2E: Soft Diffusion 053_INS_S1_2F: Modern Clean 053_INS_S1_2G: Low Key / Chiaroscuro 053_INS_S1_2H: Dense / Subtractive 053_INS_S1_2J: Monochromatic Cool 053_INS_S1_2K: Halation / Bloom 053_INS_S1_2M: Chaotic Scatter 053_INS_S1_2N: Shallow Separation 053_INS_S1_2P: Chaotic 053_INS_S1_2Q: Monochromatic 053_INS_S1_2R: Shallow 053_INS_S1_2S: Low Key 053_INS_S1_3A: rgb(1,13,15) 053_INS_S1_3B: rgb(4,23,19) 053_INS_S1_3C: rgb(25,32,11) 053_INS_S1_3D: rgb(17,92,76) 053_INS_S1_3E: rgb(87,96,67) 053_INS_S1_3F: rgb(41,124,104) 053_INS_S1_3G: rgb(64,160,139) 053_INS_S1_3H: rgb(125,183,167) 053_INS_S1_3J: rgb(172,178,159) 053_INS_S1_3K: rgb(194,198,176) 053_INS_S1_3M: rgb(164,207,194) 053_INS_S1_3N: rgb(223,240,236) 053_INS_S1_3P: rgb(243,245,240) 053_INS_S1_3Q: rgb(249,252,253) 053_INS_S1_3R: rgb(254,252,253) === ENTRY 054: THE IMPOSTER - IMP === 054_IMP_S1_1A: Bart Layton 054_IMP_S1_1B: Erik Wilson, Lynda Hall 054_IMP_S1_1C: Rob Pizzey 054_IMP_S1_1D: Mixed, Desaturated, Cyan, Blue 054_IMP_S1_1E: 2.35 - Spherical 054_IMP_S1_1F: Digital 054_IMP_S1_1G: Extreme Close Up 054_IMP_S1_1H: Insert, Low angle 054_IMP_S1_1J: Long Lens 054_IMP_S1_1K: Not Specified 054_IMP_S1_1M: Soft light 054_IMP_S1_1N: Artificial light, Mixed light 054_IMP_S1_1P: Night 054_IMP_S1_1Q: Exterior 054_IMP_S1_1R: Not Specified 054_IMP_S1_1S: Not Specified 054_IMP_S1_1T: Not Specified 054_IMP_S1_2A: Soft Gradient 054_IMP_S1_2B: Halation Bloom 054_IMP_S1_2C: Deep Rich 054_IMP_S1_2D: Clean Digital 054_IMP_S1_2E: Soft Diffusion 054_IMP_S1_2F: Modern Clean 054_IMP_S1_2G: Low Key / Chiaroscuro 054_IMP_S1_2H: Dense / Subtractive 054_IMP_S1_2J: Teal & Orange 054_IMP_S1_2K: Halation / Bloom 054_IMP_S1_2M: Center-Punched 054_IMP_S1_2N: Shallow Separation 054_IMP_S1_2P: Minimalist 054_IMP_S1_2Q: Complementary 054_IMP_S1_2R: Shallow 054_IMP_S1_2S: Low Key 054_IMP_S1_3A: rgb(18,39,49) 054_IMP_S1_3B: rgb(38,43,43) 054_IMP_S1_3C: rgb(49,46,48) 054_IMP_S1_3D: rgb(58,48,41) 054_IMP_S1_3E: rgb(59,63,70) 054_IMP_S1_3F: rgb(71,61,57) 054_IMP_S1_3G: rgb(82,62,43) 054_IMP_S1_3H: rgb(36,74,84) 054_IMP_S1_3J: rgb(78,74,76) 054_IMP_S1_3K: rgb(99,79,67) 054_IMP_S1_3M: rgb(63,91,97) 054_IMP_S1_3N: rgb(90,124,122) 054_IMP_S1_3P: rgb(107,138,133) 054_IMP_S1_3Q: rgb(126,151,142) 054_IMP_S1_3R: rgb(176,137,94) === ENTRY 055: EUPHORIA (Shot 1) - EUP === 055_EUP_S1_1A: Sam Levinson 055_EUP_S1_1B: Not Specified 055_EUP_S1_1C: Tom Poole 055_EUP_S1_1D: Mixed, Saturated, Yellow, Cyan, Blue 055_EUP_S1_1E: 1.85 - Spherical 055_EUP_S1_1F: Film - 35mm 055_EUP_S1_1G: Close Up 055_EUP_S1_1H: Over the shoulder 055_EUP_S1_1J: Long Lens 055_EUP_S1_1K: Center, Left heavy 055_EUP_S1_1M: Backlight, Edge light 055_EUP_S1_1N: Artificial light, Practical light 055_EUP_S1_1P: Night 055_EUP_S1_1Q: Interior 055_EUP_S1_1R: Arri 435 / 435ES, Arricam LT 055_EUP_S1_1S: Cooke Panchro Classic, Cooke S4/i, Zeiss Super Speed 055_EUP_S1_1T: 5219/7219 Vision 3 500T, 7294 Kodak Ektachrome 100D 055_EUP_S1_2A: Rapid 055_EUP_S1_2B: Soft Roll-off 055_EUP_S1_2C: Deep Rich 055_EUP_S1_2D: Heavy Organic Grain 055_EUP_S1_2E: Soft Diffusion 055_EUP_S1_2F: Vintage Coating 055_EUP_S1_2G: Low Key / Chiaroscuro 055_EUP_S1_2H: Dense / Subtractive 055_EUP_S1_2J: Teal & Orange 055_EUP_S1_2K: Creamy / Soft Shoulder 055_EUP_S1_2M: Rule of Thirds 055_EUP_S1_2N: Shallow Separation 055_EUP_S1_2P: Balanced 055_EUP_S1_2Q: Complementary 055_EUP_S1_2R: Shallow 055_EUP_S1_2S: Low Key 055_EUP_S1_3A: rgb(19,15,17) 055_EUP_S1_3B: rgb(15,21,30) 055_EUP_S1_3C: rgb(43,33,23) 055_EUP_S1_3D: rgb(37,48,44) 055_EUP_S1_3E: rgb(21,66,114) 055_EUP_S1_3F: rgb(55,69,62) 055_EUP_S1_3G: rgb(45,71,77) 055_EUP_S1_3H: rgb(79,67,39) 055_EUP_S1_3J: rgb(75,93,82) 055_EUP_S1_3K: rgb(42,98,133) 055_EUP_S1_3M: rgb(105,93,59) 055_EUP_S1_3N: rgb(160,135,79) 055_EUP_S1_3P: rgb(56,152,185) 055_EUP_S1_3Q: rgb(180,149,94) 055_EUP_S1_3R: rgb(74,172,198) === ENTRY 056: EUPHORIA (Shot 2) - EUP === 056_EUP_S2_1A: Sam Levinson 056_EUP_S2_1B: Marcell Rév 056_EUP_S2_1C: Tom Poole 056_EUP_S2_1D: Cool, Desaturated, Cyan, Blue 056_EUP_S2_1E: 1.85 - Spherical 056_EUP_S2_1F: Film - 35mm 056_EUP_S2_1G: Medium Close Up 056_EUP_S2_1H: Clean single 056_EUP_S2_1J: Long Lens 056_EUP_S2_1K: Left heavy 056_EUP_S2_1M: Top light 056_EUP_S2_1N: Artificial light 056_EUP_S2_1P: Night 056_EUP_S2_1Q: Interior 056_EUP_S2_1R: Arri 435 / 435ES, Arricam LT 056_EUP_S2_1S: Cooke Panchro Classic, Cooke S4/ i, Zeiss Super Speed 056_EUP_S2_1T: 5219/7219 Vision 3 500T, 7294 Kodak Ektachrome 100D 056_EUP_S2_2A: Soft Gradient 056_EUP_S2_2B: Soft Roll-off 056_EUP_S2_2C: Deep Rich 056_EUP_S2_2D: Fine Film Grain 056_EUP_S2_2E: Soft Diffusion 056_EUP_S2_2F: Vintage Coating 056_EUP_S2_2G: Low Key / Chiaroscuro 056_EUP_S2_2H: Dense / Subtractive 056_EUP_S2_2J: Monochromatic Cool 056_EUP_S2_2K: Creamy / Soft Shoulder 056_EUP_S2_2M: Frame-within-Frame 056_EUP_S2_2N: Shallow Separation 056_EUP_S2_2P: Balanced 056_EUP_S2_2Q: Analogous 056_EUP_S2_2R: Shallow 056_EUP_S2_2S: Low Key 056_EUP_S2_3A: rgb(22,33,41) 056_EUP_S2_3B: rgb(35,31,30) 056_EUP_S2_3C: rgb(40,34,37) 056_EUP_S2_3D: rgb(32,47,45) 056_EUP_S2_3E: rgb(38,74,81) 056_EUP_S2_3F: rgb(42,76,74) 056_EUP_S2_3G: rgb(76,100,96) 056_EUP_S2_3H: rgb(72,103,113) 056_EUP_S2_3J: rgb(105,97,103) 056_EUP_S2_3K: rgb(104,99,95) 056_EUP_S2_3M: rgb(99,140,147) 056_EUP_S2_3N: rgb(142,136,133) 056_EUP_S2_3P: rgb(127,158,163) 056_EUP_S2_3Q: rgb(140,167,164) 056_EUP_S2_3R: rgb(193,210,206) === ENTRY 057: PEPPERMINT CANDY - PMC === 057_PMC_S1_1A: Lee Chang-dong 057_PMC_S1_1B: Kim Hyung-koo 057_PMC_S1_1C: Not Specified 057_PMC_S1_1D: Cool, Desaturated 057_PMC_S1_1E: 1.85 - Spherical 057_PMC_S1_1F: Film - 35mm 057_PMC_S1_1G: Extreme Wide 057_PMC_S1_1H: Not Specified 057_PMC_S1_1J: Wide 057_PMC_S1_1K: Center 057_PMC_S1_1M: Soft light 057_PMC_S1_1N: Moonlight, Artificial light 057_PMC_S1_1P: Night 057_PMC_S1_1Q: Interior 057_PMC_S1_1R: Not Specified 057_PMC_S1_1S: Not Specified 057_PMC_S1_1T: Not Specified 057_PMC_S1_2A: Soft Gradient 057_PMC_S1_2B: Muted/Matte 057_PMC_S1_2C: Lifted Milky 057_PMC_S1_2D: Heavy Organic Grain 057_PMC_S1_2E: Soft Diffusion 057_PMC_S1_2F: Vintage Coating 057_PMC_S1_2G: Low Key / Chiaroscuro 057_PMC_S1_2H: Pastel / Muted 057_PMC_S1_2J: Monochromatic Cool 057_PMC_S1_2K: Halation / Bloom 057_PMC_S1_2M: Center-Punched 057_PMC_S1_2N: Claustrophobic 057_PMC_S1_2P: Minimalist 057_PMC_S1_2Q: Monochromatic 057_PMC_S1_2R: Flat 057_PMC_S1_2S: Low Key 057_PMC_S1_3A: rgb(11,12,16) 057_PMC_S1_3B: rgb(16,13,16) 057_PMC_S1_3C: rgb(32,28,25) 057_PMC_S1_3D: rgb(29,41,40) 057_PMC_S1_3E: rgb(95,51,38) 057_PMC_S1_3F: rgb(68,65,55) 057_PMC_S1_3G: rgb(46,72,73) 057_PMC_S1_3H: rgb(46,73,69) 057_PMC_S1_3J: rgb(81,68,56) 057_PMC_S1_3K: rgb(50,81,75) === ENTRY 058: EMILY THE CRIMINAL - ETC === 058_ETC_S1_1A: John Patton Ford 058_ETC_S1_1B: Jeff Bierman 058_ETC_S1_1C: Walter Volpatto 058_ETC_S1_1D: Mixed, Saturated, Yellow 058_ETC_S1_1E: 2.39 - Spherical 058_ETC_S1_1F: Digital, Digital - Large Format 058_ETC_S1_1G: Wide 058_ETC_S1_1H: Clean single 058_ETC_S1_1J: Wide 058_ETC_S1_1K: Center 058_ETC_S1_1M: Low contrast, Silhouette, Backlight 058_ETC_S1_1N: Daylight, Overcast 058_ETC_S1_1P: Sunset 058_ETC_S1_1Q: Exterior 058_ETC_S1_1R: Sony VENICE 058_ETC_S1_1S: Kowa Cine Prominar 058_ETC_S1_1T: Not Specified 058_ETC_S1_2A: Soft Gradient 058_ETC_S1_2B: Soft Roll-off 058_ETC_S1_2C: Crushed Black 058_ETC_S1_2D: Clean Digital 058_ETC_S1_2E: Soft Diffusion 058_ETC_S1_2F: Vintage Coating 058_ETC_S1_2G: Low Key / Chiaroscuro 058_ETC_S1_2H: Dense / Subtractive 058_ETC_S1_2J: Naturalistic / Neutral 058_ETC_S1_2K: Creamy / Soft Shoulder 058_ETC_S1_2M: Center-Punched 058_ETC_S1_2N: Infinite Scale 058_ETC_S1_2P: Minimalist 058_ETC_S1_2Q: Complementary 058_ETC_S1_2R: Deep 058_ETC_S1_2S: Silhouette 058_ETC_S1_3A: rgb(7,8,8) 058_ETC_S1_3B: rgb(25,21,20) 058_ETC_S1_3C: rgb(25,22,23) 058_ETC_S1_3D: rgb(41,50,57) 058_ETC_S1_3E: rgb(59,63,70) 058_ETC_S1_3F: rgb(73,59,57) 058_ETC_S1_3G: rgb(67,61,65) 058_ETC_S1_3H: rgb(92,82,85) 058_ETC_S1_3J: rgb(83,88,96) 058_ETC_S1_3K: rgb(97,99,98) 058_ETC_S1_3M: rgb(114,93,88) 058_ETC_S1_3N: rgb(159,117,100) 058_ETC_S1_3P: rgb(198,146,109) 058_ETC_S1_3Q: rgb(241,195,124) 058_ETC_S1_3R: rgb(252,223,145) === ENTRY 059: A SINGLE MAN - ASM === 059_ASM_S1_1A: Tom Ford 059_ASM_S1_1B: Eduard Grau 059_ASM_S1_1C: Stephen Nakamura 059_ASM_S1_1D: Cool, Saturated, Cyan, Blue 059_ASM_S1_1E: 2.39 - Anamorphic, Super 35 059_ASM_S1_1F: Film - 35mm 059_ASM_S1_1G: Medium Wide 059_ASM_S1_1H: Not Specified 059_ASM_S1_1J: Long Lens 059_ASM_S1_1K: Not Specified 059_ASM_S1_1M: Silhouette 059_ASM_S1_1N: Moonlight 059_ASM_S1_1P: Night 059_ASM_S1_1Q: Exterior 059_ASM_S1_1R: Arriflex 435, Panavision Millennium / Millenium XL / XL2 059_ASM_S1_1S: Panavision Primo Anamorphics 059_ASM_S1_1T: 5279/7279 Vision 500T 059_ASM_S1_2A: Hard Cut 059_ASM_S1_2B: Specular Blowout 059_ASM_S1_2C: Crushed Black 059_ASM_S1_2D: Fine Film Grain 059_ASM_S1_2E: Soft Diffusion 059_ASM_S1_2F: Anamorphic Distortion 059_ASM_S1_2G: Low Key / Chiaroscuro 059_ASM_S1_2H: Dense / Subtractive 059_ASM_S1_2J: Monochromatic Cool 059_ASM_S1_2K: Specular Sharpness 059_ASM_S1_2M: Silhouette Framing 059_ASM_S1_2N: Telephoto Compression 059_ASM_S1_2P: Minimalist 059_ASM_S1_2Q: Monochromatic 059_ASM_S1_2R: Compressed 059_ASM_S1_2S: Silhouette 059_ASM_S1_3A: rgb(1,6,5) 059_ASM_S1_3B: rgb(2,17,24) 059_ASM_S1_3C: rgb(21,23,15) 059_ASM_S1_3D: rgb(45,74,67) 059_ASM_S1_3E: rgb(9,87,106) 059_ASM_S1_3F: rgb(86,88,67) 059_ASM_S1_3G: rgb(76,105,98) 059_ASM_S1_3H: rgb(47,116,130) 059_ASM_S1_3J: rgb(105,140,136) 059_ASM_S1_3K: rgb(90,144,153) 059_ASM_S1_3M: rgb(114,159,164) 059_ASM_S1_3N: rgb(161,170,145) 059_ASM_S1_3P: rgb(142,175,172) 059_ASM_S1_3Q: rgb(177,198,194) 059_ASM_S1_3R: rgb(187,204,200) === ENTRY 060: Q - QUE === 060_QUE_S1_1A: Loris Russier 060_QUE_S1_1B: Andrea Gavazzi 060_QUE_S1_1C: Dante Pasquinelli 060_QUE_S1_1D: Mixed, Saturated, Yellow 060_QUE_S1_1E: 1.78 060_QUE_S1_1F: Film - 16mm 060_QUE_S1_1G: Extreme Wide 060_QUE_S1_1H: 2 shot, Establishing shot 060_QUE_S1_1J: Wide 060_QUE_S1_1K: Center 060_QUE_S1_1M: Hard light, Low contrast, Backlight 060_QUE_S1_1N: Daylight, Sunny 060_QUE_S1_1P: Day, Sunset 060_QUE_S1_1Q: Exterior 060_QUE_S1_1R: Not Specified 060_QUE_S1_1S: Zeiss Super Speed 060_QUE_S1_1T: Not Specified 060_QUE_S1_2A: Soft Gradient 060_QUE_S1_2B: Soft Roll-off 060_QUE_S1_2C: Deep Rich 060_QUE_S1_2D: Fine Film Grain 060_QUE_S1_2E: Soft Diffusion 060_QUE_S1_2F: Vintage Coating 060_QUE_S1_2G: S-Curve / Punchy 060_QUE_S1_2H: Dense / Subtractive 060_QUE_S1_2J: Monochromatic Warmth 060_QUE_S1_2K: Creamy / Soft Shoulder 060_QUE_S1_2M: Center-Punched 060_QUE_S1_2N: Deep Z-axis 060_QUE_S1_2P: Balanced 060_QUE_S1_2Q: Complementary 060_QUE_S1_2R: Deep 060_QUE_S1_2S: Silhouette 060_QUE_S1_3A: rgb(42,48,37) 060_QUE_S1_3B: rgb(64,54,39) 060_QUE_S1_3C: rgb(74,65,48) 060_QUE_S1_3D: rgb(93,58,36) 060_QUE_S1_3E: rgb(110,92,67) 060_QUE_S1_3F: rgb(115,128,108) 060_QUE_S1_3G: rgb(120,133,111) 060_QUE_S1_3H: rgb(149,132,96) 060_QUE_S1_3J: rgb(179,157,106) 060_QUE_S1_3K: rgb(233,199,109) 060_QUE_S1_3M: rgb(249,231,158) === ENTRY 061: DIL CHAHTA HAI - DCH === 061_DCH_S1_1A: Farhan Akhtar 061_DCH_S1_1B: Ravi K. Chandran 061_DCH_S1_1C: Not Specified 061_DCH_S1_1D: Mixed 061_DCH_S1_1E: 2.39 - Anamorphic 061_DCH_S1_1F: Film - 35mm 061_DCH_S1_1G: Wide 061_DCH_S1_1H: 2 shot, Establishing shot 061_DCH_S1_1J: Wide 061_DCH_S1_1K: Center 061_DCH_S1_1M: Soft light, Backlight 061_DCH_S1_1N: Daylight 061_DCH_S1_1P: Day, Sunset 061_DCH_S1_1Q: Exterior 061_DCH_S1_1R: Arriflex 061_DCH_S1_1S: Hawk Lenses 061_DCH_S1_1T: 5279/7279 Vision 500T 061_DCH_S1_2A: Soft Gradient 061_DCH_S1_2B: Soft Roll-off 061_DCH_S1_2C: Lifted Milky 061_DCH_S1_2D: Fine Film Grain 061_DCH_S1_2E: Soft Diffusion 061_DCH_S1_2F: Anamorphic Distortion 061_DCH_S1_2G: Lifted / Milky Shadows 061_DCH_S1_2H: Pastel / Muted 061_DCH_S1_2J: Monochromatic Warmth 061_DCH_S1_2K: Creamy / Soft Shoulder 061_DCH_S1_2M: Center-Punched 061_DCH_S1_2N: Flat Planar 061_DCH_S1_2P: Minimalist 061_DCH_S1_2Q: Analogous 061_DCH_S1_2R: Compressed 061_DCH_S1_2S: Silhouette 061_DCH_S1_3A: rgb(28,28,31) 061_DCH_S1_3B: rgb(46,34,17) 061_DCH_S1_3C: rgb(43,52,35) 061_DCH_S1_3D: rgb(82,52,55) 061_DCH_S1_3E: rgb(82,56,50) 061_DCH_S1_3F: rgb(74,67,45) 061_DCH_S1_3G: rgb(93,75,77) 061_DCH_S1_3H: rgb(91,103,98) 061_DCH_S1_3J: rgb(113,107,89) 061_DCH_S1_3K: rgb(101,114,116) 061_DCH_S1_3M: rgb(138,128,114) 061_DCH_S1_3N: rgb(156,142,138) 061_DCH_S1_3P: rgb(173,149,151) 061_DCH_S1_3Q: rgb(245,160,142) 061_DCH_S1_3R: rgb(248,194,143) === ENTRY 062: WHERE THE CRAWDADS SING - WCS === 062_WCS_S1_1A: Olivia Newman 062_WCS_S1_1B: Polly Morgan 062_WCS_S1_1C: Natasha Leonnet 062_WCS_S1_1D: Cool, Saturated, Cyan, Blue 062_WCS_S1_1E: 2.39 - Spherical 062_WCS_S1_1F: Digital 062_WCS_S1_1G: Medium 062_WCS_S1_1H: 2 shot, Low angle 062_WCS_S1_1J: Medium 062_WCS_S1_1K: Center 062_WCS_S1_1M: Soft light 062_WCS_S1_1N: Daylight 062_WCS_S1_1P: Day 062_WCS_S1_1Q: Exterior 062_WCS_S1_1R: ARRI ALEXA Mini LF 062_WCS_S1_1S: Panavision VA Primes 062_WCS_S1_1T: ARRIRAW (4.5K) 062_WCS_S1_2A: Soft Gradient 062_WCS_S1_2B: Soft Roll-off 062_WCS_S1_2C: Lifted Milky 062_WCS_S1_2D: Clean Digital 062_WCS_S1_2E: Soft Diffusion 062_WCS_S1_2F: Modern Clean 062_WCS_S1_2G: Lifted / Milky Shadows 062_WCS_S1_2H: Dense / Subtractive 062_WCS_S1_2J: Monochromatic Cool 062_WCS_S1_2K: Creamy / Soft Shoulder 062_WCS_S1_2M: Center-Punched 062_WCS_S1_2N: Shallow Separation 062_WCS_S1_2P: Balanced 062_WCS_S1_2Q: Monochromatic 062_WCS_S1_2R: Shallow 062_WCS_S1_2S: Mid-Tone 062_WCS_S1_3A: rgb(34,47,57) 062_WCS_S1_3B: rgb(51,46,48) 062_WCS_S1_3C: rgb(57,50,49) 062_WCS_S1_3D: rgb(54,63,75) 062_WCS_S1_3E: rgb(44,69,80) 062_WCS_S1_3F: rgb(76,70,72) 062_WCS_S1_3G: rgb(74,93,100) 062_WCS_S1_3H: rgb(103,94,88) 062_WCS_S1_3J: rgb(95,108,105) 062_WCS_S1_3K: rgb(138,128,112) 062_WCS_S1_3M: rgb(112,137,134) 062_WCS_S1_3N: rgb(102,139,146) 062_WCS_S1_3P: rgb(117,151,155) 062_WCS_S1_3Q: rgb(164,144,123) 062_WCS_S1_3R: rgb(131,163,160) === ENTRY 063: F1: THE MOVIE - F1M === 063_F1M_S1_1A: Joseph Kosinski 063_F1M_S1_1B: Claudio Miranda 063_F1M_S1_1C: Stefan Sonnenfeld 063_F1M_S1_1D: Cool, Desaturated 063_F1M_S1_1E: 2.39 - Spherical 063_F1M_S1_1F: Digital 063_F1M_S1_1G: Extreme Wide 063_F1M_S1_1H: Aerial, Establishing shot 063_F1M_S1_1J: Long Lens 063_F1M_S1_1K: Balanced 063_F1M_S1_1M: Hard light, Low contrast 063_F1M_S1_1N: Daylight, Sunny 063_F1M_S1_1P: Day 063_F1M_S1_1Q: Exterior 063_F1M_S1_1R: Sony VENICE 2 063_F1M_S1_1S: Panavision Primo 70s, Sigma Lenses 063_F1M_S1_1T: Sony X-OCN XT/ST/LT (3.8k) 063_F1M_S1_2A: Rapid 063_F1M_S1_2B: Specular Blowout 063_F1M_S1_2C: Deep Rich 063_F1M_S1_2D: Clean Digital 063_F1M_S1_2E: Clinically Sharp 063_F1M_S1_2F: Modern Clean 063_F1M_S1_2G: S-Curve / Punchy 063_F1M_S1_2H: Dense / Subtractive 063_F1M_S1_2J: Monochromatic Cool 063_F1M_S1_2K: Specular Sharpness 063_F1M_S1_2M: Rule of Thirds 063_F1M_S1_2N: Telephoto Compression 063_F1M_S1_2P: Balanced 063_F1M_S1_2Q: Monochromatic 063_F1M_S1_2R: Compressed 063_F1M_S1_2S: Mid-Tone 063_F1M_S1_3A: rgb(35,52,48) 063_F1M_S1_3B: rgb(31,52,63) 063_F1M_S1_3C: rgb(49,70,67) 063_F1M_S1_3D: rgb(46,70,75) 063_F1M_S1_3E: rgb(70,90,98) 063_F1M_S1_3F: rgb(94,104,101) 063_F1M_S1_3G: rgb(116,117,107) 063_F1M_S1_3H: rgb(117,131,135) 063_F1M_S1_3J: rgb(122,131,128) 063_F1M_S1_3K: rgb(131,131,118) 063_F1M_S1_3M: rgb(128,140,143) 063_F1M_S1_3N: rgb(136,143,139) 063_F1M_S1_3P: rgb(163,159,146) 063_F1M_S1_3Q: rgb(203,194,173) 063_F1M_S1_3R: rgb(232,222,199) === ENTRY 064: SONG TO SONG - STS === 064_STS_S1_1A: Terrence Malick 064_STS_S1_1B: Emmanuel Lubezki 064_STS_S1_1C: Bryan McMahan 064_STS_S1_1D: Blue 064_STS_S1_1E: 2.39 - Spherical, Super 35 064_STS_S1_1F: Digital 064_STS_S1_1G: Medium 064_STS_S1_1H: 2 shot, Dutch angle, High angle 064_STS_S1_1J: Ultra Wide / Fisheye 064_STS_S1_1K: Right heavy 064_STS_S1_1M: Hard light, Low contrast, Side light, Edge light 064_STS_S1_1N: Daylight 064_STS_S1_1P: Day, Sunset 064_STS_S1_1Q: Exterior 064_STS_S1_1R: ARRI ALEXA M, Arricam LT, Arriflex 235, Arriflex 435, GoPro, RED Epic 064_STS_S1_1S: Zeiss Master Primes 064_STS_S1_1T: 2.8K / 2.8K ArriRaw, 5203/7203 Vision 3 50D, 5213/7213 Vision 3 200T, 5219/7219 Vision 3 500T, Redcode Raw 064_STS_S1_2A: Soft Gradient 064_STS_S1_2B: Soft Roll-off 064_STS_S1_2C: Tinted/Stained 064_STS_S1_2D: Clean Digital 064_STS_S1_2E: Clinically Sharp 064_STS_S1_2F: Modern Clean 064_STS_S1_2G: S-Curve / Punchy 064_STS_S1_2H: Pastel / Muted 064_STS_S1_2J: Teal & Orange 064_STS_S1_2K: Creamy / Soft Shoulder 064_STS_S1_2M: Rule of Thirds 064_STS_S1_2N: Deep Z-axis 064_STS_S1_2P: Balanced 064_STS_S1_2Q: Complementary 064_STS_S1_2R: Deep 064_STS_S1_2S: Mid-Tone 064_STS_S1_3A: rgb(28,35,51) 064_STS_S1_3B: rgb(48,39,42) 064_STS_S1_3C: rgb(62,43,40) 064_STS_S1_3D: rgb(49,60,83) 064_STS_S1_3E: rgb(82,55,51) 064_STS_S1_3F: rgb(105,77,72) 064_STS_S1_3G: rgb(100,86,92) 064_STS_S1_3H: rgb(103,109,127) 064_STS_S1_3J: rgb(119,123,142) 064_STS_S1_3K: rgb(134,122,132) 064_STS_S1_3M: rgb(172,139,129) 064_STS_S1_3N: rgb(155,144,153) 064_STS_S1_3P: rgb(146,166,196) 064_STS_S1_3Q: rgb(209,196,201) 064_STS_S1_3R: rgb(203,203,220) === ENTRY 065: PLEASURE - PLE === 065_PLE_S1_1A: Ninja Thyberg 065_PLE_S1_1B: Sophie Winqvist 065_PLE_S1_1C: Nikolai Waldman 065_PLE_S1_1D: Mixed, Saturated, Blue 065_PLE_S1_1E: 1.85 065_PLE_S1_1F: Digital 065_PLE_S1_1G: Extreme Wide 065_PLE_S1_1H: Clean single, Establishing shot 065_PLE_S1_1J: Long Lens 065_PLE_S1_1K: Center 065_PLE_S1_1M: Soft light, Low contrast 065_PLE_S1_1N: Daylight 065_PLE_S1_1P: Dawn 065_PLE_S1_1Q: Exterior 065_PLE_S1_1R: ARRI ALEXA Mini 065_PLE_S1_1S: Not Specified 065_PLE_S1_1T: HD / 1080p 065_PLE_S1_2A: Soft Gradient 065_PLE_S1_2B: Soft Roll-off 065_PLE_S1_2C: Crushed Black 065_PLE_S1_2D: Clean Digital 065_PLE_S1_2E: Clinically Sharp 065_PLE_S1_2F: Modern Clean 065_PLE_S1_2G: Low Key / Chiaroscuro 065_PLE_S1_2H: Dense / Subtractive 065_PLE_S1_2J: Monochromatic Cool 065_PLE_S1_2K: Creamy / Soft Shoulder 065_PLE_S1_2M: Center-Punched 065_PLE_S1_2N: Telephoto Compression 065_PLE_S1_2P: Minimalist 065_PLE_S1_2Q: Analogous 065_PLE_S1_2R: Compressed 065_PLE_S1_2S: Low Key 065_PLE_S1_3A: rgb(16,11,18) 065_PLE_S1_3B: rgb(31,35,60) 065_PLE_S1_3C: rgb(43,58,96) 065_PLE_S1_3D: rgb(81,54,86) 065_PLE_S1_3E: rgb(59,77,116) 065_PLE_S1_3F: rgb(127,85,111) 065_PLE_S1_3G: rgb(169,97,113) === ENTRY 066: KNIGHT OF CUPS (Shot 2) - KOC === 066_KOC_S2_1A: Terrence Malick 066_KOC_S2_1B: Emmanuel Lubezki 066_KOC_S2_1C: Bryan McMahan 066_KOC_S2_1D: Cool, White 066_KOC_S2_1E: 2.35 - Anamorphic, Super 35 066_KOC_S2_1F: Film - 35mm 066_KOC_S2_1G: Medium 066_KOC_S2_1H: Clean single, Low angle 066_KOC_S2_1J: Wide 066_KOC_S2_1K: Right heavy 066_KOC_S2_1M: Soft light 066_KOC_S2_1N: Daylight 066_KOC_S2_1P: Sunset 066_KOC_S2_1Q: Exterior 066_KOC_S2_1R: ARRI ALEXA M, Arricam LT 066_KOC_S2_1S: Zeiss Master Primes, Panavision System 65 Lenses 066_KOC_S2_1T: 2.8K / 2.8K ArriRaw, 4K, Redcode Raw 066_KOC_S2_2A: Soft Gradient 066_KOC_S2_2B: Soft Roll-off 066_KOC_S2_2C: Deep Rich 066_KOC_S2_2D: Clean Digital 066_KOC_S2_2E: Clinically Sharp 066_KOC_S2_2F: Modern Clean 066_KOC_S2_2G: Low Key / Chiaroscuro 066_KOC_S2_2H: Pastel / Muted 066_KOC_S2_2J: Monochromatic Cool 066_KOC_S2_2K: Creamy / Soft Shoulder 066_KOC_S2_2M: Center-Punched 066_KOC_S2_2N: Infinite Scale 066_KOC_S2_2P: Minimalist 066_KOC_S2_2Q: Monochromatic 066_KOC_S2_2R: Deep 066_KOC_S2_2S: Silhouette 066_KOC_S2_3A: rgb(6,13,20) 066_KOC_S2_3B: rgb(33,23,22) 066_KOC_S2_3C: rgb(48,38,41) 066_KOC_S2_3D: rgb(81,73,78) 066_KOC_S2_3E: rgb(88,95,94) 066_KOC_S2_3F: rgb(94,100,106) 066_KOC_S2_3G: rgb(111,103,98) 066_KOC_S2_3H: rgb(165,159,147) 066_KOC_S2_3J: rgb(150,169,182) 066_KOC_S2_3K: rgb(164,175,172) 066_KOC_S2_3M: rgb(179,195,201) 066_KOC_S2_3N: rgb(183,196,194) 066_KOC_S2_3P: rgb(187,202,206) 066_KOC_S2_3Q: rgb(211,222,217) 066_KOC_S2_3R: rgb(228,231,215) === ENTRY 067: DEAR WHITE PEOPLE - DWP === 067_DWP_S1_1A: Justin Simien 067_DWP_S1_1B: Jeffrey Waldron 067_DWP_S1_1C: Scott Gregory 067_DWP_S1_1D: Warm, Saturated, Blue, Purple, Magenta 067_DWP_S1_1E: 2.00 067_DWP_S1_1F: Not Specified 067_DWP_S1_1G: Extreme Close Up 067_DWP_S1_1H: Insert, Overhead 067_DWP_S1_1J: Long Lens 067_DWP_S1_1K: Center 067_DWP_S1_1M: Soft light 067_DWP_S1_1N: Artificial light, Practical light, Mixed light 067_DWP_S1_1P: Day 067_DWP_S1_1Q: Interior 067_DWP_S1_1R: RED Weapon 067_DWP_S1_1S: Not Specified 067_DWP_S1_1T: Not Specified 067_DWP_S1_2A: Soft Gradient 067_DWP_S1_2B: Halation Bloom 067_DWP_S1_2C: Deep Rich 067_DWP_S1_2D: Clean Digital 067_DWP_S1_2E: Motion Blur 067_DWP_S1_2F: Modern Clean 067_DWP_S1_2G: Low Key / Chiaroscuro 067_DWP_S1_2H: Vibrant / Digital Pop 067_DWP_S1_2J: Teal & Orange 067_DWP_S1_2K: Halation / Bloom 067_DWP_S1_2M: Rule of Thirds 067_DWP_S1_2N: Flat Planar 067_DWP_S1_2P: Balanced 067_DWP_S1_2Q: Complementary 067_DWP_S1_2R: Flat 067_DWP_S1_2S: Low Key 067_DWP_S1_3A: rgb(19,24,32) 067_DWP_S1_3B: rgb(23,29,25) 067_DWP_S1_3C: rgb(45,21,28) 067_DWP_S1_3D: rgb(47,28,23) 067_DWP_S1_3E: rgb(101,48,35) 067_DWP_S1_3F: rgb(130,25,74) 067_DWP_S1_3G: rgb(78,77,22) 067_DWP_S1_3H: rgb(112,72,47) 067_DWP_S1_3J: rgb(68,93,137) 067_DWP_S1_3K: rgb(143,59,120) 067_DWP_S1_3M: rgb(169,98,125) 067_DWP_S1_3N: rgb(192,95,83) 067_DWP_S1_3P: rgb(172,131,155) 067_DWP_S1_3Q: rgb(193,157,131) 067_DWP_S1_3R: rgb(190,165,27) === ENTRY 068: THE PLACE BEYOND THE PINES - PBP === 068_PBP_S1_1A: Derek Cianfrance 068_PBP_S1_1B: Sean Bobbitt 068_PBP_S1_1C: Tom Poole 068_PBP_S1_1D: Mixed, Saturated, Cyan, Blue, White 068_PBP_S1_1E: 2.39 - Spherical 068_PBP_S1_1F: Film - 35mm 068_PBP_S1_1G: Medium Close Up 068_PBP_S1_1H: Clean single 068_PBP_S1_1J: Long Lens 068_PBP_S1_1K: Center 068_PBP_S1_1M: Soft light, Hard light, Side light, Backlight 068_PBP_S1_1N: Artificial light, Practical light 068_PBP_S1_1P: Night 068_PBP_S1_1Q: Exterior 068_PBP_S1_1R: Arricam LT, Arricam ST, Arriflex 235 068_PBP_S1_1S: Angenieux Optimo, Cooke S4/i 068_PBP_S1_1T: 5201/7201 Vision 2 50D, 5207/7207 Vision 3 250D, 5219/7219 Vision 3 500T 068_PBP_S1_2A: Rapid 068_PBP_S1_2B: Specular Blowout 068_PBP_S1_2C: Deep Rich 068_PBP_S1_2D: Fine Film Grain 068_PBP_S1_2E: Clinically Sharp 068_PBP_S1_2F: Modern Clean 068_PBP_S1_2G: S-Curve / Punchy 068_PBP_S1_2H: Dense / Subtractive 068_PBP_S1_2J: Teal & Orange 068_PBP_S1_2K: Creamy / Soft Shoulder 068_PBP_S1_2M: Center-Punched 068_PBP_S1_2N: Shallow Separation 068_PBP_S1_2P: Balanced 068_PBP_S1_2Q: Complementary 068_PBP_S1_2R: Shallow 068_PBP_S1_2S: Low Key 068_PBP_S1_3A: rgb(18,30,27) 068_PBP_S1_3B: rgb(10,31,47) 068_PBP_S1_3C: rgb(42,31,39) 068_PBP_S1_3D: rgb(52,31,18) 068_PBP_S1_3E: rgb(51,102,120) 068_PBP_S1_3F: rgb(123,90,50) 068_PBP_S1_3G: rgb(82,113,97) 068_PBP_S1_3H: rgb(107,140,123) 068_PBP_S1_3J: rgb(141,140,92) 068_PBP_S1_3K: rgb(142,165,153) 068_PBP_S1_3M: rgb(167,163,130) 068_PBP_S1_3N: rgb(136,170,177) 068_PBP_S1_3P: rgb(216,230,232) 068_PBP_S1_3Q: rgb(223,235,231) 068_PBP_S1_3R: rgb(240,238,222) === ENTRY 069: KENDRICK LAMAR - KEN === 069_KEN_S1_1A: Dave Free, Kendrick Lamar 069_KEN_S1_1B: Adam Newport-Berra 069_KEN_S1_1C: Mikey Rossiter 069_KEN_S1_1D: Cool, Red, Green, Blue 069_KEN_S1_1E: 1.33 069_KEN_S1_1F: Digital 069_KEN_S1_1G: Medium Wide 069_KEN_S1_1H: Clean single 069_KEN_S1_1J: Long Lens 069_KEN_S1_1K: Center, Symmetrical 069_KEN_S1_1M: Soft light, Low contrast 069_KEN_S1_1N: Daylight, Artificial light, Practical light, Mixed light, Fluorescent 069_KEN_S1_1P: Dusk 069_KEN_S1_1Q: Exterior 069_KEN_S1_1R: Not Specified 069_KEN_S1_1S: Not Specified 069_KEN_S1_1T: Not Specified 069_KEN_S1_2A: Soft Gradient 069_KEN_S1_2B: Soft Roll-off 069_KEN_S1_2C: Lifted Milky 069_KEN_S1_2D: Clean Digital 069_KEN_S1_2E: Clinically Sharp 069_KEN_S1_2F: Modern Clean 069_KEN_S1_2G: Low Key / Chiaroscuro 069_KEN_S1_2H: Dense / Subtractive 069_KEN_S1_2J: Teal & Orange 069_KEN_S1_2K: Creamy / Soft Shoulder 069_KEN_S1_2M: Center-Punched 069_KEN_S1_2N: Telephoto Compression 069_KEN_S1_2P: Balanced 069_KEN_S1_2Q: Complementary 069_KEN_S1_2R: Compressed 069_KEN_S1_2S: Low Key 069_KEN_S1_3A: rgb(27,18,21) 069_KEN_S1_3B: rgb(42,33,24) 069_KEN_S1_3C: rgb(31,36,48) 069_KEN_S1_3D: rgb(51,55,53) 069_KEN_S1_3E: rgb(45,64,84) 069_KEN_S1_3F: rgb(60,66,61) 069_KEN_S1_3G: rgb(72,73,39) 069_KEN_S1_3H: rgb(160,11,28) 069_KEN_S1_3J: rgb(65,90,110) 069_KEN_S1_3K: rgb(81,91,85) 069_KEN_S1_3M: rgb(96,100,75) 069_KEN_S1_3N: rgb(142,147,80) 069_KEN_S1_3P: rgb(173,176,102) 069_KEN_S1_3Q: rgb(209,221,109) 069_KEN_S1_3R: rgb(229,251,158) === ENTRY 070: ASICS - ASC === 070_ASC_S1_1A: James Dayton 070_ASC_S1_1B: Gabriel Crawford Connelly 070_ASC_S1_1C: Sam Gilling 070_ASC_S1_1D: Cool, Desaturated, Cyan, Blue 070_ASC_S1_1E: 1.33 070_ASC_S1_1F: Film - 35mm 070_ASC_S1_1G: Medium Wide 070_ASC_S1_1H: Clean single 070_ASC_S1_1J: Wide 070_ASC_S1_1K: Center 070_ASC_S1_1M: Soft light 070_ASC_S1_1N: Daylight, Artificial light, Practical light, Mixed light 070_ASC_S1_1P: Dusk 070_ASC_S1_1Q: Exterior 070_ASC_S1_1R: Not Specified 070_ASC_S1_1S: Not Specified 070_ASC_S1_1T: Not Specified 070_ASC_S1_2A: Soft Gradient 070_ASC_S1_2B: Halation Bloom 070_ASC_S1_2C: Deep Rich 070_ASC_S1_2D: Fine Film Grain 070_ASC_S1_2E: Soft Diffusion 070_ASC_S1_2F: Vintage Coating 070_ASC_S1_2G: Low Key / Chiaroscuro 070_ASC_S1_2H: Dense / Subtractive 070_ASC_S1_2J: Monochromatic Cool 070_ASC_S1_2K: Halation / Bloom 070_ASC_S1_2M: Center-Punched 070_ASC_S1_2N: Deep Z-axis 070_ASC_S1_2P: Minimalist 070_ASC_S1_2Q: Complementary 070_ASC_S1_2R: Deep 070_ASC_S1_2S: Low Key 070_ASC_S1_3A: rgb(20,30,46) 070_ASC_S1_3B: rgb(44,40,34) 070_ASC_S1_3C: rgb(29,48,45) 070_ASC_S1_3D: rgb(54,56,85) 070_ASC_S1_3E: rgb(42,73,76) 070_ASC_S1_3F: rgb(44,75,71) 070_ASC_S1_3G: rgb(76,83,101) 070_ASC_S1_3H: rgb(100,89,77) 070_ASC_S1_3J: rgb(71,102,95) 070_ASC_S1_3K: rgb(115,98,111) 070_ASC_S1_3M: rgb(143,118,127) 070_ASC_S1_3N: rgb(109,138,126) 070_ASC_S1_3P: rgb(137,157,140) 070_ASC_S1_3Q: rgb(172,162,143) 070_ASC_S1_3R: rgb(228,218,195) === ENTRY 071: REPO MAN - RPM === 071_RPM_S1_1A: Alex Cox 071_RPM_S1_1B: Robby Müller 071_RPM_S1_1C: Yvan Lucas 071_RPM_S1_1D: Mixed, Desaturated, Orange 071_RPM_S1_1E: 1.78 - Spherical 071_RPM_S1_1F: Film - 35mm 071_RPM_S1_1G: Extreme Wide 071_RPM_S1_1H: Establishing shot 071_RPM_S1_1J: Wide 071_RPM_S1_1K: Balanced 071_RPM_S1_1M: Soft light, Low contrast, Side light 071_RPM_S1_1N: Daylight, Sunny 071_RPM_S1_1P: Day, Sunset 071_RPM_S1_1Q: Exterior 071_RPM_S1_1R: Not Specified 071_RPM_S1_1S: Not Specified 071_RPM_S1_1T: Not Specified 071_RPM_S1_2A: Soft Gradient 071_RPM_S1_2B: Halation Bloom 071_RPM_S1_2C: Crushed Black 071_RPM_S1_2D: Heavy Organic Grain 071_RPM_S1_2E: Soft Diffusion 071_RPM_S1_2F: Vintage Coating 071_RPM_S1_2G: Low Key / Chiaroscuro 071_RPM_S1_2H: Dense / Subtractive 071_RPM_S1_2J: Naturalistic / Neutral 071_RPM_S1_2K: Halation / Bloom 071_RPM_S1_2M: Rule of Thirds 071_RPM_S1_2N: Telephoto Compression 071_RPM_S1_2P: Balanced 071_RPM_S1_2Q: Complementary 071_RPM_S1_2R: Compressed 071_RPM_S1_2S: Low Key 071_RPM_S1_3A: rgb(14,16,16) 071_RPM_S1_3B: rgb(24,27,36) 071_RPM_S1_3C: rgb(52,42,49) 071_RPM_S1_3D: rgb(61,61,69) 071_RPM_S1_3E: rgb(77,56,61) 071_RPM_S1_3F: rgb(86,81,84) 071_RPM_S1_3G: rgb(89,95,99) 071_RPM_S1_3H: rgb(110,106,101) 071_RPM_S1_3J: rgb(112,121,117) 071_RPM_S1_3K: rgb(119,132,129) 071_RPM_S1_3M: rgb(118,132,134) 071_RPM_S1_3N: rgb(195,101,74) 071_RPM_S1_3P: rgb(124,137,134) 071_RPM_S1_3Q: rgb(123,139,142) 071_RPM_S1_3R: rgb(219,135,78) === ENTRY 072: SICARIO - SIC === 072_SIC_S1_1A: Denis Villeneuve 072_SIC_S1_1B: Roger Deakins 072_SIC_S1_1C: Mitch Paulson 072_SIC_S1_1D: Desaturated 072_SIC_S1_1E: 2.39 - Spherical 072_SIC_S1_1F: Digital 072_SIC_S1_1G: Medium 072_SIC_S1_1H: Clean single, Low angle 072_SIC_S1_1J: Wide 072_SIC_S1_1K: Right heavy 072_SIC_S1_1M: Hard light 072_SIC_S1_1N: Daylight 072_SIC_S1_1P: Day 072_SIC_S1_1Q: Exterior 072_SIC_S1_1R: ARRI ALEXA XT / XTplus 072_SIC_S1_1S: Zeiss Master Primes 072_SIC_S1_1T: Not Specified 072_SIC_S1_2A: Soft Gradient 072_SIC_S1_2B: Soft Roll-off 072_SIC_S1_2C: Deep Rich 072_SIC_S1_2D: Clean Digital 072_SIC_S1_2E: Clinically Sharp 072_SIC_S1_2F: Modern Clean 072_SIC_S1_2G: S-Curve / Punchy 072_SIC_S1_2H: Pastel / Muted 072_SIC_S1_2J: Naturalistic / Neutral 072_SIC_S1_2K: Creamy / Soft Shoulder 072_SIC_S1_2M: Rule of Thirds 072_SIC_S1_2N: Flat Planar 072_SIC_S1_2P: Balanced 072_SIC_S1_2Q: Monochromatic 072_SIC_S1_2R: Flat 072_SIC_S1_2S: Mid-Tone 072_SIC_S1_3A: rgb(28,32,31) 072_SIC_S1_3B: rgb(37,33,28) 072_SIC_S1_3C: rgb(41,32,33) 072_SIC_S1_3D: rgb(29,37,41) 072_SIC_S1_3E: rgb(78,57,54) 072_SIC_S1_3F: rgb(67,64,58) 072_SIC_S1_3G: rgb(54,67,71) 072_SIC_S1_3H: rgb(84,69,70) 072_SIC_S1_3J: rgb(69,84,88) 072_SIC_S1_3K: rgb(84,95,92) 072_SIC_S1_3M: rgb(95,93,86) 072_SIC_S1_3N: rgb(123,131,125) 072_SIC_S1_3P: rgb(130,131,118) 072_SIC_S1_3Q: rgb(142,150,140) 072_SIC_S1_3R: rgb(159,161,147) === ENTRY 073: GIRL IN RED - GIR === 073_GIR_S1_1A: Jared Hogan 073_GIR_S1_1B: Allison Anderson 073_GIR_S1_1C: Jacob McKee 073_GIR_S1_1D: Mixed, Saturated, Red, Green 073_GIR_S1_1E: 1.33 073_GIR_S1_1F: Not Specified 073_GIR_S1_1G: Medium 073_GIR_S1_1H: Clean single, Low angle 073_GIR_S1_1J: Wide 073_GIR_S1_1K: Left heavy 073_GIR_S1_1M: High contrast, Top light 073_GIR_S1_1N: Practical light, Mixed light, Fluorescent 073_GIR_S1_1P: Night 073_GIR_S1_1Q: Exterior 073_GIR_S1_1R: Not Specified 073_GIR_S1_1S: Not Specified 073_GIR_S1_1T: Not Specified 073_GIR_S1_2A: Rapid 073_GIR_S1_2B: Hard Clipping 073_GIR_S1_2C: Crushed Black 073_GIR_S1_2D: Fine Film Grain 073_GIR_S1_2E: Soft Diffusion 073_GIR_S1_2F: Vintage Coating 073_GIR_S1_2G: Low Key / Chiaroscuro 073_GIR_S1_2H: Dense / Subtractive 073_GIR_S1_2J: Discordant / Acid 073_GIR_S1_2K: Creamy / Soft Shoulder 073_GIR_S1_2M: Frame-within-Frame 073_GIR_S1_2N: Claustrophobic 073_GIR_S1_2P: Balanced 073_GIR_S1_2Q: Complementary 073_GIR_S1_2R: Compressed 073_GIR_S1_2S: Low Key 073_GIR_S1_3A: rgb(10,13,16) 073_GIR_S1_3B: rgb(31,13,15) 073_GIR_S1_3C: rgb(51,19,15) 073_GIR_S1_3D: rgb(20,41,24) 073_GIR_S1_3E: rgb(35,84,44) 073_GIR_S1_3F: rgb(133,23,17) 073_GIR_S1_3G: rgb(145,17,19) 073_GIR_S1_3H: rgb(132,76,53) 073_GIR_S1_3J: rgb(54,114,75) 073_GIR_S1_3K: rgb(204,89,72) 073_GIR_S1_3M: rgb(91,148,111) 073_GIR_S1_3N: rgb(131,171,143) 073_GIR_S1_3P: rgb(177,200,186) 073_GIR_S1_3Q: rgb(199,212,206) 073_GIR_S1_3R: rgb(212,218,221) === ENTRY 074: KCRW - KCR === 074_KCR_S1_1A: Anderson Wright 074_KCR_S1_1B: Gabriel Crawford Connelly 074_KCR_S1_1C: Kaitlyn Battistelli 074_KCR_S1_1D: Mixed, Saturated 074_KCR_S1_1E: 1.78 - Spherical 074_KCR_S1_1F: Film - 35mm 074_KCR_S1_1G: Wide 074_KCR_S1_1H: 2 shot, Low angle 074_KCR_S1_1J: Wide 074_KCR_S1_1K: Center 074_KCR_S1_1M: Soft light, High contrast, Silhouette, Backlight 074_KCR_S1_1N: Daylight, Sunny 074_KCR_S1_1P: Day, Sunset 074_KCR_S1_1Q: Exterior 074_KCR_S1_1R: Not Specified 074_KCR_S1_1S: Not Specified 074_KCR_S1_1T: 5219/7219 Vision 3 500T 074_KCR_S1_2A: Soft Gradient 074_KCR_S1_2B: Soft Roll-off 074_KCR_S1_2C: Crushed Black 074_KCR_S1_2D: Fine Film Grain 074_KCR_S1_2E: Soft Diffusion 074_KCR_S1_2F: Modern Clean 074_KCR_S1_2G: Crushed Blacks 074_KCR_S1_2H: Dense / Subtractive 074_KCR_S1_2J: Teal & Orange 074_KCR_S1_2K: Creamy / Soft Shoulder 074_KCR_S1_2M: Silhouette Framing 074_KCR_S1_2N: Deep Z-axis 074_KCR_S1_2P: Balanced 074_KCR_S1_2Q: Complementary 074_KCR_S1_2R: Shallow 074_KCR_S1_2S: Silhouette 074_KCR_S1_3A: rgb(23,24,30) 074_KCR_S1_3B: rgb(24,26,25) 074_KCR_S1_3C: rgb(36,30,26) 074_KCR_S1_3D: rgb(46,37,42) 074_KCR_S1_3E: rgb(61,59,71) 074_KCR_S1_3F: rgb(71,58,67) 074_KCR_S1_3G: rgb(79,89,81) 074_KCR_S1_3H: rgb(116,94,82) 074_KCR_S1_3J: rgb(108,98,102) 074_KCR_S1_3K: rgb(110,111,121) 074_KCR_S1_3M: rgb(128,126,130) 074_KCR_S1_3N: rgb(130,126,128) 074_KCR_S1_3P: rgb(139,124,118) 074_KCR_S1_3Q: rgb(133,128,130) 074_KCR_S1_3R: rgb(178,150,131) === ENTRY 075: THE BATMAN (Shot 2) - TBM === 075_TBM_S2_1A: Matt Reeves 075_TBM_S2_1B: Greig Fraser 075_TBM_S2_1C: David Cole 075_TBM_S2_1D: Mixed, Desaturated 075_TBM_S2_1E: 2.39 - Anamorphic 075_TBM_S2_1F: Digital, Digital - Large Format 075_TBM_S2_1G: Extreme Wide 075_TBM_S2_1H: Aerial, Establishing shot 075_TBM_S2_1J: Wide 075_TBM_S2_1K: Balanced 075_TBM_S2_1M: Soft light, Low contrast 075_TBM_S2_1N: Daylight, Overcast 075_TBM_S2_1P: Day 075_TBM_S2_1Q: Exterior 075_TBM_S2_1R: ARRI ALEXA LF 075_TBM_S2_1S: Arri ALFA 075_TBM_S2_1T: ARRIRAW (4.5K) 075_TBM_S2_2A: Soft Gradient 075_TBM_S2_2B: Halation Bloom 075_TBM_S2_2C: Deep Rich 075_TBM_S2_2D: Fine Film Grain 075_TBM_S2_2E: Soft Diffusion 075_TBM_S2_2F: Anamorphic Distortion 075_TBM_S2_2G: Low Key / Chiaroscuro 075_TBM_S2_2H: Dense / Subtractive 075_TBM_S2_2J: Teal & Orange 075_TBM_S2_2K: Halation / Bloom 075_TBM_S2_2M: Center-Punched 075_TBM_S2_2N: Deep Z-axis 075_TBM_S2_2P: Balanced 075_TBM_S2_2Q: Complementary 075_TBM_S2_2R: Deep 075_TBM_S2_2S: Low Key 075_TBM_S2_3A: rgb(18,22,20) 075_TBM_S2_3B: rgb(32,28,30) 075_TBM_S2_3C: rgb(36,33,26) 075_TBM_S2_3D: rgb(25,36,42) 075_TBM_S2_3E: rgb(53,64,75) 075_TBM_S2_3F: rgb(50,68,74) 075_TBM_S2_3G: rgb(55,68,64) 075_TBM_S2_3H: rgb(79,65,43) 075_TBM_S2_3J: rgb(73,83,77) 075_TBM_S2_3K: rgb(99,83,63) 075_TBM_S2_3M: rgb(79,96,107) 075_TBM_S2_3N: rgb(114,129,142) 075_TBM_S2_3P: rgb(153,131,94) 075_TBM_S2_3Q: rgb(135,149,163) 075_TBM_S2_3R: rgb(170,153,128) === ENTRY 076: DRIVE (Shot 2) - DRI === 076_DRI_S2_1A: Nicolas Winding Refn 076_DRI_S2_1B: Newton Thomas Sigel 076_DRI_S2_1C: Tom Poole 076_DRI_S2_1D: Mixed, Desaturated 076_DRI_S2_1E: 2.39 - Spherical 076_DRI_S2_1F: Digital 076_DRI_S2_1G: Extreme Wide 076_DRI_S2_1H: Aerial, Establishing shot 076_DRI_S2_1J: Wide 076_DRI_S2_1K: Not Specified 076_DRI_S2_1M: Hard light 076_DRI_S2_1N: Artificial light, Mixed light, Tungsten, Fluorescent 076_DRI_S2_1P: Night 076_DRI_S2_1Q: Exterior 076_DRI_S2_1R: ARRI ALEXA Classic / plus 076_DRI_S2_1S: Zeiss Master Primes 076_DRI_S2_1T: 2K 076_DRI_S2_2A: Rapid 076_DRI_S2_2B: Specular Blowout 076_DRI_S2_2C: Tinted/Stained 076_DRI_S2_2D: Clean Digital 076_DRI_S2_2E: Clinically Sharp 076_DRI_S2_2F: Modern Clean 076_DRI_S2_2G: Low Key / Chiaroscuro 076_DRI_S2_2H: Dense / Subtractive 076_DRI_S2_2J: Teal & Orange 076_DRI_S2_2K: Specular Sharpness 076_DRI_S2_2M: Chaotic Scatter 076_DRI_S2_2N: Infinite Scale 076_DRI_S2_2P: Cluttered 076_DRI_S2_2Q: Complementary 076_DRI_S2_2R: Deep 076_DRI_S2_2S: Low Key 076_DRI_S2_3A: rgb(4,13,15) 076_DRI_S2_3B: rgb(24,18,20) 076_DRI_S2_3C: rgb(13,23,22) 076_DRI_S2_3D: rgb(42,37,30) 076_DRI_S2_3E: rgb(87,57,43) 076_DRI_S2_3F: rgb(49,71,66) 076_DRI_S2_3G: rgb(71,66,51) 076_DRI_S2_3H: rgb(73,85,79) 076_DRI_S2_3J: rgb(98,86,70) 076_DRI_S2_3K: rgb(75,94,99) 076_DRI_S2_3M: rgb(142,131,104) 076_DRI_S2_3N: rgb(151,154,160) 076_DRI_S2_3P: rgb(169,156,134) 076_DRI_S2_3Q: rgb(150,161,156) 076_DRI_S2_3R: rgb(224,220,209) === ENTRY 077: ONCE UPON A TIME IN HOLLYWOOD (Shot 1) - OUH === 077_OUH_S1_1A: Quentin Tarantino 077_OUH_S1_1B: Robert Richardson 077_OUH_S1_1C: Yvan Lucas 077_OUH_S1_1D: Not Specified 077_OUH_S1_1E: 2.39 - Anamorphic 077_OUH_S1_1F: Film - 35mm 077_OUH_S1_1G: Extreme Wide 077_OUH_S1_1H: Establishing shot, Insert 077_OUH_S1_1J: Wide 077_OUH_S1_1K: Symmetrical 077_OUH_S1_1M: Hard light, High contrast 077_OUH_S1_1N: Daylight, Practical light 077_OUH_S1_1P: Dusk, Night 077_OUH_S1_1Q: Exterior 077_OUH_S1_1R: Aaton Aminima, Arriflex 435, Bolex 16mm, Panavision Millennium / Millenium XL / XL2 077_OUH_S1_1S: Cooke Varotel Zoom lenses, Panavision C series, Panavision E series, Panavision Normal Speed MKII, Panavision Primo Primes, Panavision T series, Panavision Ultra Speed MKII 077_OUH_S1_1T: 5213/7213 Vision 3 200T, 5219/7219 Vision 3 500T, 5222/7222 Kodak Double X, 5294/7294 EXR 400T 077_OUH_S1_2A: Soft Gradient 077_OUH_S1_2B: Halation Bloom 077_OUH_S1_2C: Deep Rich 077_OUH_S1_2D: Fine Film Grain 077_OUH_S1_2E: Motion Blur 077_OUH_S1_2F: Anamorphic Distortion 077_OUH_S1_2G: S-Curve / Punchy 077_OUH_S1_2H: Dense / Subtractive 077_OUH_S1_2J: Teal & Orange 077_OUH_S1_2K: Creamy / Soft Shoulder 077_OUH_S1_2M: Center-Punched 077_OUH_S1_2N: Deep Z-axis 077_OUH_S1_2P: Balanced 077_OUH_S1_2Q: Complementary 077_OUH_S1_2R: Deep 077_OUH_S1_2S: Low Key 077_OUH_S1_3A: rgb(13,20,33) 077_OUH_S1_3B: rgb(27,17,21) 077_OUH_S1_3C: rgb(19,26,22) 077_OUH_S1_3D: rgb(48,37,22) 077_OUH_S1_3E: rgb(26,57,121) 077_OUH_S1_3F: rgb(87,68,28) 077_OUH_S1_3G: rgb(66,96,138) 077_OUH_S1_3H: rgb(123,91,50) 077_OUH_S1_3J: rgb(60,121,111) 077_OUH_S1_3K: rgb(116,121,147) 077_OUH_S1_3M: rgb(93,147,133) 077_OUH_S1_3N: rgb(129,138,152) 077_OUH_S1_3P: rgb(123,155,142) 077_OUH_S1_3Q: rgb(183,157,126) 077_OUH_S1_3R: rgb(244,233,204) === ENTRY 078: ENCOUNTER - ENC === 078_ENC_S1_1A: Michael Pearce 078_ENC_S1_1B: Benjamin Kracun 078_ENC_S1_1C: Rob Pizzey 078_ENC_S1_1D: Not Specified 078_ENC_S1_1E: 2.39 - Anamorphic 078_ENC_S1_1F: Digital 078_ENC_S1_1G: Extreme Wide 078_ENC_S1_1H: Establishing shot 078_ENC_S1_1J: Medium 078_ENC_S1_1K: Center 078_ENC_S1_1M: Soft light, Hard light, Top light 078_ENC_S1_1N: Artificial light, Practical light, Fluorescent 078_ENC_S1_1P: Night 078_ENC_S1_1Q: Exterior 078_ENC_S1_1R: Not Specified 078_ENC_S1_1S: Not Specified 078_ENC_S1_1T: Not Specified 078_ENC_S1_2A: Rapid 078_ENC_S1_2B: Halation Bloom 078_ENC_S1_2C: Crushed Black 078_ENC_S1_2D: Clean Digital 078_ENC_S1_2E: Soft Diffusion 078_ENC_S1_2F: Anamorphic Distortion 078_ENC_S1_2G: Low Key / Chiaroscuro 078_ENC_S1_2H: Dense / Subtractive 078_ENC_S1_2J: Discordant / Acid 078_ENC_S1_2K: Halation / Bloom 078_ENC_S1_2M: Rule of Thirds 078_ENC_S1_2N: Deep Z-axis 078_ENC_S1_2P: Minimalist 078_ENC_S1_2Q: Complementary 078_ENC_S1_2R: Deep 078_ENC_S1_2S: Low Key 078_ENC_S1_3A: rgb(3,11,6) 078_ENC_S1_3B: rgb(4,45,49) 078_ENC_S1_3C: rgb(45,41,19) 078_ENC_S1_3D: rgb(46,76,49) 078_ENC_S1_3E: rgb(71,74,36) 078_ENC_S1_3F: rgb(118,44,20) 078_ENC_S1_3G: rgb(102,96,51) 078_ENC_S1_3H: rgb(81,116,74) 078_ENC_S1_3J: rgb(138,137,83) 078_ENC_S1_3K: rgb(196,105,74) 078_ENC_S1_3M: rgb(106,150,97) 078_ENC_S1_3N: rgb(193,156,103) 078_ENC_S1_3P: rgb(137,179,127) 078_ENC_S1_3Q: rgb(169,206,166) 078_ENC_S1_3R: rgb(187,220,187) === ENTRY 079: THE WEEKND (Shot 1) - TWK === 079_TWK_S1_1A: Anton Tammi 079_TWK_S1_1B: Oliver Millar 079_TWK_S1_1C: Nicke Jacobsson 079_TWK_S1_1D: Mixed, Saturated, Red, Green, Cyan 079_TWK_S1_1E: 2.20 - Anamorphic 079_TWK_S1_1F: Digital 079_TWK_S1_1G: Extreme Wide 079_TWK_S1_1H: Insert, Low angle 079_TWK_S1_1J: Long Lens 079_TWK_S1_1K: Balanced 079_TWK_S1_1M: Hard light, High contrast 079_TWK_S1_1N: Practical light, Mixed light 079_TWK_S1_1P: Night 079_TWK_S1_1Q: Exterior 079_TWK_S1_1R: Sony VENICE 079_TWK_S1_1S: Panavision G series, Panavision T series 079_TWK_S1_1T: Not Specified 079_TWK_S1_2A: Rapid 079_TWK_S1_2B: Halation Bloom 079_TWK_S1_2C: Noisy/Digital 079_TWK_S1_2D: Heavy Organic Grain 079_TWK_S1_2E: Motion Blur 079_TWK_S1_2F: Anamorphic Distortion 079_TWK_S1_2G: Low Key / Chiaroscuro 079_TWK_S1_2H: Dense / Subtractive 079_TWK_S1_2J: Teal & Orange 079_TWK_S1_2K: Halation / Bloom 079_TWK_S1_2M: Leading Lines 079_TWK_S1_2N: Flat Planar 079_TWK_S1_2P: Chaotic 079_TWK_S1_2Q: Complementary 079_TWK_S1_2R: Compressed 079_TWK_S1_2S: Low Key 079_TWK_S1_3A: rgb(51,35,39) 079_TWK_S1_3B: rgb(70,48,28) 079_TWK_S1_3C: rgb(89,63,32) 079_TWK_S1_3D: rgb(111,47,27) 079_TWK_S1_3E: rgb(129,85,42) 079_TWK_S1_3F: rgb(57,128,88) 079_TWK_S1_3G: rgb(221,74,85) 079_TWK_S1_3H: rgb(225,80,50) 079_TWK_S1_3J: rgb(185,132,49) 079_TWK_S1_3K: rgb(45,178,139) 079_TWK_S1_3M: rgb(211,154,89) 079_TWK_S1_3N: rgb(75,204,165) 079_TWK_S1_3P: rgb(247,165,150) 079_TWK_S1_3Q: rgb(240,194,128) 079_TWK_S1_3R: rgb(251,232,192) === ENTRY 080: ONCE UPON A TIME IN HOLLYWOOD (Shot 2) - OUH === 080_OUH_S2_1A: Quentin Tarantino 080_OUH_S2_1B: Robert Richardson 080_OUH_S2_1C: Yvan Lucas 080_OUH_S2_1D: Mixed, Saturated, Red, Blue 080_OUH_S2_1E: 2.39 - Anamorphic 080_OUH_S2_1F: Film - 35mm 080_OUH_S2_1G: Extreme Wide 080_OUH_S2_1H: Establishing shot, Insert 080_OUH_S2_1J: Wide 080_OUH_S2_1K: Left heavy 080_OUH_S2_1M: Hard light, High contrast 080_OUH_S2_1N: Daylight, Practical light 080_OUH_S2_1P: Day 080_OUH_S2_1Q: Exterior 080_OUH_S2_1R: Panavision Millennium / Millenium XL / XL2, Arriflex 435, Aaton Aminima, Bolex 16mm 080_OUH_S2_1S: Panavision Primo Primes, Panavision Ultra Speed MKII, Panavision Normal Speed MKII, Cooke Varotel Zoom lenses, Panavision C series, Panavision E series, Panavision T series 080_OUH_S2_1T: 5219/7219 Vision 3 500T, 5213/7213 Vision 3 200T, 5294/7294 EXR 400T, 5285/7285 Color Reversal 100D, 5222/7222 Kodak Double X 080_OUH_S2_2A: Soft Gradient 080_OUH_S2_2B: Soft Roll-off 080_OUH_S2_2C: Deep Rich 080_OUH_S2_2D: Fine Film Grain 080_OUH_S2_2E: Motion Blur 080_OUH_S2_2F: Anamorphic Distortion 080_OUH_S2_2G: S-Curve / Punchy 080_OUH_S2_2H: Dense / Subtractive 080_OUH_S2_2J: Teal & Orange 080_OUH_S2_2K: Creamy / Soft Shoulder 080_OUH_S2_2M: Center-Punched 080_OUH_S2_2N: Flat Planar 080_OUH_S2_2P: Balanced 080_OUH_S2_2Q: Complementary 080_OUH_S2_2R: Deep 080_OUH_S2_2S: Mid-Tone 080_OUH_S2_3A: rgb(11,21,18) 080_OUH_S2_3B: rgb(19,31,49) 080_OUH_S2_3C: rgb(36,29,35) 080_OUH_S2_3D: rgb(50,35,20) 080_OUH_S2_3E: rgb(34,62,99) 080_OUH_S2_3F: rgb(134,16,25) 080_OUH_S2_3G: rgb(133,24,11) 080_OUH_S2_3H: rgb(93,67,21) 080_OUH_S2_3J: rgb(75,98,134) 080_OUH_S2_3K: rgb(133,86,31) 080_OUH_S2_3M: rgb(127,105,132) 080_OUH_S2_3N: rgb(117,115,146) 080_OUH_S2_3P: rgb(141,115,143) 080_OUH_S2_3Q: rgb(183,145,10) 080_OUH_S2_3R: rgb(187,168,122) === ENTRY 081: MAGNOLIA - MAG === 081_MAG_S1_1A: Paul Thomas Anderson 081_MAG_S1_1B: Robert Elswit 081_MAG_S1_1C: Phil Hetos 081_MAG_S1_1D: Cool, Saturated, Red, Green, Cyan, Blue 081_MAG_S1_1E: 2.39 - Anamorphic 081_MAG_S1_1F: Film - 35mm 081_MAG_S1_1G: Wide 081_MAG_S1_1H: Establishing shot 081_MAG_S1_1J: Wide 081_MAG_S1_1K: Center 081_MAG_S1_1M: Soft light, Underlight 081_MAG_S1_1N: Not Specified 081_MAG_S1_1P: Night 081_MAG_S1_1Q: Exterior 081_MAG_S1_1R: Panavision Millennium / Millenium XL / XL2, Panavision Platinum, Panavision Gold / G2, Panavision Panaflex 081_MAG_S1_1S: Panavision Primo Primes, Panavision C series, Panavision E series 081_MAG_S1_1T: 5279/7279 Vision 500T, 5248/7248 EXR 100T, Plus X 5231, 5222/7222 Kodak Double X 081_MAG_S1_2A: Soft Gradient 081_MAG_S1_2B: Halation Bloom 081_MAG_S1_2C: Deep Rich 081_MAG_S1_2D: Fine Film Grain 081_MAG_S1_2E: Soft Diffusion 081_MAG_S1_2F: Anamorphic Distortion 081_MAG_S1_2G: Low Key / Chiaroscuro 081_MAG_S1_2H: Dense / Subtractive 081_MAG_S1_2J: Teal & Orange 081_MAG_S1_2K: Halation / Bloom 081_MAG_S1_2M: Leading Lines 081_MAG_S1_2N: Deep Z-axis 081_MAG_S1_2P: Balanced 081_MAG_S1_2Q: Complementary 081_MAG_S1_2R: Deep 081_MAG_S1_2S: Low Key 081_MAG_S1_3A: rgb(15,34,47) 081_MAG_S1_3B: rgb(57,31,42) 081_MAG_S1_3C: rgb(18,47,39) 081_MAG_S1_3D: rgb(18,64,128) 081_MAG_S1_3E: rgb(121,34,46) 081_MAG_S1_3F: rgb(19,80,98) 081_MAG_S1_3G: rgb(126,57,68) 081_MAG_S1_3H: rgb(40,91,119) 081_MAG_S1_3J: rgb(91,110,54) 081_MAG_S1_3K: rgb(65,117,64) 081_MAG_S1_3M: rgb(88,132,171) 081_MAG_S1_3N: rgb(76,163,111) 081_MAG_S1_3P: rgb(29,173,200) 081_MAG_S1_3Q: rgb(87,172,207) 081_MAG_S1_3R: rgb(98,228,242) === ENTRY 082: DRIVE (Shot 3) - DRI === 082_DRI_S3_1A: Nicolas Winding Refn 082_DRI_S3_1B: Newton Thomas Sigel 082_DRI_S3_1C: Tom Poole 082_DRI_S3_1D: Cool, Desaturated, Cyan, Blue 082_DRI_S3_1E: 2.39 - Spherical 082_DRI_S3_1F: Digital 082_DRI_S3_1G: Medium Wide 082_DRI_S3_1H: Clean single 082_DRI_S3_1J: Long Lens 082_DRI_S3_1K: Right heavy 082_DRI_S3_1M: Hard light 082_DRI_S3_1N: Not Specified 082_DRI_S3_1P: Night 082_DRI_S3_1Q: Exterior 082_DRI_S3_1R: ARRI ALEXA Classic / plus 082_DRI_S3_1S: Zeiss Master Primes 082_DRI_S3_1T: 2K 082_DRI_S3_2A: Rapid 082_DRI_S3_2B: Soft Roll-off 082_DRI_S3_2C: Deep Rich 082_DRI_S3_2D: Clean Digital 082_DRI_S3_2E: Clinically Sharp 082_DRI_S3_2F: Modern Clean 082_DRI_S3_2G: Low Key / Chiaroscuro 082_DRI_S3_2H: Dense / Subtractive 082_DRI_S3_2J: Teal & Orange 082_DRI_S3_2K: Specular Sharpness 082_DRI_S3_2M: Rule of Thirds 082_DRI_S3_2N: Deep Z-axis 082_DRI_S3_2P: Balanced 082_DRI_S3_2Q: Complementary 082_DRI_S3_2R: Deep 082_DRI_S3_2S: Low Key 082_DRI_S3_3A: rgb(7,6,4) 082_DRI_S3_3B: rgb(1,9,11) 082_DRI_S3_3C: rgb(5,22,20) 082_DRI_S3_3D: rgb(81,65,41) 082_DRI_S3_3E: rgb(37,77,74) 082_DRI_S3_3F: rgb(33,79,82) 082_DRI_S3_3G: rgb(51,88,92) 082_DRI_S3_3H: rgb(67,101,96) 082_DRI_S3_3J: rgb(112,90,65) 082_DRI_S3_3K: rgb(107,140,132) 082_DRI_S3_3M: rgb(158,126,90) 082_DRI_S3_3N: rgb(138,162,152) 082_DRI_S3_3P: rgb(189,157,122) 082_DRI_S3_3Q: rgb(177,199,191) 082_DRI_S3_3R: rgb(205,221,218) === ENTRY 083: KOYAANISQATSI - KOY === 083_KOY_S1_1A: Godfrey Reggio 083_KOY_S1_1B: Ron Fricke 083_KOY_S1_1C: Not Specified 083_KOY_S1_1D: Cool, Green 083_KOY_S1_1E: 1.85 - Spherical 083_KOY_S1_1F: Film - 35mm 083_KOY_S1_1G: Extreme Wide 083_KOY_S1_1H: Aerial, Establishing shot, Insert, Low angle 083_KOY_S1_1J: Telephoto 083_KOY_S1_1K: Left heavy 083_KOY_S1_1M: Soft light, High contrast 083_KOY_S1_1N: Moonlight, Artificial light, Practical light, Fluorescent 083_KOY_S1_1P: Night 083_KOY_S1_1Q: Exterior 083_KOY_S1_1R: Arriflex 35 IIa, Arriflex 16 ST 083_KOY_S1_1S: Not Specified 083_KOY_S1_1T: Not Specified 083_KOY_S1_2A: Hard Cut 083_KOY_S1_2B: Hard Clipping 083_KOY_S1_2C: Crushed Black 083_KOY_S1_2D: Fine Film Grain 083_KOY_S1_2E: Clinically Sharp 083_KOY_S1_2F: Vintage Coating 083_KOY_S1_2G: Low Key / Chiaroscuro 083_KOY_S1_2H: Dense / Subtractive 083_KOY_S1_2J: Discordant / Acid 083_KOY_S1_2K: Hard Clip 083_KOY_S1_2M: Rule of Thirds 083_KOY_S1_2N: Telephoto Compression 083_KOY_S1_2P: Balanced 083_KOY_S1_2Q: Discordant 083_KOY_S1_2R: Compressed 083_KOY_S1_2S: Low Key 083_KOY_S1_3A: rgb(7,9,13) 083_KOY_S1_3B: rgb(8,12,10) 083_KOY_S1_3C: rgb(19,16,19) 083_KOY_S1_3D: rgb(25,27,17) 083_KOY_S1_3E: rgb(66,74,41) 083_KOY_S1_3F: rgb(91,106,61) 083_KOY_S1_3G: rgb(87,110,72) 083_KOY_S1_3H: rgb(115,147,92) 083_KOY_S1_3J: rgb(123,147,85) 083_KOY_S1_3K: rgb(146,166,181) 083_KOY_S1_3M: rgb(145,174,137) 083_KOY_S1_3N: rgb(153,175,115) 083_KOY_S1_3P: rgb(171,198,209) 083_KOY_S1_3Q: rgb(173,201,216) 083_KOY_S1_3R: rgb(229,237,197) === ENTRY 084: FIGHT CLUB - FCL === 084_FCL_S1_1A: David Fincher 084_FCL_S1_1B: Jeff Cronenweth 084_FCL_S1_1C: Stephen Nakamura 084_FCL_S1_1D: Not Specified 084_FCL_S1_1E: 2.39 - Spherical, Super 35 084_FCL_S1_1F: Film - 35mm 084_FCL_S1_1G: Wide 084_FCL_S1_1H: Establishing shot 084_FCL_S1_1J: Wide 084_FCL_S1_1K: Balanced 084_FCL_S1_1M: Hard light, High contrast, Top light 084_FCL_S1_1N: Artificial light, Practical light, Fluorescent 084_FCL_S1_1P: Night 084_FCL_S1_1Q: Exterior 084_FCL_S1_1R: Arriflex 35 III, Panavision Panastar, Panavision Platinum 084_FCL_S1_1S: Panavision Primo Primes, Panavision Primo Zooms 084_FCL_S1_1T: 5246/7246 Vision 250D, 5248/7248 EXR 100T, 5279/7279 Vision 500T 084_FCL_S1_2A: Rapid 084_FCL_S1_2B: Specular Blowout 084_FCL_S1_2C: Deep Rich 084_FCL_S1_2D: Fine Film Grain 084_FCL_S1_2E: Clinically Sharp 084_FCL_S1_2F: Modern Clean 084_FCL_S1_2G: Low Key / Chiaroscuro 084_FCL_S1_2H: Dense / Subtractive 084_FCL_S1_2J: Teal & Orange 084_FCL_S1_2K: Specular Sharpness 084_FCL_S1_2M: Frame-within-Frame 084_FCL_S1_2N: Deep Z-axis 084_FCL_S1_2P: Balanced 084_FCL_S1_2Q: Complementary 084_FCL_S1_2R: Deep 084_FCL_S1_2S: Low Key 084_FCL_S1_3A: rgb(7,4,6) 084_FCL_S1_3B: rgb(6,12,15) 084_FCL_S1_3C: rgb(24,24,16) 084_FCL_S1_3D: rgb(23,35,30) 084_FCL_S1_3E: rgb(70,69,46) 084_FCL_S1_3F: rgb(34,82,71) 084_FCL_S1_3G: rgb(22,84,90) 084_FCL_S1_3H: rgb(98,94,69) 084_FCL_S1_3J: rgb(58,108,96) 084_FCL_S1_3K: rgb(47,112,120) 084_FCL_S1_3M: rgb(81,150,143) 084_FCL_S1_3N: rgb(81,150,156) 084_FCL_S1_3P: rgb(163,153,131) 084_FCL_S1_3Q: rgb(132,168,160) 084_FCL_S1_3R: rgb(123,177,183) === ENTRY 085: THE WEEKND (Shot 2) - TWK === 085_TWK_S2_1A: Anton Tammi 085_TWK_S2_1B: Oliver Millar 085_TWK_S2_1C: Nicke Jacobsson 085_TWK_S2_1D: Mixed, Saturated, Red, Yellow 085_TWK_S2_1E: 2.20 - Anamorphic 085_TWK_S2_1F: Digital 085_TWK_S2_1G: Wide 085_TWK_S2_1H: Establishing shot, Low angle 085_TWK_S2_1J: Wide 085_TWK_S2_1K: Left heavy 085_TWK_S2_1M: Backlight 085_TWK_S2_1N: Practical light 085_TWK_S2_1P: Night 085_TWK_S2_1Q: Exterior 085_TWK_S2_1R: Sony VENICE 085_TWK_S2_1S: Panavision G series, Panavision T series 085_TWK_S2_1T: Not Specified 085_TWK_S2_2A: Soft Gradient 085_TWK_S2_2B: Halation Bloom 085_TWK_S2_2C: Tinted/Stained 085_TWK_S2_2D: Fine Film Grain 085_TWK_S2_2E: Soft Diffusion 085_TWK_S2_2F: Anamorphic Distortion 085_TWK_S2_2G: Low Key / Chiaroscuro 085_TWK_S2_2H: Dense / Subtractive 085_TWK_S2_2J: Discordant / Acid 085_TWK_S2_2K: Halation / Bloom 085_TWK_S2_2M: Leading Lines 085_TWK_S2_2N: Deep Z-axis 085_TWK_S2_2P: Balanced 085_TWK_S2_2Q: Complementary 085_TWK_S2_2R: Deep 085_TWK_S2_2S: Low Key 085_TWK_S2_3A: rgb(20,29,19) 085_TWK_S2_3B: rgb(27,32,35) 085_TWK_S2_3C: rgb(41,40,20) 085_TWK_S2_3D: rgb(87,2,3) 085_TWK_S2_3E: rgb(77,70,34) 085_TWK_S2_3F: rgb(159,16,7) 085_TWK_S2_3G: rgb(167,1,2) 085_TWK_S2_3H: rgb(114,81,90) 085_TWK_S2_3J: rgb(81,94,113) 085_TWK_S2_3K: rgb(111,91,49) 085_TWK_S2_3M: rgb(160,132,75) 085_TWK_S2_3N: rgb(231,78,43) 085_TWK_S2_3P: rgb(194,157,111) 085_TWK_S2_3Q: rgb(229,192,144) 085_TWK_S2_3R: rgb(242,217,177) === ENTRY 086: FEMME - FEM === 086_FEM_S1_1A: Sam H. Freeman, Ng Choon Ping 086_FEM_S1_1B: James Rhodes 086_FEM_S1_1C: Joseph Bicknell 086_FEM_S1_1D: Warm, Saturated, Cyan, Blue, Magenta, Pink 086_FEM_S1_1E: 2.39 - Anamorphic, Spherical 086_FEM_S1_1F: Digital, Digital - Large Format 086_FEM_S1_1G: Extreme Wide, Medium Close Up 086_FEM_S1_1H: Group shot, Over the shoulder 086_FEM_S1_1J: Long Lens 086_FEM_S1_1K: Left heavy 086_FEM_S1_1M: High contrast, Silhouette, Backlight 086_FEM_S1_1N: Artificial light, Practical light, Mixed light 086_FEM_S1_1P: Night 086_FEM_S1_1Q: Exterior 086_FEM_S1_1R: Sony VENICE 086_FEM_S1_1S: Panavision Ultra Speed II (PVintage), Panavision Ultra Speed Zeiss 086_FEM_S1_1T: Not Specified 086_FEM_S1_2A: Soft Gradient 086_FEM_S1_2B: Soft Roll-off 086_FEM_S1_2C: Crushed Black 086_FEM_S1_2D: Clean Digital 086_FEM_S1_2E: Soft Diffusion 086_FEM_S1_2F: Vintage Coating 086_FEM_S1_2G: Low Key / Chiaroscuro 086_FEM_S1_2H: Vibrant / Digital Pop 086_FEM_S1_2J: Discordant / Acid 086_FEM_S1_2K: Creamy / Soft Shoulder 086_FEM_S1_2M: Silhouette Framing 086_FEM_S1_2N: Deep Z-axis 086_FEM_S1_2P: Balanced 086_FEM_S1_2Q: Complementary 086_FEM_S1_2R: Deep 086_FEM_S1_2S: Low Key 086_FEM_S1_3A: rgb(20,12,14) 086_FEM_S1_3B: rgb(11,17,21) 086_FEM_S1_3C: rgb(14,19,17) 086_FEM_S1_3D: rgb(46,25,12) 086_FEM_S1_3E: rgb(108,45,30) 086_FEM_S1_3F: rgb(118,32,53) 086_FEM_S1_3G: rgb(106,60,14) 086_FEM_S1_3H: rgb(27,84,76) 086_FEM_S1_3J: rgb(62,96,83) 086_FEM_S1_3K: rgb(132,67,91) 086_FEM_S1_3M: rgb(128,81,31) 086_FEM_S1_3N: rgb(37,104,130) 086_FEM_S1_3P: rgb(171,126,68) 086_FEM_S1_3Q: rgb(203,134,162) 086_FEM_S1_3R: rgb(190,153,101) === ENTRY 087: RAW - RAW === 087_RAW_S1_1A: Julia Ducournau 087_RAW_S1_1B: Ruben Impens 087_RAW_S1_1C: Peter Bernaers 087_RAW_S1_1D: Cool, Saturated, Blue 087_RAW_S1_1E: 2.39 - Spherical 087_RAW_S1_1F: Not Specified 087_RAW_S1_1G: Medium Close Up 087_RAW_S1_1H: Clean single 087_RAW_S1_1J: Medium 087_RAW_S1_1K: Center 087_RAW_S1_1M: Soft light 087_RAW_S1_1N: Not Specified 087_RAW_S1_1P: Not Specified 087_RAW_S1_1Q: Interior 087_RAW_S1_1R: ARRI ALEXA Classic / plus 087_RAW_S1_1S: Not Specified 087_RAW_S1_1T: Not Specified 087_RAW_S1_2A: Soft Gradient 087_RAW_S1_2B: Soft Roll-off 087_RAW_S1_2C: Tinted/Stained 087_RAW_S1_2D: Clean Digital 087_RAW_S1_2E: Soft Diffusion 087_RAW_S1_2F: Modern Clean 087_RAW_S1_2G: S-Curve / Punchy 087_RAW_S1_2H: Vibrant / Digital Pop 087_RAW_S1_2J: Monochromatic Cool 087_RAW_S1_2K: Creamy / Soft Shoulder 087_RAW_S1_2M: Frame-within-Frame 087_RAW_S1_2N: Claustrophobic 087_RAW_S1_2P: Balanced 087_RAW_S1_2Q: Monochromatic 087_RAW_S1_2R: Shallow 087_RAW_S1_2S: Mid-Tone 087_RAW_S1_3A: rgb(46,34,50) 087_RAW_S1_3B: rgb(17,42,66) 087_RAW_S1_3C: rgb(50,61,86) 087_RAW_S1_3D: rgb(72,55,81) 087_RAW_S1_3E: rgb(19,73,107) 087_RAW_S1_3F: rgb(83,68,93) 087_RAW_S1_3G: rgb(60,96,128) 087_RAW_S1_3H: rgb(109,125,153) 087_RAW_S1_3J: rgb(85,138,168) 087_RAW_S1_3K: rgb(108,141,170) === ENTRY 088: KIMI - KIM === 088_KIM_S1_1A: Steven Soderbergh 088_KIM_S1_1B: Steven Soderbergh 088_KIM_S1_1C: John Daro 088_KIM_S1_1D: Mixed, Saturated, Cyan, White 088_KIM_S1_1E: 2.00 - Spherical 088_KIM_S1_1F: Digital 088_KIM_S1_1G: Medium 088_KIM_S1_1H: Clean single, Over the shoulder 088_KIM_S1_1J: Medium 088_KIM_S1_1K: Right heavy 088_KIM_S1_1M: Soft light 088_KIM_S1_1N: Practical light 088_KIM_S1_1P: Day 088_KIM_S1_1Q: Interior 088_KIM_S1_1R: RED Komodo 088_KIM_S1_1S: Leitz SUMMILUX-C 088_KIM_S1_1T: Redcode Raw 088_KIM_S1_2A: Soft Gradient 088_KIM_S1_2B: Hard Clipping 088_KIM_S1_2C: Deep Rich 088_KIM_S1_2D: Clean Digital 088_KIM_S1_2E: Clinically Sharp 088_KIM_S1_2F: Modern Clean 088_KIM_S1_2G: Low Key / Chiaroscuro 088_KIM_S1_2H: Dense / Subtractive 088_KIM_S1_2J: Teal & Orange 088_KIM_S1_2K: Hard Clip 088_KIM_S1_2M: Frame-within-Frame 088_KIM_S1_2N: Deep Z-axis 088_KIM_S1_2P: Balanced 088_KIM_S1_2Q: Complementary 088_KIM_S1_2R: Deep 088_KIM_S1_2S: Low Key 088_KIM_S1_3A: rgb(45,36,22) 088_KIM_S1_3B: rgb(47,49,51) 088_KIM_S1_3C: rgb(47,52,47) 088_KIM_S1_3D: rgb(74,68,42) 088_KIM_S1_3E: rgb(102,88,57) 088_KIM_S1_3F: rgb(93,105,93) 088_KIM_S1_3G: rgb(98,115,120) 088_KIM_S1_3H: rgb(112,133,138) 088_KIM_S1_3J: rgb(147,136,90) 088_KIM_S1_3K: rgb(131,156,167) 088_KIM_S1_3M: rgb(186,149,105) 088_KIM_S1_3N: rgb(204,201,161) 088_KIM_S1_3P: rgb(197,223,236) 088_KIM_S1_3Q: rgb(252,251,248) 088_KIM_S1_3R: rgb(253,254,254) === ENTRY 089: LA LA LAND (Shot 1) - LLL === 089_LLL_S1_1A: Damien Chazelle 089_LLL_S1_1B: Linus Sandgren 089_LLL_S1_1C: Natasha Leonnet 089_LLL_S1_1D: Mixed, Saturated, Magenta 089_LLL_S1_1E: 2.55 089_LLL_S1_1F: Film - 35mm 089_LLL_S1_1G: Medium 089_LLL_S1_1H: Over the shoulder 089_LLL_S1_1J: Wide 089_LLL_S1_1K: Right heavy 089_LLL_S1_1M: Hard light, Top light 089_LLL_S1_1N: Artificial light, Practical light 089_LLL_S1_1P: Night 089_LLL_S1_1Q: Interior 089_LLL_S1_1R: Aaton Aminima, Panavision Millennium / Millenium XL / XL2 089_LLL_S1_1S: Panavision C series, Panavision E series 089_LLL_S1_1T: 5207/7207 Vision 3 250D, 5219/7219 Vision 3 500T 089_LLL_S1_2A: Soft Gradient 089_LLL_S1_2B: Soft Roll-off 089_LLL_S1_2C: Deep Rich 089_LLL_S1_2D: Fine Film Grain 089_LLL_S1_2E: Soft Diffusion 089_LLL_S1_2F: Anamorphic Distortion 089_LLL_S1_2G: Low Key / Chiaroscuro 089_LLL_S1_2H: Dense / Subtractive 089_LLL_S1_2J: Discordant / Acid 089_LLL_S1_2K: Creamy / Soft Shoulder 089_LLL_S1_2M: Frame-within-Frame 089_LLL_S1_2N: Shallow Separation 089_LLL_S1_2P: Balanced 089_LLL_S1_2Q: Complementary 089_LLL_S1_2R: Shallow 089_LLL_S1_2S: Low Key 089_LLL_S1_3A: rgb(10,10,11) 089_LLL_S1_3B: rgb(20,25,20) 089_LLL_S1_3C: rgb(39,28,24) 089_LLL_S1_3D: rgb(64,21,27) 089_LLL_S1_3E: rgb(86,53,48) 089_LLL_S1_3F: rgb(103,42,57) 089_LLL_S1_3G: rgb(70,65,52) 089_LLL_S1_3H: rgb(43,74,60) 089_LLL_S1_3J: rgb(119,67,82) 089_LLL_S1_3K: rgb(109,81,74) 089_LLL_S1_3M: rgb(164,103,119) 089_LLL_S1_3N: rgb(155,115,109) 089_LLL_S1_3P: rgb(176,129,133) 089_LLL_S1_3Q: rgb(170,134,125) 089_LLL_S1_3R: rgb(228,210,185) === ENTRY 090: COLD IN JULY (Shot 1) - CIJ === 090_CIJ_S1_1A: Jim Mickle 090_CIJ_S1_1B: Ryan Samul 090_CIJ_S1_1C: Sean Dunckley 090_CIJ_S1_1D: Cool, Saturated, Cyan, Blue 090_CIJ_S1_1E: 2.39 090_CIJ_S1_1F: Digital 090_CIJ_S1_1G: Close Up 090_CIJ_S1_1H: Insert 090_CIJ_S1_1J: Medium 090_CIJ_S1_1K: Balanced 090_CIJ_S1_1M: Top light, Side light 090_CIJ_S1_1N: Artificial light 090_CIJ_S1_1P: Night 090_CIJ_S1_1Q: Interior 090_CIJ_S1_1R: RED Epic 090_CIJ_S1_1S: Not Specified 090_CIJ_S1_1T: Not Specified 090_CIJ_S1_2A: Rapid 090_CIJ_S1_2B: Hard Clipping 090_CIJ_S1_2C: Crushed Black 090_CIJ_S1_2D: Clean Digital 090_CIJ_S1_2E: Clinically Sharp 090_CIJ_S1_2F: Modern Clean 090_CIJ_S1_2G: Low Key / Chiaroscuro 090_CIJ_S1_2H: Vibrant / Digital Pop 090_CIJ_S1_2J: Monochromatic Cool 090_CIJ_S1_2K: Hard Clip 090_CIJ_S1_2M: Rule of Thirds 090_CIJ_S1_2N: Shallow Separation 090_CIJ_S1_2P: Minimalist 090_CIJ_S1_2Q: Monochromatic 090_CIJ_S1_2R: Shallow 090_CIJ_S1_2S: Low Key 090_CIJ_S1_3A: rgb(3,3,3) 090_CIJ_S1_3B: rgb(6,5,6) 090_CIJ_S1_3C: rgb(5,22,22) 090_CIJ_S1_3D: rgb(7,30,36) 090_CIJ_S1_3E: rgb(13,84,93) 090_CIJ_S1_3F: rgb(11,87,84) 090_CIJ_S1_3G: rgb(22,118,128) 090_CIJ_S1_3H: rgb(16,140,137) 090_CIJ_S1_3J: rgb(50,156,163) 090_CIJ_S1_3K: rgb(29,165,157) 090_CIJ_S1_3M: rgb(87,187,185) === ENTRY 091: COLD IN JULY (Shot 2) - CIJ === 091_CIJ_S2_1A: Jim Mickle 091_CIJ_S2_1B: Ryan Samul 091_CIJ_S2_1C: Sean Dunckley 091_CIJ_S2_1D: Cool, Saturated, Cyan, Blue 091_CIJ_S2_1E: 2.39 091_CIJ_S2_1F: Digital 091_CIJ_S2_1G: Close Up 091_CIJ_S2_1H: Insert 091_CIJ_S2_1J: Medium 091_CIJ_S2_1K: Balanced 091_CIJ_S2_1M: Top light, Side light 091_CIJ_S2_1N: Artificial light 091_CIJ_S2_1P: Night 091_CIJ_S2_1Q: Interior 091_CIJ_S2_1R: RED Epic 091_CIJ_S2_1S: Not Specified 091_CIJ_S2_1T: Not Specified 091_CIJ_S2_2A: Soft Gradient 091_CIJ_S2_2B: Muted/Matte 091_CIJ_S2_2C: Tinted/Stained 091_CIJ_S2_2D: Clean Digital 091_CIJ_S2_2E: Clinically Sharp 091_CIJ_S2_2F: Modern Clean 091_CIJ_S2_2G: Low Key / Chiaroscuro 091_CIJ_S2_2H: Dense / Subtractive 091_CIJ_S2_2J: Monochromatic Cool 091_CIJ_S2_2K: Creamy / Soft Shoulder 091_CIJ_S2_2M: Rule of Thirds 091_CIJ_S2_2N: Shallow Separation 091_CIJ_S2_2P: Balanced 091_CIJ_S2_2Q: Monochromatic 091_CIJ_S2_2R: Shallow 091_CIJ_S2_2S: Low Key 091_CIJ_S2_3A: rgb(14,18,23) 091_CIJ_S2_3B: rgb(22,19,21) 091_CIJ_S2_3C: rgb(44,38,31) 091_CIJ_S2_3D: rgb(35,53,49) 091_CIJ_S2_3E: rgb(68,67,51) 091_CIJ_S2_3F: rgb(43,76,70) 091_CIJ_S2_3G: rgb(31,80,83) 091_CIJ_S2_3H: rgb(75,80,63) 091_CIJ_S2_3J: rgb(68,103,91) 091_CIJ_S2_3K: rgb(49,105,109) 091_CIJ_S2_3M: rgb(94,149,135) 091_CIJ_S2_3N: rgb(72,152,153) 091_CIJ_S2_3P: rgb(115,178,162) 091_CIJ_S2_3Q: rgb(154,210,196) 091_CIJ_S2_3R: rgb(184,222,209) === ENTRY 092: KNIGHT OF CUPS (Shot 3) - KOC === 092_KOC_S3_1A: Terrence Malick 092_KOC_S3_1B: Emmanuel Lubezki 092_KOC_S3_1C: Bryan McMahan 092_KOC_S3_1D: White 092_KOC_S3_1E: 2.35 - Anamorphic, Super 35 092_KOC_S3_1F: Film - 35mm 092_KOC_S3_1G: Medium 092_KOC_S3_1H: Clean single, Low angle 092_KOC_S3_1J: Ultra Wide / Fisheye, Wide 092_KOC_S3_1K: Left heavy 092_KOC_S3_1M: Soft light, Edge light 092_KOC_S3_1N: Daylight 092_KOC_S3_1P: Day 092_KOC_S3_1Q: Interior 092_KOC_S3_1R: ARRI ALEXA M, Arricam LT 092_KOC_S3_1S: Zeiss Master Primes, Panavision System 65 Lenses 092_KOC_S3_1T: 2.8K / 2.8K ArriRaw, 4K, Redcode Raw 092_KOC_S3_2A: Soft Gradient 092_KOC_S3_2B: Soft Roll-off 092_KOC_S3_2C: Deep Rich 092_KOC_S3_2D: Clean Digital 092_KOC_S3_2E: Clinically Sharp 092_KOC_S3_2F: Modern Clean 092_KOC_S3_2G: S-Curve / Punchy 092_KOC_S3_2H: Dense / Subtractive 092_KOC_S3_2J: Naturalistic / Neutral 092_KOC_S3_2K: Creamy / Soft Shoulder 092_KOC_S3_2M: Rule of Thirds 092_KOC_S3_2N: Deep Z-axis 092_KOC_S3_2P: Balanced 092_KOC_S3_2Q: Complementary 092_KOC_S3_2R: Deep 092_KOC_S3_2S: High Key 092_KOC_S3_3A: rgb(34,37,37) 092_KOC_S3_3B: rgb(33,37,41) 092_KOC_S3_3C: rgb(42,36,38) 092_KOC_S3_3D: rgb(55,40,30) 092_KOC_S3_3E: rgb(86,61,39) 092_KOC_S3_3F: rgb(108,99,92) 092_KOC_S3_3G: rgb(108,106,108) 092_KOC_S3_3H: rgb(106,108,107) 092_KOC_S3_3J: rgb(106,108,113) 092_KOC_S3_3K: rgb(121,125,139) 092_KOC_S3_3M: rgb(137,124,120) 092_KOC_S3_3N: rgb(142,133,130) 092_KOC_S3_3P: rgb(142,146,146) 092_KOC_S3_3Q: rgb(143,148,160) 092_KOC_S3_3R: rgb(215,220,226) === ENTRY 093: LA LA LAND (Shot 2) - LLL === 093_LLL_S2_1A: Damien Chazelle 093_LLL_S2_1B: Linus Sandgren 093_LLL_S2_1C: Natasha Leonnet 093_LLL_S2_1D: Not Specified 093_LLL_S2_1E: 2.55 - Anamorphic 093_LLL_S2_1F: Film - 35mm 093_LLL_S2_1G: Medium 093_LLL_S2_1H: Clean single 093_LLL_S2_1J: Medium 093_LLL_S2_1K: Left heavy 093_LLL_S2_1M: Hard light, High contrast, Backlight, Edge light 093_LLL_S2_1N: Daylight, Sunny 093_LLL_S2_1P: Day 093_LLL_S2_1Q: Interior 093_LLL_S2_1R: Aaton Aminima, Panavision Millennium / Millenium XL / XL2 093_LLL_S2_1S: Panavision C series, Panavision E series 093_LLL_S2_1T: 5207/7207 Vision 3 250D, 5219/7219 Vision 3 500T 093_LLL_S2_2A: Rapid 093_LLL_S2_2B: Halation Bloom 093_LLL_S2_2C: Deep Rich 093_LLL_S2_2D: Fine Film Grain 093_LLL_S2_2E: Soft Diffusion 093_LLL_S2_2F: Anamorphic Distortion 093_LLL_S2_2G: Low Key / Chiaroscuro 093_LLL_S2_2H: Dense / Subtractive 093_LLL_S2_2J: Naturalistic / Neutral 093_LLL_S2_2K: Halation / Bloom 093_LLL_S2_2M: Leading Lines 093_LLL_S2_2N: Deep Z-axis 093_LLL_S2_2P: Balanced 093_LLL_S2_2Q: Complementary 093_LLL_S2_2R: Shallow 093_LLL_S2_2S: Low Key 093_LLL_S2_3A: rgb(43,32,39) 093_LLL_S2_3B: rgb(39,36,48) 093_LLL_S2_3C: rgb(52,37,36) 093_LLL_S2_3D: rgb(47,52,97) 093_LLL_S2_3E: rgb(81,51,62) 093_LLL_S2_3F: rgb(93,79,90) 093_LLL_S2_3G: rgb(90,84,105) 093_LLL_S2_3H: rgb(111,87,82) 093_LLL_S2_3J: rgb(126,120,143) 093_LLL_S2_3K: rgb(158,148,157) 093_LLL_S2_3M: rgb(158,155,169) 093_LLL_S2_3N: rgb(179,167,160) 093_LLL_S2_3P: rgb(206,205,212) 093_LLL_S2_3Q: rgb(217,209,204) 093_LLL_S2_3R: rgb(234,225,230) === ENTRY 094: INSECURE - INC === 094_INC_S1_1A: Melina Matsoukas 094_INC_S1_1B: Ava Berkofsky 094_INC_S1_1C: Dave Hussey 094_INC_S1_1D: Warm 094_INC_S1_1E: 1.78 094_INC_S1_1F: Digital 094_INC_S1_1G: Wide 094_INC_S1_1H: 2 shot 094_INC_S1_1J: Wide, Medium 094_INC_S1_1K: Balanced, Symmetrical 094_INC_S1_1M: Hard light, Top light 094_INC_S1_1N: Daylight, Artificial light 094_INC_S1_1P: Day 094_INC_S1_1Q: Interior 094_INC_S1_1R: ARRI ALEXA Mini 094_INC_S1_1S: Cooke S5i 094_INC_S1_1T: Not Specified 094_INC_S1_2A: Soft Gradient 094_INC_S1_2B: Hard Clipping 094_INC_S1_2C: Deep Rich 094_INC_S1_2D: Clean Digital 094_INC_S1_2E: Clinically Sharp 094_INC_S1_2F: Modern Clean 094_INC_S1_2G: S-Curve / Punchy 094_INC_S1_2H: Vibrant / Digital Pop 094_INC_S1_2J: Teal & Orange 094_INC_S1_2K: Hard Clip 094_INC_S1_2M: Rule of Thirds 094_INC_S1_2N: Deep Z-axis 094_INC_S1_2P: Minimalist 094_INC_S1_2Q: Complementary 094_INC_S1_2R: Deep 094_INC_S1_2S: Mid-Tone 094_INC_S1_3A: rgb(21,27,41) 094_INC_S1_3B: rgb(48,39,42) 094_INC_S1_3C: rgb(58,51,48) 094_INC_S1_3D: rgb(79,84,92) 094_INC_S1_3E: rgb(106,102,104) 094_INC_S1_3F: rgb(111,102,92) 094_INC_S1_3G: rgb(135,124,121) 094_INC_S1_3H: rgb(130,126,128) 094_INC_S1_3J: rgb(155,127,95) 094_INC_S1_3K: rgb(140,136,139) 094_INC_S1_3M: rgb(143,145,145) 094_INC_S1_3N: rgb(146,146,150) 094_INC_S1_3P: rgb(173,147,121) 094_INC_S1_3Q: rgb(227,204,193) 094_INC_S1_3R: rgb(228,219,226) === ENTRY 095: WILD AT HEART - WAH === 095_WAH_S1_1A: David Lynch 095_WAH_S1_1B: Frederick Elmes 095_WAH_S1_1C: Not Specified 095_WAH_S1_1D: Warm, Saturated 095_WAH_S1_1E: 2.35 - Anamorphic 095_WAH_S1_1F: Film - 35mm 095_WAH_S1_1G: Close Up, Extreme Close Up 095_WAH_S1_1H: Clean single, High angle 095_WAH_S1_1J: Long Lens 095_WAH_S1_1K: Center 095_WAH_S1_1M: Low contrast, Backlight, Edge light 095_WAH_S1_1N: Artificial light 095_WAH_S1_1P: Not Specified 095_WAH_S1_1Q: Interior 095_WAH_S1_1R: Panavision Cameras 095_WAH_S1_1S: Panavision Lenses 095_WAH_S1_1T: Not Specified 095_WAH_S1_2A: Soft Gradient 095_WAH_S1_2B: Halation Bloom 095_WAH_S1_2C: Lifted Milky 095_WAH_S1_2D: Fine Film Grain 095_WAH_S1_2E: Soft Diffusion 095_WAH_S1_2F: Anamorphic Distortion 095_WAH_S1_2G: Lifted / Milky Shadows 095_WAH_S1_2H: Dense / Subtractive 095_WAH_S1_2J: Monochromatic Warmth 095_WAH_S1_2K: Halation / Bloom 095_WAH_S1_2M: Center-Punched 095_WAH_S1_2N: Telephoto Compression 095_WAH_S1_2P: Minimalist 095_WAH_S1_2Q: Monochromatic 095_WAH_S1_2R: Shallow 095_WAH_S1_2S: Mid-Tone 095_WAH_S1_3A: rgb(96,48,5) 095_WAH_S1_3B: rgb(111,60,7) 095_WAH_S1_3C: rgb(146,91,19) 095_WAH_S1_3D: rgb(185,123,30) === ENTRY 096: SEX, LIES, AND VIDEOTAPE - SLV === 096_SLV_S1_1A: Steven Soderbergh 096_SLV_S1_1B: Walt Lloyd 096_SLV_S1_1C: Richard Garibaldi 096_SLV_S1_1D: Cool, Desaturated, Blue 096_SLV_S1_1E: 1.85 - Spherical 096_SLV_S1_1F: Film - 35mm 096_SLV_S1_1G: Medium 096_SLV_S1_1H: 2 shot, High angle 096_SLV_S1_1J: Medium 096_SLV_S1_1K: Balanced 096_SLV_S1_1M: Top light, Side light 096_SLV_S1_1N: Moonlight 096_SLV_S1_1P: Night 096_SLV_S1_1Q: Interior 096_SLV_S1_1R: Panavision Panaflex 096_SLV_S1_1S: Panavision Lenses 096_SLV_S1_1T: Agfa XT320 096_SLV_S1_2A: Rapid 096_SLV_S1_2B: Soft Roll-off 096_SLV_S1_2C: Deep Rich 096_SLV_S1_2D: Fine Film Grain 096_SLV_S1_2E: Clinically Sharp 096_SLV_S1_2F: Vintage Coating 096_SLV_S1_2G: Low Key / Chiaroscuro 096_SLV_S1_2H: Pastel / Muted 096_SLV_S1_2J: Monochromatic Cool 096_SLV_S1_2K: Creamy / Soft Shoulder 096_SLV_S1_2M: Center-Punched 096_SLV_S1_2N: Flat Planar 096_SLV_S1_2P: Minimalist 096_SLV_S1_2Q: Monochromatic 096_SLV_S1_2R: Flat 096_SLV_S1_2S: Low Key 096_SLV_S1_3A: rgb(17,19,18) 096_SLV_S1_3B: rgb(14,20,29) 096_SLV_S1_3C: rgb(26,24,23) 096_SLV_S1_3D: rgb(45,37,42) 096_SLV_S1_3E: rgb(49,61,84) 096_SLV_S1_3F: rgb(71,59,68) 096_SLV_S1_3G: rgb(80,67,80) 096_SLV_S1_3H: rgb(69,84,108) === ENTRY 097: DIOR - DIO === 097_DIO_S1_1A: Amber Grace Johnson 097_DIO_S1_1B: Not Specified 097_DIO_S1_1C: Not Specified 097_DIO_S1_1D: Warm 097_DIO_S1_1E: 2.67 097_DIO_S1_1F: Not Specified 097_DIO_S1_1G: Close Up 097_DIO_S1_1H: 2 shot, Over the shoulder 097_DIO_S1_1J: Long Lens 097_DIO_S1_1K: Left heavy 097_DIO_S1_1M: Soft light, Backlight 097_DIO_S1_1N: Daylight 097_DIO_S1_1P: Day 097_DIO_S1_1Q: Interior 097_DIO_S1_1R: Not Specified 097_DIO_S1_1S: Not Specified 097_DIO_S1_1T: Not Specified 097_DIO_S1_2A: Soft Gradient 097_DIO_S1_2B: Soft Roll-off 097_DIO_S1_2C: Deep Rich 097_DIO_S1_2D: Fine Film Grain 097_DIO_S1_2E: Soft Diffusion 097_DIO_S1_2F: Vintage Coating 097_DIO_S1_2G: S-Curve / Punchy 097_DIO_S1_2H: Dense / Subtractive 097_DIO_S1_2J: Monochromatic Warmth 097_DIO_S1_2K: Creamy / Soft Shoulder 097_DIO_S1_2M: Rule of Thirds 097_DIO_S1_2N: Shallow Separation 097_DIO_S1_2P: Balanced 097_DIO_S1_2Q: Monochromatic 097_DIO_S1_2R: Shallow 097_DIO_S1_2S: Mid-Tone 097_DIO_S1_3A: rgb(16,15,18) 097_DIO_S1_3B: rgb(19,15,17) 097_DIO_S1_3C: rgb(17,18,17) 097_DIO_S1_3D: rgb(41,24,19) 097_DIO_S1_3E: rgb(70,60,62) 097_DIO_S1_3F: rgb(96,53,34) 097_DIO_S1_3G: rgb(87,60,37) 097_DIO_S1_3H: rgb(120,80,52) 097_DIO_S1_3J: rgb(114,122,111) 097_DIO_S1_3K: rgb(124,131,120) 097_DIO_S1_3M: rgb(143,131,105) 097_DIO_S1_3N: rgb(164,164,137) 097_DIO_S1_3P: rgb(190,200,172) 097_DIO_S1_3Q: rgb(198,212,186) 097_DIO_S1_3R: rgb(228,232,205) === ENTRY 098: ATLANTA (Shot 2) - ATL === 098_ATL_S2_1A: Hiro Murai 098_ATL_S2_1B: Christian Sprenger 098_ATL_S2_1C: Ricky Gausis 098_ATL_S2_1D: Warm, Desaturated 098_ATL_S2_1E: 1.78 - Spherical 098_ATL_S2_1F: Digital 098_ATL_S2_1G: Medium Close Up 098_ATL_S2_1H: 2 shot, Overhead 098_ATL_S2_1J: Medium 098_ATL_S2_1K: Balanced 098_ATL_S2_1M: Soft light, Side light 098_ATL_S2_1N: Practical light 098_ATL_S2_1P: Night 098_ATL_S2_1Q: Interior 098_ATL_S2_1R: ARRI AMIRA 098_ATL_S2_1S: Kowa Vintage Prime 098_ATL_S2_1T: Not Specified 098_ATL_S2_2A: Soft Gradient 098_ATL_S2_2B: Soft Roll-off 098_ATL_S2_2C: Lifted Milky 098_ATL_S2_2D: Fine Film Grain 098_ATL_S2_2E: Soft Diffusion 098_ATL_S2_2F: Vintage Coating 098_ATL_S2_2G: Lifted / Milky Shadows 098_ATL_S2_2H: Pastel / Muted 098_ATL_S2_2J: Monochromatic Warmth 098_ATL_S2_2K: Creamy / Soft Shoulder 098_ATL_S2_2M: Rule of Thirds 098_ATL_S2_2N: Flat Planar 098_ATL_S2_2P: Balanced 098_ATL_S2_2Q: Monochromatic 098_ATL_S2_2R: Flat 098_ATL_S2_2S: Low Key 098_ATL_S2_3A: rgb(11,15,16) 098_ATL_S2_3B: rgb(11,16,15) 098_ATL_S2_3C: rgb(20,17,18) 098_ATL_S2_3D: rgb(42,30,20) 098_ATL_S2_3E: rgb(102,51,31) 098_ATL_S2_3F: rgb(84,63,39) 098_ATL_S2_3G: rgb(115,90,60) 098_ATL_S2_3H: rgb(150,130,95) 098_ATL_S2_3J: rgb(162,142,106) === ENTRY 099: BLADE RUNNER 2049 (Shot 2) - BLR === 099_BLR_S2_1A: Denis Villeneuve 099_BLR_S2_1B: Roger Deakins 099_BLR_S2_1C: Mitch Paulson 099_BLR_S2_1D: Cyan 099_BLR_S2_1E: 2.39 - Spherical 099_BLR_S2_1F: Digital 099_BLR_S2_1G: Extreme Close Up 099_BLR_S2_1H: Insert 099_BLR_S2_1J: Telephoto 099_BLR_S2_1K: Center 099_BLR_S2_1M: Soft light, Low contrast 099_BLR_S2_1N: Not Specified 099_BLR_S2_1P: Not Specified 099_BLR_S2_1Q: Not Specified 099_BLR_S2_1R: ARRI ALEXA M, ARRI ALEXA XT / XTplus 099_BLR_S2_1S: Zeiss Master Primes 099_BLR_S2_1T: 3.2K / 3.2K ArriRaw 099_BLR_S2_2A: Soft Gradient 099_BLR_S2_2B: Muted/Matte 099_BLR_S2_2C: Lifted Milky 099_BLR_S2_2D: Clean Digital 099_BLR_S2_2E: Soft Diffusion 099_BLR_S2_2F: Modern Clean 099_BLR_S2_2G: Flat / Log-Like 099_BLR_S2_2H: Pastel / Muted 099_BLR_S2_2J: Naturalistic / Neutral 099_BLR_S2_2K: Creamy / Soft Shoulder 099_BLR_S2_2M: Center-Punched 099_BLR_S2_2N: Shallow Separation 099_BLR_S2_2P: Minimalist 099_BLR_S2_2Q: Complementary 099_BLR_S2_2R: Shallow 099_BLR_S2_2S: Mid-Tone 099_BLR_S2_3A: rgb(31,38,41) 099_BLR_S2_3B: rgb(54,39,34) 099_BLR_S2_3C: rgb(29,48,43) 099_BLR_S2_3D: rgb(52,46,48) 099_BLR_S2_3E: rgb(76,56,59) 099_BLR_S2_3F: rgb(82,55,50) 099_BLR_S2_3G: rgb(54,67,70) 099_BLR_S2_3H: rgb(39,77,63) 099_BLR_S2_3J: rgb(75,77,82) 099_BLR_S2_3K: rgb(59,93,79) 099_BLR_S2_3M: rgb(96,83,86) 099_BLR_S2_3N: rgb(106,89,82) 099_BLR_S2_3P: rgb(134,128,117) 099_BLR_S2_3Q: rgb(142,136,122) 099_BLR_S2_3R: rgb(132,144,134) === ENTRY 100: EUPHORIA (Shot 3) - EUP === 100_EUP_S3_1A: Sam Levinson 100_EUP_S3_1B: Marcell Rév 100_EUP_S3_1C: Tom Poole 100_EUP_S3_1D: Cool, Saturated, Red, Cyan, Blue, White 100_EUP_S3_1E: 1.85 - Spherical 100_EUP_S3_1F: Film - 35mm 100_EUP_S3_1G: Close Up 100_EUP_S3_1H: Clean single 100_EUP_S3_1J: Long Lens 100_EUP_S3_1K: Center 100_EUP_S3_1M: Side light, Backlight 100_EUP_S3_1N: Practical light, Mixed light, Fluorescent 100_EUP_S3_1P: Night 100_EUP_S3_1Q: Interior 100_EUP_S3_1R: Arri 435 / 435ES, Arricam LT 100_EUP_S3_1S: Cooke Panchro Classic, Cooke S4/ i, Zeiss Super Speed 100_EUP_S3_1T: 5219/7219 Vision 3 500T, 7294 Kodak Ektachrome 100D 100_EUP_S3_2A: Soft Gradient 100_EUP_S3_2B: Soft Roll-off 100_EUP_S3_2C: Tinted/Stained 100_EUP_S3_2D: Fine Film Grain 100_EUP_S3_2E: Soft Diffusion 100_EUP_S3_2F: Vintage Coating 100_EUP_S3_2G: Low Key / Chiaroscuro 100_EUP_S3_2H: Dense / Subtractive 100_EUP_S3_2J: Discordant / Acid 100_EUP_S3_2K: Creamy / Soft Shoulder 100_EUP_S3_2M: Center-Punched 100_EUP_S3_2N: Shallow Separation 100_EUP_S3_2P: Minimalist 100_EUP_S3_2Q: Complementary 100_EUP_S3_2R: Shallow 100_EUP_S3_2S: Low Key 100_EUP_S3_3A: rgb(7,31,32) 100_EUP_S3_3B: rgb(54,29,25) 100_EUP_S3_3C: rgb(67,17,21) 100_EUP_S3_3D: rgb(20,48,44) 100_EUP_S3_3E: rgb(98,44,42) 100_EUP_S3_3F: rgb(108,37,41) 100_EUP_S3_3G: rgb(35,79,75) 100_EUP_S3_3H: rgb(132,64,67) 100_EUP_S3_3J: rgb(122,86,81) 100_EUP_S3_3K: rgb(68,106,98) 100_EUP_S3_3M: rgb(105,140,128) 100_EUP_S3_3N: rgb(145,166,150) 100_EUP_S3_3P: rgb(173,176,159) 100_EUP_S3_3Q: rgb(194,197,179) 100_EUP_S3_3R: rgb(230,229,215) === ENTRY 101: SEVERANCE - SEV === 101_SEV_S1_1A: Ben Stiller 101_SEV_S1_1B: Jessica Lee Gagné 101_SEV_S1_1C: Andrew Geary 101_SEV_S1_1D: Cool, Desaturated, Blue 101_SEV_S1_1E: 2.39 - Anamorphic 101_SEV_S1_1F: Film - 35mm, Digital, Digital - Large Format 101_SEV_S1_1G: Extreme Wide 101_SEV_S1_1H: Aerial, Establishing shot 101_SEV_S1_1J: Wide 101_SEV_S1_1K: Balanced 101_SEV_S1_1M: Hard light, High contrast, Silhouette 101_SEV_S1_1N: Artificial light, Practical light 101_SEV_S1_1P: Day 101_SEV_S1_1Q: Interior 101_SEV_S1_1R: Sony VENICE 101_SEV_S1_1S: Panavision C series, Panavision H series, Panavision Primo 70s 101_SEV_S1_1T: Not Specified 101_SEV_S1_2A: Soft Gradient 101_SEV_S1_2B: Halation Bloom 101_SEV_S1_2C: Crushed Black 101_SEV_S1_2D: Clean Digital 101_SEV_S1_2E: Soft Diffusion 101_SEV_S1_2F: Modern Clean 101_SEV_S1_2G: Low Key / Chiaroscuro 101_SEV_S1_2H: Pastel / Muted 101_SEV_S1_2J: Monochromatic Cool 101_SEV_S1_2K: Halation / Bloom 101_SEV_S1_2M: Chaotic Scatter 101_SEV_S1_2N: Infinite Scale 101_SEV_S1_2P: Minimalist 101_SEV_S1_2Q: Monochromatic 101_SEV_S1_2R: Deep 101_SEV_S1_2S: Low Key 101_SEV_S1_3A: rgb(8,7,7) 101_SEV_S1_3B: rgb(7,8,8) 101_SEV_S1_3C: rgb(10,8,10) 101_SEV_S1_3D: rgb(13,17,24) 101_SEV_S1_3E: rgb(37,66,93) 101_SEV_S1_3F: rgb(93,78,93) 101_SEV_S1_3G: rgb(55,97,124) 101_SEV_S1_3H: rgb(84,140,165) 101_SEV_S1_3J: rgb(123,162,182) 101_SEV_S1_3K: rgb(178,164,178) 101_SEV_S1_3M: rgb(187,188,202) 101_SEV_S1_3N: rgb(214,220,224) 101_SEV_S1_3P: rgb(229,225,228) 101_SEV_S1_3Q: rgb(228,230,230) 101_SEV_S1_3R: rgb(232,231,231) === ENTRY 102: THE RING - RNG === 102_RNG_S1_1A: Gore Verbinski 102_RNG_S1_1B: Bojan Bazelli 102_RNG_S1_1C: Dale E. Grahn 102_RNG_S1_1D: Cool, Saturated, Green 102_RNG_S1_1E: 1.85 - Super 35 102_RNG_S1_1F: Film - 35mm 102_RNG_S1_1G: Extreme Close Up 102_RNG_S1_1H: Insert 102_RNG_S1_1J: Long Lens 102_RNG_S1_1K: Center 102_RNG_S1_1M: Not Specified 102_RNG_S1_1N: Artificial light 102_RNG_S1_1P: Night 102_RNG_S1_1Q: Interior 102_RNG_S1_1R: Arricam LT 102_RNG_S1_1S: Cooke S4/i 102_RNG_S1_1T: Not Specified 102_RNG_S1_2A: Rapid 102_RNG_S1_2B: Soft Roll-off 102_RNG_S1_2C: Tinted/Stained 102_RNG_S1_2D: Fine Film Grain 102_RNG_S1_2E: Clinically Sharp 102_RNG_S1_2F: Modern Clean 102_RNG_S1_2G: Low Key / Chiaroscuro 102_RNG_S1_2H: Dense / Subtractive 102_RNG_S1_2J: Monochromatic Cool 102_RNG_S1_2K: Creamy / Soft Shoulder 102_RNG_S1_2M: Rule of Thirds 102_RNG_S1_2N: Shallow Separation 102_RNG_S1_2P: Minimalist 102_RNG_S1_2Q: Monochromatic 102_RNG_S1_2R: Shallow 102_RNG_S1_2S: Low Key 102_RNG_S1_3A: rgb(13,2,3) 102_RNG_S1_3B: rgb(5,7,9) 102_RNG_S1_3C: rgb(19,15,11) 102_RNG_S1_3D: rgb(28,43,31) 102_RNG_S1_3E: rgb(43,76,52) 102_RNG_S1_3F: rgb(65,72,44) 102_RNG_S1_3G: rgb(80,94,55) 102_RNG_S1_3H: rgb(58,101,72) 102_RNG_S1_3J: rgb(97,144,107) 102_RNG_S1_3K: rgb(117,166,139) 102_RNG_S1_3M: rgb(167,204,190) 102_RNG_S1_3N: rgb(187,215,205) === ENTRY 103: AG JEANS - AGJ === 103_AGJ_S1_1A: Amber Grace Johnson 103_AGJ_S1_1B: Gaul Porat 103_AGJ_S1_1C: Kath Raisch 103_AGJ_S1_1D: Cool, Saturated, Blue, Purple 103_AGJ_S1_1E: 1.66 103_AGJ_S1_1F: Not Specified 103_AGJ_S1_1G: Medium Close Up 103_AGJ_S1_1H: Insert 103_AGJ_S1_1J: Long Lens 103_AGJ_S1_1K: Center 103_AGJ_S1_1M: Low contrast 103_AGJ_S1_1N: Daylight 103_AGJ_S1_1P: Sunset 103_AGJ_S1_1Q: Interior 103_AGJ_S1_1R: Not Specified 103_AGJ_S1_1S: Not Specified 103_AGJ_S1_1T: Not Specified 103_AGJ_S1_2A: Soft Gradient 103_AGJ_S1_2B: Soft Roll-off 103_AGJ_S1_2C: Lifted Milky 103_AGJ_S1_2D: Heavy Organic Grain 103_AGJ_S1_2E: Soft Diffusion 103_AGJ_S1_2F: Vintage Coating 103_AGJ_S1_2G: Lifted / Milky Shadows 103_AGJ_S1_2H: Dense / Subtractive 103_AGJ_S1_2J: Monochromatic Cool 103_AGJ_S1_2K: Creamy / Soft Shoulder 103_AGJ_S1_2M: Center-Punched 103_AGJ_S1_2N: Shallow Separation 103_AGJ_S1_2P: Chaotic 103_AGJ_S1_2Q: Analogous 103_AGJ_S1_2R: Shallow 103_AGJ_S1_2S: Mid-Tone 103_AGJ_S1_3A: rgb(58,33,48) 103_AGJ_S1_3B: rgb(49,40,66) 103_AGJ_S1_3C: rgb(62,55,83) 103_AGJ_S1_3D: rgb(86,49,69) 103_AGJ_S1_3E: rgb(112,77,95) 103_AGJ_S1_3F: rgb(86,93,129) 103_AGJ_S1_3G: rgb(122,111,106) 103_AGJ_S1_3H: rgb(112,115,151) 103_AGJ_S1_3J: rgb(153,107,114) 103_AGJ_S1_3K: rgb(155,110,110) 103_AGJ_S1_3M: rgb(127,126,157) 103_AGJ_S1_3N: rgb(155,132,138) 103_AGJ_S1_3P: rgb(156,150,143) === ENTRY 104: GLADIATOR - GLA === 104_GLA_S1_1A: Ridley Scott 104_GLA_S1_1B: John Mathieson 104_GLA_S1_1C: Skip Kimball 104_GLA_S1_1D: Cool, Desaturated, Blue 104_GLA_S1_1E: 2.35 - Anamorphic 104_GLA_S1_1F: Film - 35mm 104_GLA_S1_1G: Medium Close Up 104_GLA_S1_1H: Insert, Low angle 104_GLA_S1_1J: Telephoto 104_GLA_S1_1K: Center, Right heavy 104_GLA_S1_1M: Soft light 104_GLA_S1_1N: Moonlight 104_GLA_S1_1P: Night 104_GLA_S1_1Q: Exterior 104_GLA_S1_1R: Arriflex 35 IIIc, Panavision Gold / G2, Panavision Platinum, Aaton 35-III 104_GLA_S1_1S: Panavision Primo Primes 104_GLA_S1_1T: Not Specified 104_GLA_S1_2A: Rapid 104_GLA_S1_2B: Muted/Matte 104_GLA_S1_2C: Crushed Black 104_GLA_S1_2D: Fine Film Grain 104_GLA_S1_2E: Clinically Sharp 104_GLA_S1_2F: Modern Clean 104_GLA_S1_2G: Low Key / Chiaroscuro 104_GLA_S1_2H: Dense / Subtractive 104_GLA_S1_2J: Monochromatic Cool 104_GLA_S1_2K: Creamy / Soft Shoulder 104_GLA_S1_2M: Center-Punched 104_GLA_S1_2N: Telephoto Compression 104_GLA_S1_2P: Minimalist 104_GLA_S1_2Q: Monochromatic 104_GLA_S1_2R: Compressed 104_GLA_S1_2S: Low Key 104_GLA_S1_3A: rgb(0,0,0) 104_GLA_S1_3B: rgb(1,0,1) 104_GLA_S1_3C: rgb(1,3,2) 104_GLA_S1_3D: rgb(11,21,28) 104_GLA_S1_3E: rgb(36,67,94) 104_GLA_S1_3F: rgb(50,70,74) 104_GLA_S1_3G: rgb(70,92,91) 104_GLA_S1_3H: rgb(79,110,139) 104_GLA_S1_3J: rgb(101,130,156) 104_GLA_S1_3K: rgb(107,134,146) 104_GLA_S1_3M: rgb(115,142,161) === ENTRY 105: SEBERG - SEB === 105_SEB_S1_1A: Benedict Andrews 105_SEB_S1_1B: Rachel Morrison 105_SEB_S1_1C: Mitch Paulson 105_SEB_S1_1D: Mixed, Saturated, Cyan, Blue 105_SEB_S1_1E: 2.39 105_SEB_S1_1F: Film - 35mm 105_SEB_S1_1G: Extreme Wide, Wide 105_SEB_S1_1H: Establishing shot 105_SEB_S1_1J: Wide 105_SEB_S1_1K: Balanced 105_SEB_S1_1M: Soft light 105_SEB_S1_1N: Moonlight, Practical light, Mixed light 105_SEB_S1_1P: Night 105_SEB_S1_1Q: Exterior 105_SEB_S1_1R: Panavision Panaflex 105_SEB_S1_1S: Panavision C series, Panavision Super Speed Zeiss MKII, Panavision Ultra Speed MKII 105_SEB_S1_1T: 5203/7203 Vision 3 50D, 5207/7207 Vision 3 250D, 5219/7219 Vision 3 500T 105_SEB_S1_2A: Soft Gradient 105_SEB_S1_2B: Halation Bloom 105_SEB_S1_2C: Deep Rich 105_SEB_S1_2D: Fine Film Grain 105_SEB_S1_2E: Soft Diffusion 105_SEB_S1_2F: Anamorphic Distortion 105_SEB_S1_2G: Low Key / Chiaroscuro 105_SEB_S1_2H: Dense / Subtractive 105_SEB_S1_2J: Teal & Orange 105_SEB_S1_2K: Creamy / Soft Shoulder 105_SEB_S1_2M: Frame-within-Frame 105_SEB_S1_2N: Deep Z-axis 105_SEB_S1_2P: Balanced 105_SEB_S1_2Q: Complementary 105_SEB_S1_2R: Deep 105_SEB_S1_2S: Low Key 105_SEB_S1_3A: rgb(15,21,18) 105_SEB_S1_3B: rgb(12,33,47) 105_SEB_S1_3C: rgb(41,39,26) 105_SEB_S1_3D: rgb(42,66,87) 105_SEB_S1_3E: rgb(73,69,43) 105_SEB_S1_3F: rgb(37,86,80) 105_SEB_S1_3G: rgb(8,91,100) 105_SEB_S1_3H: rgb(37,91,104) 105_SEB_S1_3J: rgb(96,91,68) 105_SEB_S1_3K: rgb(49,121,117) 105_SEB_S1_3M: rgb(142,135,102) 105_SEB_S1_3N: rgb(64,155,150) 105_SEB_S1_3P: rgb(119,159,151) 105_SEB_S1_3Q: rgb(168,156,125) 105_SEB_S1_3R: rgb(225,215,192) === ENTRY 106: KNIGHT OF CUPS (Shot 4) - KOC === 106_KOC_S4_1A: Terrence Malick 106_KOC_S4_1B: Emmanuel Lubezki 106_KOC_S4_1C: Bryan McMahan 106_KOC_S4_1D: Mixed, Saturated, Cyan, Blue 106_KOC_S4_1E: 2.35 - Anamorphic, Super 35 106_KOC_S4_1F: Film - 35mm 106_KOC_S4_1G: Extreme Wide, Wide 106_KOC_S4_1H: 3 shot, Establishing shot 106_KOC_S4_1J: Wide 106_KOC_S4_1K: Center 106_KOC_S4_1M: Underlight 106_KOC_S4_1N: Daylight, Artificial light, Mixed light 106_KOC_S4_1P: Night 106_KOC_S4_1Q: Exterior 106_KOC_S4_1R: ARRI ALEXA M, Arricam LT 106_KOC_S4_1S: Zeiss Master Primes, Panavision System 65 Lenses 106_KOC_S4_1T: 2.8K / 2.8K ArriRaw, 4K, Redcode Raw 106_KOC_S4_2A: Soft Gradient 106_KOC_S4_2B: Soft Roll-off 106_KOC_S4_2C: Deep Rich 106_KOC_S4_2D: Clean Digital 106_KOC_S4_2E: Clinically Sharp 106_KOC_S4_2F: Modern Clean 106_KOC_S4_2G: S-Curve / Punchy 106_KOC_S4_2H: Vibrant / Digital Pop 106_KOC_S4_2J: Teal & Orange 106_KOC_S4_2K: Creamy / Soft Shoulder 106_KOC_S4_2M: Leading Lines 106_KOC_S4_2N: Deep Z-axis 106_KOC_S4_2P: Balanced 106_KOC_S4_2Q: Complementary 106_KOC_S4_2R: Deep 106_KOC_S4_2S: Low Key 106_KOC_S4_3A: rgb(24,16,21) 106_KOC_S4_3B: rgb(34,30,24) 106_KOC_S4_3C: rgb(23,34,47) 106_KOC_S4_3D: rgb(30,41,37) 106_KOC_S4_3E: rgb(30,64,103) 106_KOC_S4_3F: rgb(105,80,94) 106_KOC_S4_3G: rgb(107,86,76) 106_KOC_S4_3H: rgb(60,95,128) 106_KOC_S4_3J: rgb(58,118,102) 106_KOC_S4_3K: rgb(81,154,141) 106_KOC_S4_3M: rgb(109,149,175) 106_KOC_S4_3N: rgb(166,157,140) 106_KOC_S4_3P: rgb(131,184,175) 106_KOC_S4_3Q: rgb(165,206,202) 106_KOC_S4_3R: rgb(175,219,217) === ENTRY 107: THE IDOL (Shot 3) - TID === 107_TID_S3_1A: Sam Levinson 107_TID_S3_1B: Marcell Rév 107_TID_S3_1C: Scot Starbuck, Tom Poole 107_TID_S3_1D: Mixed, Saturated, Cyan, Blue 107_TID_S3_1E: 2.00 - Spherical 107_TID_S3_1F: Film - 35mm 107_TID_S3_1G: Extreme Wide 107_TID_S3_1H: Establishing shot, Low angle 107_TID_S3_1J: Wide 107_TID_S3_1K: Balanced 107_TID_S3_1M: Soft light 107_TID_S3_1N: Artificial light 107_TID_S3_1P: Night 107_TID_S3_1Q: Exterior 107_TID_S3_1R: Arricam LT, Arriflex 435 Xtreme 107_TID_S3_1S: Leitz SUMMICRON-C, Leitz SUMMILUX-C 107_TID_S3_1T: Not Specified 107_TID_S3_2A: Rapid 107_TID_S3_2B: Halation Bloom 107_TID_S3_2C: Crushed Black 107_TID_S3_2D: Fine Film Grain 107_TID_S3_2E: Soft Diffusion 107_TID_S3_2F: Vintage Coating 107_TID_S3_2G: Low Key / Chiaroscuro 107_TID_S3_2H: Dense / Subtractive 107_TID_S3_2J: Teal & Orange 107_TID_S3_2K: Halation / Bloom 107_TID_S3_2M: Negative Space 107_TID_S3_2N: Flat Planar 107_TID_S3_2P: Minimalist 107_TID_S3_2Q: Complementary 107_TID_S3_2R: Flat 107_TID_S3_2S: Low Key 107_TID_S3_3A: rgb(14,12,13) 107_TID_S3_3B: rgb(15,13,10) 107_TID_S3_3C: rgb(17,20,19) 107_TID_S3_3D: rgb(15,29,37) 107_TID_S3_3E: rgb(18,79,103) 107_TID_S3_3F: rgb(81,80,59) 107_TID_S3_3G: rgb(71,112,109) 107_TID_S3_3H: rgb(29,117,134) 107_TID_S3_3J: rgb(41,158,164) 107_TID_S3_3K: rgb(132,144,146) 107_TID_S3_3M: rgb(52,167,165) 107_TID_S3_3N: rgb(140,171,165) 107_TID_S3_3P: rgb(151,208,200) 107_TID_S3_3Q: rgb(202,209,202) 107_TID_S3_3R: rgb(221,225,212) === ENTRY 108: THE BLING RING - TBR === 108_TBR_S1_1A: Sofia Coppola 108_TBR_S1_1B: Harris Savides, Christopher Blauvelt 108_TBR_S1_1C: Brandon Fisher 108_TBR_S1_1D: Mixed, Saturated, Blue 108_TBR_S1_1E: 1.85 108_TBR_S1_1F: Digital 108_TBR_S1_1G: Extreme Wide 108_TBR_S1_1H: Aerial, Establishing shot, High angle 108_TBR_S1_1J: Wide 108_TBR_S1_1K: Center 108_TBR_S1_1M: Hard light 108_TBR_S1_1N: Artificial light 108_TBR_S1_1P: Night 108_TBR_S1_1Q: Exterior 108_TBR_S1_1R: RED Epic 108_TBR_S1_1S: Not Specified 108_TBR_S1_1T: Not Specified 108_TBR_S1_2A: Hard Cut 108_TBR_S1_2B: Hard Clipping 108_TBR_S1_2C: Crushed Black 108_TBR_S1_2D: Clean Digital 108_TBR_S1_2E: Clinically Sharp 108_TBR_S1_2F: Modern Clean 108_TBR_S1_2G: Low Key / Chiaroscuro 108_TBR_S1_2H: Vibrant / Digital Pop 108_TBR_S1_2J: Teal & Orange 108_TBR_S1_2K: Hard Clip 108_TBR_S1_2M: Center-Punched 108_TBR_S1_2N: Deep Z-axis 108_TBR_S1_2P: Balanced 108_TBR_S1_2Q: Complementary 108_TBR_S1_2R: Deep 108_TBR_S1_2S: Low Key 108_TBR_S1_3A: rgb(6,4,6) 108_TBR_S1_3B: rgb(5,6,6) 108_TBR_S1_3C: rgb(5,8,12) 108_TBR_S1_3D: rgb(17,12,9) 108_TBR_S1_3E: rgb(88,56,42) 108_TBR_S1_3F: rgb(75,65,48) 108_TBR_S1_3G: rgb(47,93,129) 108_TBR_S1_3H: rgb(96,86,92) 108_TBR_S1_3J: rgb(120,82,64) 108_TBR_S1_3K: rgb(168,113,93) 108_TBR_S1_3M: rgb(153,141,148) 108_TBR_S1_3N: rgb(182,140,120) 108_TBR_S1_3P: rgb(137,155,170) 108_TBR_S1_3Q: rgb(219,212,199) 108_TBR_S1_3R: rgb(220,226,234) ENTRY 109: NO ENTRY ENTRY 110: NO ENTRY ENTRY 111: NO ENTRY ENTRY 112: NO ENTRY ENTRY 113: NO ENTRY ENTRY 114: NO ENTRY ENTRY 115: NO ENTRY ENTRY 116: NO ENTRY ENTRY 117: NO ENTRY ENTRY 118: NO ENTRY ENTRY 119: NO ENTRY ENTRY 120: NO ENTRY ENTRY 121: NO ENTRY ENTRY 122: NO ENTRY ENTRY 123: NO ENTRY ENTRY 124: NO ENTRY ENTRY 125: NO ENTRY ENTRY 126: NO ENTRY ENTRY 127: NO ENTRY ENTRY 128: NO ENTRY ENTRY 129: NO ENTRY ENTRY 130: NO ENTRY